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Time Capsule
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Eduardo Kac
Time Capsule
,
1997
Co-workers & Funding
Co-Worker: Seigo Matsuoka
https://www.ekac.org/timcap.html
http://www.ekac.org/matrix.html
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Description
Keywords
Technology & Material
Exhibitions & Events
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Documents
Time Capsule
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Interview: One on One (Part 1)
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Interview: One on One (Part 2)
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1920 × 1080
Description
"Time Capsule" is a work-experience that lies somewhere between a local event-installation, a site-specific work in which the site itself is both my body and a remote database, a simulcast on TV and the Web, and interactive webscanning of my body. The live component of the piece was realized on November 11, 1997, in the context of the exhibition "Arte Suporte Computador", at the cultural center Casa da Rosas, in Sao Paulo, Brazil. "Time Capsule" was carried live on the evening newscast of the TV station Canal 21 and on tape by two other TV stations (TV Manchete and TV Cultura). The webscast was transmitted by Casa das Rosas.
The object that gives the piece its title is a microchip that contains a programmed identification number and that is integrated with a coil and a capacitor, all hermetically sealed in biocompatible glass. The temporal scale of the work is stretched between the ephemeral and the permanent; i.e., between the few minutes necessary for the completion of the basic procedure, the microchip implantation, and the permanent character of the implant. As with other underground time capsules, it is under the skin that this digital time capsule projects itself into the future.
http://www.ekac.org/timcap.html
Keywords
aesthetics
interactive
performative
site-specific
genres
bioart
installations
interactive installations
performance art
video performances
subjects
Body and Psychology
bodies (animal components)
Technology & Material
Hardware
microchip
Method
INCORPORATING BIOTECHNOLOGY
To consider some of these questions, we need only to look closer at the present, not the future. If one's unique signature is in the genetic code, in order to leave an undeniable authentic mark one doesn't need to sign his or her name in blood. A special pen containing ink infused with one's own DNA, which is currently available to fight counterfeiting, is all that is needed. Radar tracking, or the use of tagging and tracking technology to monitor at a distance the position and behavior of animals as small as a butterfly and as large as a whale, is also a case in point. The emergence of biometrics, with its conversion of irrepeatable personal traits--such as iris patterns and fingerprint contours--into digital data, is a clear sign that the closer technology gets to the body the more it tends to permeate it. The current successful use of microchips in spinal injury surgery already opens up an unprecedented area of inquiry, in which bodily functions are stimulated externally and controlled via microchips. Experimental medical research towards the creation of artificial retinas, using microchips in the eye to enable the blind to see, for example, forces us to accept the liberating effects of intrabody microchips. At the same time, the legal seizing and patenting of DNA samples from indigenous cultures by biotech companies, and their subsequent sale through the Internet, shows that not even the most personal of all biological traits is immune to greed and to technology's omnipresence.
Exhibitions & Events
Arquivo Vivo
2013
Eduardo Kac
2007
ARCO 2006
2006
Pan/Sonic
2005
Media City
2002
Electronic Maple
2001
Archiving as Art
2000
Interstanding 3
1999
Arte Suporte Computador
1997
Bibliography
Kac, Eduardo and Samantha Mealing and Rachel De Joode and Herbert Gmoser
.
»Time Capsule: Eduardo Kac on telepresence in memory, corporeality, and augmentation.«
Archive of Digital Art.
Tomasula, Steve
.
»Kacs Zeitkapsel: Selbsteinkapselung.«
Kunstforum
151 (July-September 2000): 125-129.
Ascott, Roy
, ed.
Reframing Consciousness
. Plymbridge: Intellect Books, 1999.
Paul, Christiane
.
»Time Capsule.«
Intelligent Agent
2, no. 2 (1998): 4-13.