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Bill Seaman
* 1956 Link to Artist Feature and Interview on ADA:

Archive of Digital Art (ADA). “Bill Seaman – artist profile”. (retrieved 2022-11-02). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Bill Seaman artist profile}, url = {}, urldate = {retrieved 2022-11-02}
Bill Seaman is a media artist and professor. He holds a Ph.D. from CAiiA, the Centre For Advanced Inquiry into the Interactive Arts a Master of Science in Visual Studies degree from the Massachusetts Institute of Technology (MIT), and a BFA at the San Francisco Art Institute. His works superimpose digital manipulated layers of images, video, music, texts, renderings and virtual reality. He works strategies in interactive installations and architectural realms to provoke reflection on language, knowledge, space and visual poetics. He is a member of the Duke Institute of Brain Sciences and Professor in the Department of Art, Art History & Visual Studies. He has exhibited in the United States, Europe, Canada, Australia and Japan and has won several international awards: a grant from the National Endowment for the Arts (United States, 1987), the Siemens Stipendium at the ZKM (Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, 1994), the Ars Electronica prize (interactive art section, Linz, Austria, 1992 and 1995) and first prize at the Berlin Video/Film Festival (multimedia art section, 1995). His works may be found in numerous private and public collections, including those of the Museum of Modern Art, New York, and the Mediamuseum, Karlsruhe.

2008-Present Professor (Tenured), Art, Art History, & Visual Studies, Duke University
2002-08 Professor, Founding Chair, Digital+Media Department and Graduate Program Director, RISD, Providence, R.I.,
1999 - 2002 Professor at the University College of Los Angeles
1999 Ph.D. , CAiiA, Centre for Advanced Inquiry in the Interactive Arts, University of Wales Newport, Wales
1998 if Design Award 98, Hannover
1996 - 1999 Associate Professor at the University of Maryland, Baltimore County, Baltimore, USA
1996 - 1998 Research Fellow (Interactive Art), University of Wales, CAIIA - Centre for Advanced Inquiry in Interactive Arts, Caerleon, Wales
1996 - 1998 Artist in Residence, C3 - Center for Culture and Communication, Budapest
1996 Award of the Videonale, Bonn
1995 Distinction of the Ars Electronica / for Passage Sets/One Pull Pivots at the Tip of the Tongue
1995 Internationaler Videokunstpreis, Baden Baden [ / for Passage Sets/One Pull Pivots at the Tip of the Tongue
1994 - 1995 Artist in Residence at the ZKM, Karlsruhe
1994 Artist in Residence at the Nippon Telephon and Telegraph (NTT) Media Lab/Intercommunication Center, Tokio
1993 Siemens Grant, ZKM Karlsruhe
1992 - 1995 Professor for Mediaart, College of Fine Arts, UNSW, Sydney
1992 Distinction, Prix Ars Electronica, Linz / category interactive art
1991 - 1992 Artist in Residence, University of Western Sydney
1991 Lecturer, College of Fine Arts, University of New South Wales (UNSW), Sydney
1990 Lecturer at the Sydney College of the Arts at the University of Sydney
1989 Artist in Residence, Australian Network for Art and Technology, Adelaide
1987 - 1989 Lecturer, M.I.T. CAmbridge, USA / Visible Language Workshop, Film/Video Group of the Media Lab
1987 - 1988 Fellow at the Center For Advanced Visual Studies, M.I.T., USA
1987 Cannon Europa Prize of the World Wide Video Festival, The Hague
1987 National Endowment for the Arts Fellowship, Washington D.C.
1983 - 1985 Study at Center for Advanced Visual Studies (CAVS), Massachusetts Institute of Technology (MIT), Cambridge / 1985 Master of Science in Visual Communication
1982 Lecturer at the Rhode Island School of Design
1979 First Prize of the Sound Art Festival, San Francisco / for Violence is Music is Release
1977 - 1979 Study at the San Francisco Art Institute / 1979 Bachelor of Fine Art
1975 - 1977 Study at the Rhode Island School of Design, Rhode Island



Exhibitions & Events
Publications & References
Seaman, Bill. »Towards A Dynamic Heterarchical Ecology Of Conversations.« Cybernetics and Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cyber Semiotics (2018).
Bill Seaman. »Roy Ascott – Early Interactive Work and Some Cybernetic Relationalities.« Cybernetics and Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cyber Semiotics (2018).
Seaman, Bill. »A multi-perspective approach to knowledge production.« Kybernetes 43 (October 2014): 1412 - 1424.
Seaman, Bill. »Neosentience and the Abstraction of Abstraction.« Systems Connecting Matter, Life, Culture and Technology 1, no. 1 (2013).
Bill Seaman and O. E. Rössler. Neosentience | The Benevolence Engine. Bristol, United Kingdom: Intellect Press, 2011.
Seaman, Bill. »(Re)Thinking - the body, generative tools and computational articulation,.« Technoetic Arts: A Journal Of Speculative Research 7, no. 3 (2010).
Schwarz, Hans-Peter, ed. Medien - Kunst - Geschichte. Anläßlich der Eröffnung des Museums für Neue Kunst, ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe am 18. Oktober 1997, Medienmuseum th ed.München, London, New York: Prestel Verlag, 1997.
Frieling, Rudolf. »Hot Spots - Texte in Bewegung und die elektronischen Medien.« Kunstforum 133 (1996): 475-477.
Kushara, Machiko. »Serious Games - Collisions of Meaning and free Association Paradigms.« InterCommunication Annual 95 (1995).
Daniels, Dieter and Anne-Marie Duguet and Bill Seaman. »Ars ex machina.« In ArtIntAct1, edited by Karlsruhe ZKM | Zentrum für Kunst und Medientechnologie. Ostfildern-Ruit: Hatje Cantz, 1995.
Barrie, Lita. »Poetic Potential - Video Poetics at the Long Beach Museum of Art.« Artweek 21, no. 23 (June 1990).
Herzogenrath, Wulf and Edith Decker, ed. Video-Skulptur retrospektiv und aktuell - 1963-1989. Ostfildern-Ruit: DuMont Reiseverlag, 1989.
Swanson, Kara. Biotech in Court: A Legal Lesson on the Unity of Science. Los Angeles, London, New Delhi and Singapore: Social Studies of Science, 2007.
Rieser, Martin and Andrea Zapp. New Screen Media: Cinema/Art/Narrative. London, UK: BFI London and ZKM Karlsruhe, 2002.
Seaman, Bill. »Recombinant Poetics. Emergent Explorations of Digital Video in Virtual Space.« In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp. London, UK: ZKM Karlsruhe and BFI London, 2002.
Ascott, Roy, ed. Reframing Consciousness. Plymbridge: Intellect Books, 1999.
Seaman, Bill. »Hybrid Architectures - Media Information Environments.« In Intelligent Environments: Spatial Aspects of the Information Revolution, edited by Peter Droege. Amsterdam, NL: North Holland, 1997.
Seaman, Bill. »The Exquisite Mechanism of Shivers.« In artintact 1, edited by ZKM Karlsruhe. Ostfildern-Ruit: Hatje Cantz, 1994.
Seaman, Bill. »Notes on Artificial Games.« In Visual Proceedings - Computer Graphics Siggraph ´93, edited by . Anaheim: 1993.