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Unexpected Growth
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© Tamiko Thiel ; www.tamikothiel.com
Tamiko Thiel
Unexpected Growth
,
2018
–
2019
Co-workers & Funding
Augmented Reality Installation by Tamiko Thiel and /p, 2018
In the collection of the Whitney Museum of American Art New York. Commissioned for the exhibition: "
Programmed: Rules, Codes, and Choreographies in Art, 1965–2018"
https://tamikothiel.com/unexpectedgrowth/
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Unexpected Growth on the 6th floor terrace, Whitney Museum of American Art, New York
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Unexpected Growth, showing 3 phases of bleaching
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Description
Perturbations in the natural order have torn the fabric of the space-time continuum, and unexpected growths are seeping into our world - perhaps from our own future. Augmented reality apps transform our mobile devices into "ARscopes;" allowing us to see into these parallel dimensions that co-exist and overlay our own so-called "reality."
One such growth has been discovered on the 6th floor terrace of the Whitney Museum of American Art. The growths are movable, and are periodically reshuffled by passing waves.
This strange growth seems to respond to the mediated human gaze on a daily cycle, absorbing electromagnetic energy from our "ARscopes." Over the course of a day, depending on the number of people viewing it, the accumulated exposure seems to cause the growth to bleach. More investigation and longer terms studies will be needed to see the longer term effects of human interference with its growth cycle.
What we can say so far is that the growths seem to be an odd mixture of coral animals and plastic. They are clearly following principles of Lindenmayer systems, algorithmic, branching growth as is common in many corals. It is unclear however how the plastics are becoming incorporated into living systems, and what effects these coral-plastic symbioses will have on the larger ecosystems, especially on animals all along the foodchain - up to human beings - who feed off of sea flora and fauna.
Another troublesome aspect is that the reefs on the 6th floor terrace are clearly underwater. If they are really coming from our future, when will the waters of New York Harbor reach this disturbingly high level? Are such symbioses our future, as plastic waste becomes more numerous than the fish in the sea?
"Programmed: Rules, Codes, and Choreographies in Art, 1965–2018" is organized by Christiane Paul, Adjunct Curator of Digital Art, and Carol Mancusi-Ungaro, Melva Bucksbaum Associate Director for Conservation and Research, and Clémence White, curatorial assistant.
Unexpected Growth seeks to playfully engage the public in two very serious threats to ocean ecosystems: ocean borne plastic waste and coral bleaching caused by global warming. The links below are a work in progress as I seek positive responses to how they can be solved - or at least ameliorated.
When we conceived the project we though we were creating a science fiction future scenario. But in 2019 divers discovered what they thought was a new coral reef off the coast of Greece was actually entirely made of plastic garbage - from an illegal waste dump, swept into the sea by storms.
Preventing catastrophic global warming is technically possible but politically difficult. Corporations and governments will not take action unless we put massive pressure on them. If you really do love your children and your grandchildren, get active NOW to give them a planet worth living on.
Keywords
aesthetics
animated
contextual
installation-based
site-specific
genres
installations
augmented reality (AR)
subjects
Nature and Environment
earth
global warming
plants
water
weather
Technology & Material
Exhibitions & Events
Ecodata
2020
Illusionary Nature. Digital Worlds
2019
Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
2018
Bibliography