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Matières sensibles (Sensitive matters)
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Source: scenocosme : Grégory Lasserre & Anaïs met den Ancxt
Gregory Lasserre & Anais met den Ancxt - Scenocosme
Matières sensibles (Sensitive matters)
,
2013
–
ongoing
Co-workers & Funding
scenocosme : Grégory Lasserre & Anaïs met den Ancxt
https://www.scenocosme.com/matiere_e.htm
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Matières sensibles (Sensitive matters)
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Matières sensibles (Sensitive matters)
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Matières senibles
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03:31
scenography
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Description
Matières sensibles (Sensitive matters) is a serie of sculptures made of very thin and delicate wood veneer sheets. Here the artists use ash wood. These sheets of wood have distinct sonorous touch zones that follow the natural veins of wood. The researches of Scenocosme have enabled them to develop an artistic and technical process invisible and delicate.
A meticulous and invisible design work gives them the ability to define a musical score spread over different areas of the wood. They have invented this process of Bio hacking that they call «interactive marquetry».
Their wood sculptures produce sounds when the spectators touch them. They use sounds to stimulate haptic and gestural behaviour. Thus, the design of these sculptures looks like instruments which reveal by the touch various kind of sounds. According to sculptures, the relation can be sonorous or at the same time visual and sonorous.
Since many years, Scenocosme’s artists invent interactive works through a singular process of hybridizations between natural elements and technology. They create symbolic and sensorial relationships between the body and the environment natural or social. These wood sculptures offer a sensory and intimate relationship between the wood and the body of the viewer by revealing a sound memory in physical contact with the matter. The electrostatic energy of the human body is the trigger for this artwork. Interactive zones follow exactly the veins of wood.
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This artwork has received the Human Interface Award / Phaenomenale / Science & Art Festival / Phaeno Science Center - Wolfsburg (Germany)
Collection : FRAC Alsace / Fonds régional d’art contemporain - Sélestat (Fr)
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Keywords
aesthetics
polysensory
sculptural
sonification
genres
installations
interactive installations
sound art
sound installations
subjects
Art and Science
botany
Arts and Visual Culture
music
sculpting
Body and Psychology
bodies (animal components)
perception
senses
Nature and Environment
energy
Nature
plants
technology
displays
non-electronic displays
bodies (as non-electronic displays)
Technology & Material
Hardware
Sheet of Wood
interactive device
Audio system
Software
Bio Hacking
Exhibitions & Events
Festival Canal Connect / Teatros del canal / "Máquina Orgánica" - Madrid (Spain) / Curator : Charles Carcopino
2023
Musée de Vence / Fondation Émile Hugues - Vence (France) / Scenocosme / solo show
2022
Biennale Internationale Saint-Paul de Vence
2021
FRAC Alsace / Fonds régional d’art contemporain / Ré-flexions / Curator : Felizitas Diering - Sélestat (Fr)
2019
Labanque - Centre d'arts visuels / "scenocosme - Empathies" - Béthune (Fr)
2017
ISEA 2016 Hong Kong International Symposium on Electronic Art
2016
ZKM | Center for Art and Media Karlsruhe / "Globale : Exo-Evolution" - Karlsruhe (Germany)
2015
Unpainted / media art fair - Munich (Germany)
2014
FILE (Electronic Language International Festival) / "In the digital Tracking" - Sao-Paulo (Brazil)
2014
A-part, festival international d’art contemporain - Saint-rémy-de-provence (Fr)
2013
Bibliography