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Conclusive Evidence
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Olga Kisseleva
Conclusive Evidence
,
2007
Co-workers & Funding
>>thanks to
Pierre Uhrich, SYRTE laboratory, CNRS – Observatoire de Paris
Roger Malina, Laboratory of Astrophysics, CNRS, Marseille
http://www.kisseleva.org/
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Information
Documents
Description
Keywords
Technology & Material
Exhibitions & Events
Bibliography
Documents
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Description
Conclusive Evidence is the title of one of Vladimir Nabokov's novels, which deals with his experience of emigration. In the Russian version, which appeared a few years later, the same novel was called Other Shores. This play on the titles is all the more pertinent when related to the artist's idea of demonstrating that the distance between two points situated at antipodes is close to zero. To illustrate such "moments of cosmic synchronization" described by Nabokov in "Conclusive evidence", Olga Kisseleva chose the shores of Marseilles and of Vladivostok. The artist's equations on gravitation allowed for Marseilles and Vladivostok to communicate at the speed of light, disrupting our physical and mental apprehension of the world and introducing the notion of an "in-between".
>>thanks to
Pierre Uhrich, SYRTE laboratory, CNRS – Observatoire de Paris
Roger Malina, Laboratory of Astrophysics, CNRS, Marseille
>>shows
Conclusive Evidence, Dukan & Hourdequin gallery, Marseille, France, carte blanche by Alexandra Fau, and ARKA Gallery, Vladivostok, Russia, 2007 (solo show)
Keywords
aesthetics
installation-based
Technology & Material
Installation Requirements / Space
conclusive evidence
video, sculpture, photos and light installation
Exhibitions & Events
It might never happen, curated by Christian Debize, opening program of the Centre Pompidou Metz, Metz, France
2010
No soul for sale, curated by Cecilia Alemani, Massimiliano Gioni and Maurizio Cattelan
2010
Pandora's Box, Fundación Joan Miró, Barcelona, Spain,
2009
Indomitable Women, BAC, Contemporary Culture Centre of Barcelona, Spain
2009
FOOTNOTES on Geopolitics, Market and Amnesia
2007
documenta 12
2007
Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker
2007
Nuit Blanches
2006
7. International Istanbul Biennial
2001
Bibliography
Moscow Museum of Modern Art
, ed.
The History of Gender and Art in Post-Soviet Space
. Moscow: MMOMA, 2010.
Groys Boris and Degot Ekaterina and Riff David and Costinas Cosmin
.
Shockworkers of the Mobile Image - Catalog
. Ekaterinburg: 1st Ural Industrial Biennial of Contemporary Art, 2010.
Kisseleva, Olga and Oliver Grau
.
»Theory and Practice of Media Art: Aesthetic Parergons and Perspectives.«
In
First Post Industrial Contemporary Art Biennale
, edited by NCCAEkaterinburg: NCCA, 2010.
Kisseleva, Olga
.
Indomitable Women
. Barcelona, ES: Video Art World, 2010.
Zhukova, Daria and Herve Mikaeloff and Dimitri et. al. Ozerkov
.
Futurologia
. Moscow, Russia: CCC Garage, 2010.
Kisseleva, Olga
, ed.
Divers fait
. Paris: Jannink Editions, 2010.
Kisseleva, Olga
.
»Still Life as a Dictionary.«
In
Conference at Art Bruxelles
, Brussels: 2010.
Kisseleva, Olga
.
INTER-ESSAI: Oeuvre en dialogue
. Saarbrücken: Editions Universitaires Europeenes, 2010.
Kisseleva, Olga and Elena Sorakina and Natasa Petresin-Bachelez
.
»Communism´s Afterlives: Part II.«
In
Proceedings of the Conference Communism's Afterlife
, Brussels: The Public School, 2010.
Kisseleva, Olga
.
»To be here and there: General Relativity and Quantum Physics.«
In
PLASTK Art and Science 1, Université Paris 1, Panthéon-Sorbonne
, edited by Olga KisselevaParis: Université de Paris I, Panthéon-Sorbonne, 2010.