the puppet(s)

kondition pluriel
© Maison de la Culture Mont-Royal, Montreal, CA, 2006 ; kondition pluriel

Marie-Claude Poulin

the puppet(s) , – ongoing
Co-workers & Funding
Concept: Marie-Claude Poulin, Martin Kusch / Sound environment: Alexandre St-Onge / Performance: Catherine Tardif, Guy Trifiro / Contribution to movement research: Benoît Lachambre, Dominique Porte / Costumes: Louis Hudon / Light design: Éric Belley / Sensor system: Technology Playgroup / Consultation to the software programming: Alexandre Burton / Technical direction: Éric Belley

Residency:
Maison de la culture Plateau Mont-Royal, Montreal

With the support of:
Conseil des arts et des lettres du Québec, Canada Council for the Arts,
Conseil des Arts de Montréal
https://konditionpluriel.org/?artworks=the-puppets-the-body-as-an-interface
Mnemosyne
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Description
Two dancers, a visual artist and a sound artist, perform live. Performing bodies as an interface between the spectators and the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment. Participants make artistic choices in a climate of structured improvisation. Tendencies towards dialogue, confrontation, collaboration, domination, or game-playing. Relationships develop between the spectators and the performers. The active spectators become performers themselves.

Find more information about this work under the following links:
https://konditionpluriel.org/?artworks=the-puppets-the-body-as-an-interface&lang=en
https://vimeo.com/315846767
Keywords
  • aesthetics
    • autopoietic
    • collaborative
    • contextual
    • ephemeral
    • experimental
    • generative
    • installation-based
    • interactive
    • intermedial
    • multi-user
    • narrative
    • networked
    • performative
    • processual
    • projected
    • real-time
    • site-specific
    • sonification
    • tactile
    • time-based
    • visual
  • genres
    • conceptual art
      • art interventions
    • hybrid art
    • installations
      • interactive installations
      • performative installations
    • performance art
      • computer performances
      • multimedia performances
      • video performances
    • sound art
      • sound installations
      • sound performances
  • subjects
    • Art and Science
      • algorithms
      • dynamical systems
      • research
    • Arts and Visual Culture
      • dance
      • expanded cinema
      • panoramas
      • projections
      • spectator
      • theater
      • visual culture
    • Body and Psychology
      • gesture
      • movement
      • perception
      • performativity
    • Media and Communication
      • electronic media
      • intermediality
      • visualization
    • Technology and Innovation
      • intelligent environment
Technology & Material
Method
works based on media manipulation by body-data
interactive-tactile choreographic installation
Exhibitions & Events
the puppet(s)
Bibliography
0 publications