Be Now Here

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»Be now here«, 1995 – 2002(Installationsansicht)
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Viewer wears 3D glasses and views a large immersive screen. The child is in Timbuktu, Mali.
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"Opera glass" style polarized glasses
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The top of the input pedestal
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Be Now Here is an installation about landscape and public places. Visitors gain a strong sense of place by wearing 3-D glasses and stepping into an immersive virtual environment. The imagery is of public plazas on the UNESCO World Heritage Centre's list of endangered places - Jerusalem, Dubrovnik, Timbuktu, and Angkor, Cambodia - places both exotic and disturbing. The style is ambient, as if the imagery is live.

For production, a unique recording system was built consisting of two 35mm motion-picture cameras (for 3D, one for each eye) mounted on a rotating tripod. The installation consists of an input pedestal for interactively choosing place and time, a stereoscopic projection screen, four-channel audio, and a 16-foot rotating floor on which the viewers stand.

Be Now Here is an extension of several media trajectories. One is of enhanced cinematic representation, such as the Imax-sized projections of the Lumiere brothers in 1900 and the 3-screen triptychs of Abel Gance’s Napoleon in 1927. Another is of non-narrative cultural activism, such as the films of Godfrey Reggio and Tony Gatlif. But Be Now Here also points forward: as a simulation of what net cinema can be, it is both a regard and a provocation.

Michael Naimark