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INCUBATOR
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Source: Berlot
Uršula Berlot
INCUBATOR
,
2002
–
ongoing
Co-workers & Funding
Tao G. Vrhovec Sambolec (sound, interactive installation)
SCCA – World of Art, Škuc Gallery, MOL City of Ljubljana, Ministry of Culture RS
http://www.ursulaberlot.com/?avada_portfolio=incubator&portfolioID=9&lang=en
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Description
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Documents
INCUBATOR
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Description
multimedia interactive sound-light installation
The Incubator is an interactive audio-visual installation that represents a self-sustained, circularly arranged dynamic system that translates tactile signals into audio and visual events. A viewer strolling through a completely darkened space is randomly touched or bumped into drifting fans and sensors that transmit air and tactile impulses to the electronic interface. It triggers instantaneous flashes of lights that create individual projections of transparent images and sound in a way that gives a sense of the presence of phantom-like intangible entities. The title (Incubator) refers to self-referentiality and autonomy of a dynamic 'living' system, its circular organization ('autopoieses' in terms of F. Varela's definition), whose transformations are triggered by the viewer. – Uršula Berlot
'While the artists use light, the video camera and digital sound this technology is not in and itself the subject of their art. they have the power of transformers. (...) There is a self conscious space of sound, light and wind which stimulate our sensual engagement and ask a question about the nature of everyday enviroment. Then the viewer plunges in the enviroments that invite him to slow down: silence, contemplation, stilness and the infinite nuances of light and dark structure which assumes new import against the bright, relentness dynamism of the contemporary urban background.' – (exerpt from curatorial text for Camera Lucida exhibition, Škuc Gallery, Ljubljana, SCCA – World of Art, 2002)
Keywords
aesthetics
experimental
immaterial
installation-based
interactive
genres
installations
interactive installations
subjects
Art and Science
dynamical systems
experiments
light (energy)
space
Arts and Visual Culture
projections
spectator
theory
complexity
Body and Psychology
bodies (animal components)
movement
perception
self awareness
Media and Communication
intermediality
Religion and Mythology
mysticism
visions
Technology and Innovation
intelligent environment
optics
Technology & Material
Hardware
movement and touch sensors
Method
electronic interface, lights, sound, ventilators
Exhibitions & Events
Camera Lucida
2002
Bibliography
.
.
»Camera Lucida, exhibition at Gallery Škuc, SCCA, Center for Contemporary Arts – World of Art 2002.«
.
(2002).