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Genesis
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Source: Eduardo Kac
Eduardo Kac
Genesis
,
1999
Co-workers & Funding
Funding: Daniel Langlois Foundation, Montreal, and the Institute for Studies in the Arts, Arizona State University, Tempe.
http://www.ekac.org/geninfo2.html
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Information
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Description
Keywords
Technology & Material
Exhibitions & Events
Bibliography
Documents
Genesis
image/jpeg
700 × 384
image/jpeg
800 × 963
Description
Genesis is a transgenic artwork that explores the intricate relationship between biology, belief systems,information technology, dialogical interaction, ethics, and the Internet. The key element of the work is an "artist's gene", a synthetic gene that was created by Kac by translating a sentence from the biblical book of Genesis into Morse Code, and converting the Morse Code into DNA base pairs according to a conversion principle specially developed by the artist for this work. The sentence reads: "Let man have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moves upon the earth." It was chosen for what it implies about the dubious notion of divinely sanctioned humanitys supremacy over nature. The Genesis gene was incorporated into bacteria, which were shown in the gallery. Participants on the Web could turn on an ultraviolet light in the gallery, causing real, biological mutations in the bacteria. This changed the biblical sentence in the bacteria. The ability to change the sentence is a symbolic gesture: it means that we do not accept its meaning in the form we inherited it, and that new meanings emerge as we seek to change it.
EDUARDO KAC
Keywords
aesthetics
remediated
visual
genres
bioart
transgenic art
subjects
Art and Science
biology
Arts and Visual Culture
poetry
Religion and Mythology
Bibles
Technology & Material
Material
The initial process in this work is the cloning of the synthetic gene into plasmids and their subsequent transformation into bacteria. A new protein molecule is produced by the gene. Two kinds of bacteria are employed in the work: bacteria that have incorporated a plasmid containing ECFP (Enhanced Cyan Fluorescent Protein) and bacteria that have incorporated a plasmid containing EYFP (Enhanced Yellow Fluorescent Protein). ECFP and EYFP are GFP (Green Fluorescent Protein) mutants with altered spectral properties. The ECFP bacteria contain the synthetic gene, while the EYFP bacteria do not. These fluorescent bacteria emit cyan and yellow light when exposed to UV radiation (302 nm). As they grow in number mutations naturally occur in the plasmids. As they make contact with each other plasmid conjugal transfer takes place and we start to see color combinations, possibly giving rise to green bacteria. Transgenic bacterial communication evolves as a combination of three visible scenarios: 1 - ECFP bacteria donate their plasmid to EYFP bacteria (and vice-versa), generating green bacteria; 2 - No donation takes place (individual colors are preserved); 3 - Bacteria loose their plasmid altogether (become pale, ochre colored).
Exhibitions & Events
Polímatas
2019
Y se hizo la luz (Et facta est lux)
2014
Seeing/Knowing
2012
Art and Artificial Life - VIDA 1999-2012
2012
Seconde Nature Festival 2009
2009
Interspecies
2009
Genesis – The Art of Creation
2008
Human Nature: Future World
2007
Genesis – Life at the End of Information Age
2007
Communicating Vessels
2007
Eduardo Kac
2007
Installations
2006
Genesis
2004
Genesis
2004
Genesis
2004
Art of the Biotech Era
2004
Genesis
2004
Genesis
2004
Genesis
2004
L'Art Biotech
2003
Genesis
2003
Gene(sis) Contemporary Art Explores Human Genomics
2003
Genesis
2003
Electronics Alive 2003
2003
Mensch und Tier. Eine paradoxe Beziehung
2002
Gene(sis): Contemporary Art Explores Human Genomics
2002
El Final del Eclipse
2002
El Final del Eclipse
2002
Festival d'art numérique@rt Outsiders
2002
Genesis
2002
El Final del Eclipse
2002
Genesis 2
2001
Yokohama Triennale 2001
2001
The End of the Eclipse. Latin American Art from the Transition into the XXI Century
2001
Interactive Domains
2001
Genesis
2001
Fournos
2001
Paradise Now
2001
El Final del Eclipse
2001
Genesis
2000
PARADISE NOW: Picturing the Genetic Revolution
2000
Ars Electronica 1999: LifeScience
1999
Bibliography
Kac, Eduardo
.
Biopoetry
. Berlin: AcquAvivA, 2016.
Kac, Eduardo
.
»Biopoetry.«
http://www.ekac.org/biopoetry.html.
Stocker, Gerfried
.
»Aufbruch.«
In
Genesis
, edited by O.K. Center for Contemporary Art, 38-40. Linz: 1999.
Kac, Eduardo
.
»Genesis.«
In
Ars Electronica 1999: LifeScience
, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 1999.
Stocker, Gerfried
.
»Uprising.«
In
Genesis
, edited by O. K. Center for Contemporary Art, 41-43. Linz: 1999.