, currently based: London
Affiliated institution: Alef Trust, LJMU
https://www.cyberneticinstitute.com https://www.cyberneticfutures.com info@cyberneticinstitute.com
About
Lila Moore is an artist film-maker, screen choreographer, theorist, networked performance and mixed reality practitioner with expertise in screen-dance and Technoetic Arts. She holds a practice-based PhD in Dance on Screen from Middlesex University (2001, UK) in the context of modern and contemporary art, experimental film, screen-dance and performance with special reference to ritual and myth. She also holds an MA in Independent Film and Video, and MPhil on the evolution of performative and screen-based art forms, from Central Saint Martins College of Art and Design in London. The Cybernetic Futures Institute is based on her postdoc at the Planetary Collegium of Plymouth University, 2015. It is a networked platform, exploring technoetic arts with an emphasis on the spiritual-mystical and occult in art, film, screen-dance, and networked-digital-interactive forms of performance and narrative.
Lila Moore’s body of work evolved from her early multimedia performances and experimental film and video in the 1980s-1990s to choreography for the camera and the screen in the late 199os. Her exploration of liminal characters and space-time and noetic states of consciousness has led her to practice cyber-performance and coin the concepts of Networked Rites and Noetic Fields Weaving.
Lila Moore lectures and writes on digital art, film, culture and new technologies in the context of technoetic arts, modern and contemporary spiritualities, mysticism, consciousness studies and transpersonal psychology. She has presented many papers in academic conferences such as EVA London, SIGGRAPH 2020 and Consciousness Reframed.
Lila Moore regularly participates in international, juried and curated, exhibitions. She curates the White Empathy Box online gallery, and a member of White Page Gallery/s, andf FEMeeting: Women in Art, Science and Technology. She co-chairs The Spirituality and the Arts, SASIG of the Internatiional Network for the Study of Spirituality.
websites:
https://www.cyberneticinstitute.com
https://www.cyberneticfutures.com
https://www.aleftrust.org/about/team/lila-moore
https://spiritualitystudiesnetwork.org/Spirituality-and-the-Arts-SIG
Lila Moore’s body of work evolved from her early multimedia performances and experimental film and video in the 1980s-1990s to choreography for the camera and the screen in the late 199os. Her exploration of liminal characters and space-time and noetic states of consciousness has led her to practice cyber-performance and coin the concepts of Networked Rites and Noetic Fields Weaving.
Lila Moore lectures and writes on digital art, film, culture and new technologies in the context of technoetic arts, modern and contemporary spiritualities, mysticism, consciousness studies and transpersonal psychology. She has presented many papers in academic conferences such as EVA London, SIGGRAPH 2020 and Consciousness Reframed.
Lila Moore regularly participates in international, juried and curated, exhibitions. She curates the White Empathy Box online gallery, and a member of White Page Gallery/s, andf FEMeeting: Women in Art, Science and Technology. She co-chairs The Spirituality and the Arts, SASIG of the Internatiional Network for the Study of Spirituality.
websites:
https://www.cyberneticinstitute.com
https://www.cyberneticfutures.com
https://www.aleftrust.org/about/team/lila-moore
https://spiritualitystudiesnetwork.org/Spirituality-and-the-Arts-SIG
CV
Works
- »Year Zero« 2020
- »Fields of Origin« 2015
News
Exhibitions & Events
Publications & References
Moore, Lila and Owen Fender. »Sentient: A Social Media Environment as a Conscious Living System.« Proceedings of EVA London 2021 (July 2021): 247-253.
Moore, Lila. »Year Zero: Museums as Technoetic Time Machines.« [<7.12.2021>].
Contemporary Performance and Lila Moore, ed. Contemporary Performance Almanac 2020/Dr Lila Moore. 6 th ed.New York: Contemporary Performance, 2020.
Moore, Lila. »Roy Ascott, Artist's Profile.« https://wrldrels.org/2020/08/13/roy-ascott/ [30.08.2020].
Moore, Lila. »Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality.« https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.30 [08.07.2019].
Moore, Lila. »The Shaman of Cybernetic Futures: Art, Ritual and Transcendence in Fields of the Networked Mind.« Cybernetics and Human Knowing, A Journal of Second-Order Cybernetics, Autopoiesis and Cybersemiotics 2018, no. 2-3 (2018): 119-141.
Moore, Lila. »Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness.« Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.
Moore, Lila. »The Transcendent Double Selfie App.« Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.
Moore, Lila. »Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion.« Technoetic Arts: A Journal of Speculative Research 13, no. 3 (December 2015): 331-339.
Moore, Lila and Suzon Fuks, ed. Water e-Motion: Transformative Views In Water Views: Caring and Daring – Waterwheel World Water Day Symposium 2014 – 3WDS14, e-book. Australia: Igneous Incorporated, 2015.
Moore, Lila. »Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists.« Master Thesis, Central Saint Martins College of Art and Design, London, 1989.