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Satellite Contact
Source: Uriel Orlow
Uriel Orlow
Satellite Contact
,
2004
–
2005
Co-workers & Funding
Ruth Maclennan
https://urielorlow.net/work/satellite-contact/
Top
Information
Documents
Description
Keywords
Technology & Material
Exhibitions & Events
Bibliography
Documents
Satellite Contact - Installation View
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Description
Satellite Contact is a two-screen video portrait of the British National Archives (formerly known as the Public Records Office). Satellite Contact never touches the ground: it takes the viewer on an hour-long roller-coaster ride through the guts of one of the most extensive national archives in the world. In a digital age, the mechanical eyes of two cameras facing forward and backward, move to the rhythm of another mechanised system, used for circulating and delivering papers. The video cameras trail documents from strongrooms, along corridors, above ceilings, behind walls and out into the hubbub of the public reading rooms. Creating a mise-en-scène of the materiality of the archive, Satellite Contact touches the very fabric of the architecture which houses a vast historical resource. Surprising patterns and forms, ranging from the Mondrianesque to constructivism, the monochromatic and to minimalist seriality emerge from and recede into the internal lining of the building. The two synchronous cameras reveal an inhuman rhythm of perception: they see what cannot be seen by human eyes, and make connections between the material, functional, ontological and poetic qualities of the archive, as well as evoke networks of communication, digital data-flow and neo-Fordist production lines.
Keywords
aesthetics
immaterial
projected
genres
installations
interactive installations
subjects
Art and Science
representation of knowledge
Arts and Visual Culture
architecture
expanded cinema
gaze
panoramas
History and Memory
archives
collective memory
preservation
Power and Politics
democracies
Technology & Material
Installation Requirements / Space
Satellite Contact
Two-Screen Video Projection with sound, 1 hour, 2004-5
a collaboration with Ruth Maclennan
Exhibitions & Events
How we Became Metadata
2010
Bibliography
Orlow, Uriel
.
The Benin Project
. London, UK: future perfect, 2007.
Orlow, Uriel
.
Deposits
. Berlin, Zürich: The Greenbox, 2006.
Orlow, Uriel and Ruth Maclennan
.
Re: the Archive, the Image, and the Very Dead
. London: Double Agents, 2004.