The Southern Ocean Studies

Source: Baily, Corby&MacKenzie

Corby & Baily & Mackenzie

The Southern Ocean Studies ,
Co-workers & Funding
Nathan Cunningham and Claire Tancell from the British Antarctic Survey.
Funding: UK Arts and Humanities Research Council and the University of Westminster

Gavin Baily, Tom Corby, Jonathan Mackenzie.
Documents
  • Video Promo Southern Ocean Studies
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  • corby & baily ocean
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  • corby & baily ocean
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  • corby & baily ocean
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  • corby & baily ocean
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Description
In 2009 we began a project with the British Antarctic Survey to explore how the data it derives from its research in the Southern Ocean could be redeployed in public forms. The project builds out from the conceptual themes achieved in our previous work Cyclone.soc, but specifically explores the phenomena of climate models as vehicles of communication of environmental change and as emergent cultural phenomena in their own right.

The Southern Ocean Studies are part of a series of projects which aims to explore how Climate Models can function as representations of climate change beyond their original scientific contexts and purpose, i.e. as art media with expressive, conceptual and critical potential. The climate models used as the basis for the work described here, use data parameters specific to the dynamics of the Antarctic Circumpolar Current which is a major component of the Southern Ocean.
Keywords
  • aesthetics
    • animated
  • genres
    • database art
    • digital graphics
  • subjects
    • Art and Science
      • databases
      • scientific images
    • Media and Communication
      • visualization
    • Nature and Environment
      • earth
      • environment
      • Nature
      • weather
    • Technology and Innovation
      • simulation
  • technology
    • displays
      • electronic displays
        • projectors
Technology & Material
Software
The documentation you see here shows the Southern Ocean circulating the Antarctic land mass (central). The project software runs in real-time generating the ocean currents on the fly, to which are mapped various other ecological data sets. These geophysical couplings mesh in real time, to produce flickering constellations of tidal flow, wind direction and biotic form.

Whilst respecting the underlying science, the work seeks to develop a sensibility to the dynamics of ecological complexity as pattern and felt experience rather than quantity and measure. In doing so we hope to articulate an aesthetic of system-ness – a metonym for the interconnected forces operative within ecosphere to which lived human behavior contributes and is a part.
Exhibitions & Events
Bibliography