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Plüschlove
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© Plüschlove, 1984 — Still from video[ Plush love, 1984 ]Videotape4´30min., sound; Commodore C64 with digitizer and graphics tablet, animations programmed in Basic, video camera, U-matic lowbandIn co-production with Gudrun Bielz ; Ruth Schnell & Gudrun Bielz
Ruth Schnell
Plüschlove
,
1984
Co-workers & Funding
In co-production with Gudrun Bielz
https://ruthschnell.org/en/works/pluschlove/
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Information
Documents
Description
Keywords
Technology & Material
Exhibitions & Events
Bibliography
Documents
Plüschlove
image/jpeg
768 × 576
Plüschlove
video/mp4
720 × 576
04:37
Plüschlove
image/jpeg
768 × 576
Plüschlove
image/jpeg
768 × 576
Plüschlove
image/jpeg
768 × 576
Plüschlove
image/jpeg
583 × 464
Plüschlove
image/jpeg
768 × 576
Description
Videotape
[English title, Plush love]
Love scenes from two movie classics are rasterized, overdrawn, overstretched and squeezed, slowed down and accelerated by the computer. 'Plüschlove' is a montage of real, digitized (i.e. computer-generated) and computer-modified images. Theme: trivia love.
Peter Weibel's title proposal: "Fake Papers".
Keywords
subjects
Arts and Visual Culture
film (discipline)
technology
hardware
video (analog)
Technology & Material
Hardware
Commodore C64 with digitizer and graphics tablet, video camera, U-matic lowband
Material
Commodore C64 with digitizer and graphics tablet, animations programmed in Basic, video camera, U-matic lowband
Software
Basic
Sound
4'30 min
Exhibitions & Events
Ars Electronica 1986: Terminal Kunst
1986
Bibliography
Geyrhofer, Friedrich
.
»Der blamierte Computer.«
Wiener
(November 1985).