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Outrossim [Otherwise]
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Source: Eduardo KacEduardo Kac, Outrossim, 2013, two different anamorphic QR codes, user’s cell phone, Internet, 4 x 40ft (1.20 x 12m).
Eduardo Kac
Outrossim [Otherwise]
,
2014
–
ongoing
Co-workers & Funding
Oi Futuro, Rio de Janeiro, for Kac's solo show Poesia Digital: 1982-1999, Oi Futuro, Ipanema, Rio de Janeiro
https://www.fondazionebonotto.org/en/collection/poetry/kaceduardo/11069.html
http://www.ekac.org/outrossim.html
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Information
Documents
Description
Keywords
Technology & Material
Exhibitions & Events
Bibliography
Documents
outrossim 1
image/jpeg
720 × 478
Outrossim 2
image/jpeg
720 × 478
Outrossim 3
image/jpeg
2550 × 3300
Outrossim 4
image/jpeg
3264 × 1836
Outrossim
image/jpeg
3264 × 1836
Description
This work is composed of two different anamorphic QR codes in a 40ft (12m) vitrine.
Once the lens of the cell phone converts the distorted images into squares, the QR app in the phone automatically reads the two codes and renders the animations visible. The poem has two complementary animations, each accessed through one of the distinct anamorphic QR codes. The code seen in each side of the vitrine offers the reader not only a distinct visual perspective, but also a different approach to the meanings of the poem. - Eduardo Kac
Keywords
aesthetics
anamorphic
assembled
interactive
mobile
telematic
genres
telematic art
subjects
Arts and Visual Culture
poetry
Media and Communication
Internet
telephones
visualization
writing
Technology & Material
Installation Requirements / Space
QR Code Reader, Physical Gallery Space, Internet Connection, Mobile Phone with Camera
Method
This work is composed of two different anamorphic QR codes in a 40ft (12m) vitrine.
Once the lens of the cell phone converts the distorted images into squares, the QR app in the phone automatically reads the two codes and renders the animations visible. The poem has two complementary animations, each accessed through one of the distinct anamorphic QR codes. The code seen in each side of the vitrine offers the reader not only a distinct visual perspective, but also a different approach to the meanings of the poem.
Exhibitions & Events
Poesia digital, 1982 - 1999
2014
Bibliography
Bohn, Williard
.
Reading Visual Poetry
. Madison: Fairleigh Dickinson, 2011.
Kac, Eduardo
, ed.
Media Poetry: An International Anthology
. 2 th ed.Bristol: intellect, 2007.