Prompting a continuum between nature and culture, between species, and among the senses, Kac’s work questions the structures, mediations, and ultimately the supremacy of vision in art, while promoting synesthetic experiences that rearticulate individual consciousness within social, cultural, and finally environmental realms. In addition, his work addresses issues of spectatorship by emphasizing participatory action and two-way communication. Kac’s hybrid networks of physical and virtual spaces dislocate audiences within environments that examine how vision, touch, hearing and voice are facilitated and constrained by the structures and mediation of technology. Within his networked environments, dialogical communication among humans, animals, plants, microorganisms and machines is never given, but instead must be construed by participants word-by-word, frame-by-frame.