Corrida - Logique de la Perception

Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
Source: Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi

Jeffrey Shaw

Corrida - Logique de la Perception , – ongoing
Co-workers & Funding
with Fabienne de Quasa Riera and Shusaku Takauchi
Mnemosyne
Last updated:
Documents
  • Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
    Corrida
    image/jpeg
    500 × 335
  • Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
    Corrida - Logique de la Perception
    image/jpeg
    853 × 1280
  • Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
    Corrida - Logique de la Perception
    image/jpeg
    1280 × 960
  • Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
    Corrida - Logique de la Perception
    image/jpeg
    853 × 1280
  • Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
    Corrida - Logique de la Perception
    video/mp4
    720 × 576
  • Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
    Corrida - Logique de la Perception
    image/jpeg
    1280 × 960
  • Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
    Corrida - Logique de la Perception
    image/jpeg
    1280 × 960
  • Jeffrey Shaw, Fabienne de Quasa Riera and Shusaku Takauchi
    Corrida - Logique de la Perception
    image/jpeg
    1280 × 960
Description
The event took place in two adjacent rooms. In the first Shusaku gave a Buto performance on the edge of a raised circular steel construction within which the image of a black bull was painted on the white floor. A video camera pointed at this situation was connected to a computer in the second room. Here a large video- projection showed a digitally processed version of the performance. The image processing was characterized by its very slow frame-rate and the reduction to just two colors - black and white. The projection was accompanied by a very loud soundtrack of music normally performed at a bull fight.
Keywords
  • aesthetics
    • acoustic
    • documenting
    • duplicated
    • performative
    • projected
    • real-time
    • remediated
    • three-dimensional
    • virtual
    • visual
  • genres
    • digital graphics
    • installations
      • interactive installations
      • performative installations
    • performance art
      • computer performances
    • sound art
      • sound installations
    • telematic art
  • subjects
    • Arts and Visual Culture
      • mirrors
      • perspective
      • virtuality
      • visual culture
    • Body and Psychology
      • bodies (animal components)
      • perception
      • performativity
    • History and Memory
      • traditions
    • Media and Communication
      • information
      • visualization
    • Nature and Environment
      • animals
    • Technology and Innovation
      • digitization
  • technology
    • displays
      • electronic displays
        • projection screens
      • non-electronic displays
        • bodies (as non-electronic displays)
    • hardware
      • video (analog)
Technology & Material
Exhibitions & Events
Corrida
World Wide Video Festival 83
Corrida
Bibliography
0 publications