[In code]

Martin Kusch
© Ufer Studios, Berlin, DE, 2012 ; Martin Kusch

kondition pluriel

[In code] , ongoing
Co-workers & Funding
Concept and artistic direction: Marie-Claude Poulin / Performance and choreographic research: Marie-Claude Poulin, Emma W. Howes / Media environment and scenography: Martin Kusch / Sound: Alexandre St-Onge, Martin Kusch / Costume: Max Wohlkönig / Advisors: Johanna Hegenscheidt, Martin Kusch, Elisabeth Molle, Katharina Rustler

With the support of:
Deutscher Bühnenverein, Germany.
Conseil des arts et des lettres du Québec, Canada Council for the Arts, Conseil des Arts de Montréal
Documents
  • [In code]
    image/png
    900 × 546
  • [In code]
    video/mp4
    1280 × 720
  • [In code]
    image/jpeg
    4096 × 2731
  • [In code]
    image/jpeg
    4096 × 2731
  • [In code]
    image/jpeg
    5184 × 3456
  • [In code]
    image/jpeg
    570 × 380
Description
The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles, whose overall score brings together a set of somatic performative instructions for humans, and a coded program for autonomous artificial beings. Natural life will give way to artificial life, which will eventually erase it.

Find more information about this work under the following links:
https://konditionpluriel.org/?artworks=incode&lang=en
https://vimeo.com/konditionpluriel/in-code
Keywords
  • aesthetics
    • animated
    • automated
    • autopoietic
    • ephemeral
    • experimental
    • generative
    • intermedial
    • narrative
    • performative
    • processual
    • projected
    • real-time
    • site-specific
    • sonification
    • time-based
    • visual
  • genres
    • hybrid art
    • performance art
      • computer performances
      • multimedia performances
      • video performances
    • sound art
      • sound performances
  • subjects
    • Art and Science
      • code
      • research
    • Arts and Visual Culture
      • spectator
      • theater
    • Body and Psychology
      • agency
      • bodies (animal components)
      • embodiment
      • empathy
      • gesture
      • movement
      • perception
      • performativity
      • self awareness
      • senses
      • speech
    • Technology and Innovation
      • artificial life
      • digitization
      • intelligent environment
Technology & Material
Method
choreographic work with generative projections
generative choreography and video work
Exhibitions & Events
Bibliography