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The Southern Ocean Studies
previous artwork
Source: Baily, Corby&MacKenzie
Corby & Baily & Mackenzie
The Southern Ocean Studies
,
2009
–
2010
Co-workers & Funding
Nathan Cunningham and Claire Tancell from the British Antarctic Survey.
Funding: UK Arts and Humanities Research Council and the University of Westminster
Gavin Baily, Tom Corby, Jonathan Mackenzie.
http://www.reconnoitre.net/bas/
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Information
Documents
Description
Keywords
Technology & Material
Exhibitions & Events
Bibliography
Documents
Video Promo Southern Ocean Studies
video/mp4
640 × 472
02:51
corby & baily ocean
image/jpeg
1024 × 683
corby & baily ocean
image/jpeg
1024 × 683
corby & baily ocean
image/jpeg
683 × 1024
corby & baily ocean
image/jpeg
683 × 1024
corby&baily ocean
image/jpeg
1024 × 683
Description
In 2009 we began a project with the British Antarctic Survey to explore how the data it derives from its research in the Southern Ocean could be redeployed in public forms. The project builds out from the conceptual themes achieved in our previous work Cyclone.soc, but specifically explores the phenomena of climate models as vehicles of communication of environmental change and as emergent cultural phenomena in their own right.
The Southern Ocean Studies are part of a series of projects which aims to explore how Climate Models can function as representations of climate change beyond their original scientific contexts and purpose, i.e. as art media with expressive, conceptual and critical potential. The climate models used as the basis for the work described here, use data parameters specific to the dynamics of the Antarctic Circumpolar Current which is a major component of the Southern Ocean.
Keywords
aesthetics
animated
genres
database art
digital graphics
subjects
Art and Science
databases
scientific images
Media and Communication
visualization
Nature and Environment
earth
environment
Nature
weather
Technology and Innovation
simulation
technology
displays
electronic displays
projectors
Technology & Material
Software
The documentation you see here shows the Southern Ocean circulating the Antarctic land mass (central). The project software runs in real-time generating the ocean currents on the fly, to which are mapped various other ecological data sets. These geophysical couplings mesh in real time, to produce flickering constellations of tidal flow, wind direction and biotic form.
Whilst respecting the underlying science, the work seeks to develop a sensibility to the dynamics of ecological complexity as pattern and felt experience rather than quantity and measure. In doing so we hope to articulate an aesthetic of system-ness – a metonym for the interconnected forces operative within ecosphere to which lived human behavior contributes and is a part.
Exhibitions & Events
How we Became Metadata
2010
Bibliography
Ludovico, Alessandro
.
»New Zealand Report.«
Neural.it
32 (Spring 2009).
Corby, Tom
.
»Landscape of Feeling, Arenas of Action: Information Visualization as Art Practice.«
Leonardo
41, no. 5 (October 2008): 460-467.
Corby, Tom and Gavin Baily
.
»Extra-Ordinary Practices.«
In
Extra-Ordinary Practices: A Retrospective of British Media Art
, , 53-64. Dresden: 2006.
Baumgärtel, Tilman
.
»Media Online.«
In
Art Meets Media: Adventures in Perception
, , 138ff. Tokyo: NTT Publishing Co., 2005.
Corby, Tom
, ed.
Network Art: Practices and Positions
. London: Routledge, 1990.