Search
Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Body Scanned Architecture
previous artwork
next artwork
© Interactive computer installationAustrian Pavilion, La Biennale di Venezia, 1995Opaque acrylic glass, live camera, video projector, mirror, Silicon Graphics onyx computer, Silicon Graphics Extreme 2Software design: Gideon May ; Ruth Schnell
Ruth Schnell
Body Scanned Architecture
,
1995
Co-workers & Funding
Software design: Gideon May
https://www.ruthschnell.org/en/works/body-scanned-architecture/
Top
Information
Documents
Description
Keywords
Technology & Material
Exhibitions & Events
Bibliography
Documents
Body Scanned Architecture
image/jpeg
2835 × 2835
Body Scanned Architecture
image/jpeg
4200 × 4008
Body Scanned Architecture
image/jpeg
384 × 288
Body Scanned Architecture
image/jpeg
384 × 288
Body Scanned Architecture
video/mp4
320 × 240
00:57
Body Scanned Architecture
image/jpeg
384 × 288
Body Scanned Architecture
image/jpeg
384 × 288
Body Scanned Architecture
image/jpeg
384 × 288
Body Scanned Architecture
image/jpeg
384 × 288
Description
Interactive computer installation
"With the interactive video/computer environment, Body Scanned Architecture, presented at the Venice Biennale, Ruth Schnell explores a classic interface concept between real architecture (from the Hoffmann pavilion) and imaginary architecture, primarily based on virtual shaped elements by visionary architect Friedrich Kiesler.* A projection screen works as the interface between real space and cyberspace. A virtual camera moves helically over the virtual architecture landscape. The observer's body is captured by a video camera. Its image on the screen serves as a moving three-dimensional window through which the observer can get a glimpse of the imaginary architecture, which is grounded in absent space (atropia, utopia)."
- Ruth Schnell, quoting Peter Weibel in "Ruth Schnell oder der Körper als Schnittstelle zwischen realen und virtuellen Räumen [Ruth Schnell or the body as an interface between real and virtual spaces]"
*Friedrich Kiesler went into exile, while Josef Hoffmann, a sympathizer of Austro-Fascism, was honoured in Austria.
Keywords
genres
installations
interactive installations
technology
displays
electronic displays
projectors
hardware
video (analog)
Technology & Material
Hardware
Silicon Graphics onyx computer, video projector
Material
Opaque acrylic glass, live camera, video projector, mirror, Silicon Graphics onyx computer, Silicon Graphics Extreme 2
Software
Silicon Graphics Extreme 2
Exhibitions & Events
Zeichenbau - Real Virtualities
1999
46th Venice Biennale/La Biennale di Venezia 46
1995
Bibliography
Koweindl, Daniela
.
»Ruth Schnell.«
In
La Casa, il Corpo, il Cuore - Konstruktion der Identitäten
, edited by Lóránd HegyiVienna: Museum of Modern Art Ludwig Foundation (MUMOK), 1999.
Schnell, Ruth
.
»In/different Spaces.«
Lecture, 1999 as part of the project Differenz held at the Institute of Art History of the University of Innsbruck. Published in: Institute of Art History of the University of Innsbruck (editor): Differenz, Innsbruck.
Hofleitner, Johanna
.
»Das Sehen re-konstruieren.«
EIKON - Internationale Zeitschrift für Photographie & Medienkunst
24 (1998).
Aigner, Carl
.
»Tektonische Körper.«
In
On the occasion of La Biennale di Venezia 1995
, edited by Ruth SchnellVienna: 1995.
Weibel, Peter
.
»Ruth Schnell oder der Körper als Schnittstelle zwischen realen und virtuellen Räumen.«
In
On the occasion of La Biennale di Venezia 1995
, edited by Ruth SchnellVienna: 1995.