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64 Samples
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© Pip Greasley, Dave Everitt, Mike Quantril ; Dave Everitt
Dave Everitt
64 Samples
,
2000
Co-workers & Funding
Mike Quantrill, Pip Greasley, Matt Rogalsky
https://e-artlab.com/wired-n-dangerous/
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Description
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64 Samples (2000)
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825 × 825
64 Samples (2000)
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64 Samples (2000)
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64 Samples (2000)
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64 Samples (2000)
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813 × 663
64 Samples (2000)
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811 × 664
64 Samples (2000)
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Description
Keywords
aesthetics
acoustic
animated
collaborative
contextual
ephemeral
performative
projected
sonification
visual
genres
digital activism
digital animation
installations
performative installations
performance art
computer performances
multimedia performances
video performances
sound art
sound performances
subjects
Art and Science
code
databases
Media and Communication
information
Power and Politics
surveillance
Society and Culture
digital identity
individuality
information society
participation
privacy
Technology & Material
Method
situational participatory event, in which 64 portraits and vocal samples were taken from attendants at the event. During the conference, the work was coded in “Emergency Artlab” time and performed live at the end of the event.
64 virtual “cubes of flesh” were created onto which the portraits and a random barcode was added. During performance, the cubes gradually emerged from a larger “flesh cube” while the vocal samples were mixed and performed live during the process. They were also later incorporated into a separate interactive piece.
The idea was to highlight the willingness with which we give away personal data, which is collected and demographically processed—typically for sale to interested parties—often without our explicit permission. The work was a playful attempt to showcase this process with willing participants from a live audience, with no ulterior motives.
If you were one of the participants, you can find yourself here:
https://e-artlab.com/wired-and-dangerous/64-participants.html
Exhibitions & Events
Bibliography