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Galapagos
previous artwork
Karl Sims
Galapagos
,
1997
Co-workers & Funding
Genetische Kunst a w
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Galapagos
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Galapagos
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600 × 375
Description
Galápagos is an interactive Darwinian evolution of virtual "organisms." Twelve computers simulate the growth and behaviors of a population of abstract animated forms and display them on twelve screens arranged in an arc. The viewers participate in this exhibit by selecting which organisms they find most aesthetically interesting and standing on step sensors in front of those displays. The selected organisms survive, mate, mutate and reproduce. Those not selected are removed, and their computers are inhabited by new offspring from the survivors. The offspring are copies and combinations of their parents, but their genes are altered by random mutations. Sometimes a mutation is favorable, the new organism is more interesting than its ancestors, and is then selected by the viewers. As this evolutionary cycle of reproduction and selection continues, more and more interesting organisms can emerge.
This process of interactive evolution can be of interest for two reasons. First, it has potential as a tool that can produce results that can not be produced in any other way, and second, it provides a unique method for studying evolutionary systems.
Karl Sims
Keywords
aesthetics
anthropomorph
multiple
panoramatic
performative
visual
subjects
Art and Science
biology
Nature and Environment
evolution
technology
displays
electronic displays
Technology & Material
Exhibitions & Events
transmediale.10: futurity now!
2010
Sieben Hügel, Bilder und Zeichen des 21. Jahrhunderts / Seven Hills, Images and Signs of the 21st Century
2000
Make Your Move: Interactive Computer Art
1999
Boston Cyberarts Festival 1999
1999
Sims: Galápagos
1997
Bibliography
Grau, Oliver
.
Virtual Art: From Illusion to Immersion
. Cambridge, MA: MIT Press, 2003.
Frauenfelder, Mark
.
»Do-It-Yourself Darwin. Karl Sims Invites You to Play God Among the Machines.«
Wired Magazine
6.10 (1998).
Fifield, George
.
»Art by Natural Selection.«
Art New England
(August/ September 1997): 5.