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Heavens Gate - Anamorphic
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Source: Jeffrey Shaw
Jeffrey Shaw
Heavens Gate - Anamorphic
,
1993
–
ongoing
Co-workers & Funding
Coauthor: Harry de Wit (sound)
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Information
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Description
Keywords
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Documents
Heavens Gate - Anamorphic
image/jpeg
1280 × 960
Heavens Gate - Anamorphic
video/mp4
960 × 720
02:23
Heavens Gate - Anamorphic
image/gif
570 × 428
Heavens Gate - Anamorphic
image/gif
570 × 428
Heavens Gate - Anamorphic
image/gif
570 × 428
Heavens Gate - Anamorphic
image/gif
570 × 428
video/webm
640 × 480
14:41
video/webm
640 × 480
14:39
Heaven`s Gate
image/x-ms-bmp
480 × 360
image/x-ms-bmp
480 × 360
Heaven`s Gate
image/x-ms-bmp
480 × 360
Description
This version of Heavens Gate uses the original video material of this work, but presents it in a somewhat different viewing situation. By means of digital post-processing this video material has been anamorphically deformed, and is projected onto a screen in the center of which there is a large mirror surfaced cylinder. Reflected on this cylindrical mirror, the anamorphic distortion of the projected image is optically corrected, so as to present a coherent virtual representation of the original material to the viewer. The recurrent references to Baroque ceiling paintings in Heavens Gate, with their tromp l'oeil perspectival manipulations of form and space, is hereby extended by a further level of optical illusionism. At the same time this strategy of representation engages itself to the contemporary technologies of image virtualisation.
Keywords
aesthetics
anamorphic
illusionary
installation-based
panoramatic
projected
virtual
visual
genres
installations
subjects
Art and Science
geometry
Arts and Visual Culture
architecture
art history
panoramas
perspective
virtuality
Religion and Mythology
myths
religions
Technology and Innovation
digitization
optics
technology
hardware
video (analog)
Technology & Material
Method
Post-processing
Exhibitions & Events
Arslab 2: I Sensi del Virtuale
1995
Intercommunication 93
1993
Bibliography