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Uirapuru
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© ©Bild: Jason Sachs
Eduardo Kac
Uirapuru
,
1999
Co-workers & Funding
Co-Worker: Michael Mackenzie
http://www.ekac.org/uirapuru.html
Top
Information
Documents
Description
Keywords
Technology & Material
Exhibitions & Events
Bibliography
Documents
Der "Uirapuru" für ICC-Besucher
image/jpeg
275 × 162
image/jpeg
365 × 224
Description
Uirapuru (1996/99), by Eduardo Kac, was shown from October 15 to November 28, 1999, at the InterCommunication Center (ICC), Tokyo. A flying fish hovers above a forest in the gallery, responding to local as well as Web-based commands. Audio and video from its point of view are streamed on the Web. Local and remote participants interact with the avatar of the flying fish in a virtual world. When this happens the flying fish sings in the gallery. "Pingbirds" (robotic birds) sing Amazonian bird songs in the gallery in response to the rhythm of Internet traffic. Pingbirds monitor the rhythm of the Internet by sending ping commands to a server in the Amazon. This work unites telepresence, multi-user virtual reality, and networking into a single realm of experience.
http://www.ekac.org/uirapuru.html
Keywords
aesthetics
acoustic
interactive
genres
installations
interactive installations
subjects
Nature and Environment
animals
Technology and Innovation
telepresence
Technology & Material
Interface
The flying telerobotic fish can be controlled both through a local interface and the Web
My version of the legend reinvents Uirapuru's dual status as a real animal and a mythical creature through an experience that is at once local and remote, virtual and physical. The flying telerobotic fish is a blimp that can be controlled both through a local interface and through the Web. The local interface is a fish-shaped object that can be handled and moved freely in space. When participants control it, Uirapuru moves accordingly in the gallery. Sensors in the gallery track the movement of the telerobotic fish in three-dimensions and send data to the VRML server. As a result, Uirapuru's avatar moves in the virtual space according to the movement of the telerobotic fish in the gallery. Video from the point of view of the telerobotic fish is seen in the gallery and is streamed live on the web.
Exhibitions & Events
ICC Biennale 1999
1999
Bibliography
Popper, Frank
.
»The Transgenic Art of Eduardo Kac.«
Artpress
276 (February 2002).
Bosco, Roberta and Stefano Caldana
.
»Un Mundo Verde Fluorescente.«
Ciberp@is Mensual
, no. 15 (Octobre 2001).
Kac, Eduardo
.
»Eduardo Kac: Teleporting an Unkown State.«
In
Teleporting an Unknown State
, edited by Peter Tomaz Dobrila and Aleksandra Kostic, 4-7. Maribor, Slovenia: KIBLA Maribor, 1998.
Kac, Eduardo
.
»Eduardo Kac: Dialogues.«
Dialogue: Arts in the Midwest
18, no. 1 (Jan/Feb 1995): 14-16.
Osthoff, Simone and Eduardo Kac
.
»Eduardo Kac -- The Aesthetics of Dialogue.«
.