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Computer Graphics 1982
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Simon Biggs
Computer Graphics 1982
,
1982
http://www.littlepig.org.uk/videos/pieces82/pieces82.htm
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Description
Stills from a series of computer generated animations
These works were produced using a home-built S-100 bus system employing asynchronous 8MHz/11MHz 8080/8088 (8 bit/16 bit) CPU's and Matrox video cards with home-developed digital to analogue video converters recording realtime directly to Broadcast Video UMatic. (source: http://www.littlepig.org.uk/)
Keywords
aesthetics
animated
real-time
genres
digital graphics
Technology & Material
Installation Requirements / Space
Computer Graphics 1982
Stills from a series of computer generated animations
These works were produced using a home-built S-100 bus system employing asynchronous 8MHz/11MHz 8080/8088 (8 bit/16 bit) CPU's and Matrox video cards with home-developed digital to analogue video converters recording realtime directly to Broadcast Video UMatic.
Produced Adelaide, Australia 1982
Exhibitions & Events
The Biennale of Electronic Arts 04, Perth (BEAP)
2004
user_mode = emotion + intuition in art + design
2003
Bibliography
Biggs, Simon and Penny Travlou
.
»Distributed Authorship and Creative Communities.«
Dichtung Digital (online)
41 (2012).
Biggs, Simon
.
»Second Life: how may it augment our first (learning) life? A review of the current and potential use of Second Life in creative arts education..«
(2009).
Biggs, Simon and Mariza Dima and Henrik Ekeus and Sue AND Timmons Hawksley and Mark Wright
.
»The "H" in HCI: Enhancing Perception of Interaction through the Performative.«
In
Virtual and Mixed Reality
, edited by R. ShumakerVol.LNCS 5622. , 3-12. Berlin, Heidelberg: Springer Verlag, 2009.
Biggs, Simon
.
»Multimedia, Multiculturalism, Language and the Avantgarde.«
http://littlepig.org.uk/texts/epoetry.htm[12.04.2015.