Dolphin (1989) sums up most of what can be done with color. In creating the composition, I relied on one of my saved, default palettes. Then I pulled up my Pixel Color Wheel™ and ran in through a sequence of variations, testing the effects of color changes until I devised an entirely new palette. After matching the color changes with the Dolphin palette, I replaced the original scheme with my new one. I used color high lights in lieu of any shading algorithms. The image was output to an analog film recorder.