»Holopoetry (Series/Concept) 1983-1993« 
Light Box
Light Box
© Eduardo Kac "HOLO/OLHO (HOLO/EYE)"
Reflection holograms mounted on wood and plexiglass
1983
Collection UECLAA, University of Essex, UK
Keywords
Information
Eduardo Kac >
»Holopoetry (Series/Concept) 1983-1993«, 1983 - 1993
Thesis: "HOLOPOETRY" Originally published in: New Media Poetry -- Poetic Innovation and New Technologies, Eduardo Kac, editor. Visible Language, Vol. 30, N. 2, 1996, pp. 184-212.
http://www.ekac.org/holopsynthesis.html
Locations/Collections:http://www.ekac.org/holop.collections.html
Technology
Display
Holographic Images- reflected, refracted, and reconstructed various optics/sources of light onto film or another physical surface.Material
LightMethod
Types of holographic images used: computer holographic stereograms, reflection holograms, multicolor holograms, laser transmission holograms, integral holograms, pulsed holograms, white light holograms.
Descriptions & Essays
Eduardo Kac 25-05-2022
Note from Eduardo Kac: "Please note that it is impossible to convey the readerly interactivity and the spatiotemporal qualities of these pieces on a web page. The documentary images below serve as an introduction to this work.
Six different points of view of the holopoem Adhuc are provided below as an example of the complex discontinuities that structure the syntax of these holopoems.
The three views of the holopoem Astray in Deimos illustrate other aspects unique to holopoetry: fluidity of the verbal sign and semantic interpolation, i.e., mutability of the actual topology of words in space leading to changes in meaning."
Source:
http://www.ekac.org/allholopoems.html
Eduardo Kac: Holopoetry (Series/Concept) 1983-1993, 25-05-2022, in: Archive of Digital Art Note from Eduardo Kac: "Please note that it is impossible to convey the readerly interactivity and the spatiotemporal qualities of these pieces on a web page. The documentary images below serve as an introduction to this work.
Six different points of view of the holopoem Adhuc are provided below as an example of the complex discontinuities that structure the syntax of these holopoems.
The three views of the holopoem Astray in Deimos illustrate other aspects unique to holopoetry: fluidity of the verbal sign and semantic interpolation, i.e., mutability of the actual topology of words in space leading to changes in meaning."
Source:
http://www.ekac.org/allholopoems.html
Literature
Kac, Eduardo. »Holopoetry und darüber hinaus.« Passauer Pegasus 15, no. 29/30 (1997): 106-119.
Kac, Eduardo. »Holopoetry.« Visible Language 30, no. 2 (1996): 184-212.
Kac, Eduardo and Eric Vos and Johanna Drucker. »Key Concepts of Holopoetry.« In Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960s, edited by K. David Jackson, 247-257. Amsterdam; Atlanta: Rodopi, 1996.
University of Kentucky, ed. Holopoetry. Essays, Manifestoes, Critical and Theoretical Writings. Lexington, US: New Media Editions, 1995.
Kac, Eduardo. »Statement on Holopoetry.« In Creative Holography Index, edited by Andrew PepperVol.2. 1, . Bergisch Gladbach: Monand Press, 1994.
Kac, Eduardo. »Photonic Webs in Time: The Art of Holography.« In New Media Technologies, edited by Ross Harley, 123-139. New South Wales, Australia: AFTRS, 1993.
Kac, Eduardo. »Holopoetry, Hypertext, Hyperpoetry.« In Proceedings of the Holographic Imaging Conference, edited by SPIE 2043, . Bellingham, WA: Holographic Imaging and Materials (Proc. SPIE 2043), Tung H. Jeong, Editor (Bellingham, WA: SPIE,, 1993.
Kac, Eduardo. »Recent Experiments in Holopoetry and Computer Holopoetry.« In Display Holography, edited by Tung H. Jeong, 229-236. Bellingham: 1991.
Kac, Eduardo. »Holopoetry and fractal holopoetry: Digital holography as an art medium.« Leonardo 22, no. 3/4 (1989): 397-402.
Kac, Eduardo. »Holopoetry and Perceptual Syntax.« Holosphere 14, no. 3 (Summer 1986): 25.
Kac, Eduardo. »Poesia Holográfica: as três dimensões do signo verbal.« In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.
Exhibitions & Events