Information
Technology
Material
he device equipped with a camera eye turns his rounds outside the laboratory as a mobile scanner, which is also hit and supervisor. Passion5 is an atmospheric installation
Descriptions & Essays
The intervention of Knowbotic Research includes several, sometimes contradictory levels. On the one hand, it reflects political culture in the early 21st Century, pointing to its limits. mutate to a worker moving recorded chants to mere sound that is emitted by a circular road around the building cleaning machine. In parallel, a micro-engineering of ETH is engaged to bring in the foundry hall itself a controlled flying robot to fly. The device equipped with a camera eye turns his rounds outside the laboratory as a mobile scanner, which is also hit and supervisor. Passion5 is an atmospheric installation that revolves around various forms of passion: the passion of demonstrating in the public space as a form of traditional protesting and the passion of research, represented by a scientist who develops a playful curiosity systems which are well suited for monitoring and optimization security in public areas are suitable.
Literature
Fuller, Matthew. »The Cat Seemed to Think There was Enough of it Now in Sight.« Online Publication on Artist´s Homepage (2010).
Meyer, Eva. »Me as MacGhillie.« In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic Research. Berlin, Zürich: Diaphenes Verlag, 2010.
Broeckmann, Andreas. »The Naked Bandit in the Theatre of Visibilities. Control, Attention
and Performance in Recent Projects by Knowbotic Research.« Knowbotic Research (online) (2010).
Schmidt, Sabine Maria. »be prepared! tiger!.« Article Artist´s Homepage.
Nechvatal, Joseph. Immersive Ideals / Critical Distances. Saarbrücken: LAP Lambert Academic Publishing, 2009, 2009.
Paul, Christiane. Digital Art. World of Art Series, New York: Thames and Hudson Ltd., 2008.
Popper, Frank. From Technological to Virtual Art. Cambridge, MA: MIT Press, 2006.
krcf. »Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign.« In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.
Arns, Inke and Jacob Lillemose. »Es arte contemporáneo, imbecil - Comisarios de arte digital para
sacarlos del gueto, a minima.« new media, actual art 13 (2005): 164-175.
krcf. »Knowbotic Research The Dilemma: Naked bandit Transcoding Extra-territorialities,
Floating Sovereignties and Non-publics.« keine genaue Jahresangabe.
Exhibitions & Events