* 1947, currently based: Brazil
Affiliated institution: Founder and Director of LART, CNPq Researcher A1, Senior Collaborator at the PostGraduate Program in Biomedical Engineering-FGA UnB and at the Science and Technologies in Health PostGraduate Program Ceilândia UnB, Research Collaborator at IC/UNICAMP
http://lattes.cnpq.br/5043080196932200
About
Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a senior Professor at the PostGraduate Program in Biomedical. Engineering at UnB FGA Gama and at the PostGraduate Program in Science and Technologies in Health at UnB Ceilândia. She also is a Researcher Collaborator at the Computig Institut – UNICAMP at the Socioenactive Group UNICAMP FAPESP (2019-2023). She received the Grant of the National Program of Visiting Professors (PVNS/CAPES of the Ministry of Education, (2010-2014), Brazil. She holds a postdoctoral degree from ATI – Art & Technologies de l’Image, Université Paris VIII, and a PhD in Communication and Semiotics from PUC São Paulo. She traced the plan of ‘New Leonardos’ in Brazil at the University of Brasilia and UNICAMP, based on the creative minds of artists and scientists to redefine the boundaries of Art and TechnoScience, investigating innovative practices for contributions to contemporary forms of Art. Her actions are related to international collaborations such as at MIT – Camera Culture/CNPq,Advisory Board of the Program MediaAC, Department for Image Science (Danube University Krems), and CEAVVE DD OCADU in Toronto, editorial Board of Digital Creativity, consultant and advisory member in events of Societies ISEA, Leonardo and others. Publications of high impact at IEEE, ISEA, Leonardo, SPIE, SIGGRAPH Editorial results including around 15 books in Anthologies, Journals, special issues and the landmark books at EDUNESP book: Arte, ciência e tecnologia: passado, presente e desafios (2009); Arte e vida no século XXI: tecnologia, ciência e criatividade (2003); A arte no século XXI: a humanização das tecnologias (1997); Criação e Interatividade na Ciberarte, Experimento (2002).
She is the author of approximately 100 chapters in books and articles in journals of Harmattan, Presses UQAM, LAVAL, and other publishers in Mexico, Spain, Italy, France, the UK, China, Japan, and the US, including Leonardo and Digital Creativity. She is a reference in Latin American Contemporary Arts with over 50 individual exhibits, and over 130 collective exhibitions in São Paulo Biennials, Bienal de la Habana, Bienal do Mercosul, HKW (Berlin), Maison Européenne de la Photographie Paris 2005, Museum MN Belas Artes (Rio de Janeiro), Buenos Aires, UNAM Mexico, MAM Buenos Aires, São Paulo MAC (São Paulo), Museum Arto f Rio Grande do Sul and in galleries and museums in France, Italy, Sweden, the US, Greece, China, Mexico, Peru, Argentina and Colombia. She has curated international events such as Ciberarte Zonas de Interação (II Bienal do Mercosul), engaging with over 300 scientists and artists.
Awards include, e-Culture Awards - 3rd Edition, The 2000 UNESCO PRIZE – 7th Biennial la Habana; The First LEONARDO Global Crossing Prize; 2004 Rockefeller Foundation; Personality of the XX Century (Caxias do Sul, Brazil); and SERGIO MOTTA PRIZE 2011, Celebrated Artist, SAD, UEMG, 2018, Her work is published in seminal books of Edmond Couchot, Louise Poissant, Sara Diamond and others. She is in the selected list of artists of the book Latin American Art in the 20th Century, by Edward-Lucie Smith,Thames and Hudson, 2003; Bruce Wands; Digital Art, 2004, Stephen Wilson, Information Arts, MIT Press 2002 Art + Science Now, by Thames and Hudson, 2009; Digital Creativity, 2016, vol 27, n. 4.
She is the author of approximately 100 chapters in books and articles in journals of Harmattan, Presses UQAM, LAVAL, and other publishers in Mexico, Spain, Italy, France, the UK, China, Japan, and the US, including Leonardo and Digital Creativity. She is a reference in Latin American Contemporary Arts with over 50 individual exhibits, and over 130 collective exhibitions in São Paulo Biennials, Bienal de la Habana, Bienal do Mercosul, HKW (Berlin), Maison Européenne de la Photographie Paris 2005, Museum MN Belas Artes (Rio de Janeiro), Buenos Aires, UNAM Mexico, MAM Buenos Aires, São Paulo MAC (São Paulo), Museum Arto f Rio Grande do Sul and in galleries and museums in France, Italy, Sweden, the US, Greece, China, Mexico, Peru, Argentina and Colombia. She has curated international events such as Ciberarte Zonas de Interação (II Bienal do Mercosul), engaging with over 300 scientists and artists.
Awards include, e-Culture Awards - 3rd Edition, The 2000 UNESCO PRIZE – 7th Biennial la Habana; The First LEONARDO Global Crossing Prize; 2004 Rockefeller Foundation; Personality of the XX Century (Caxias do Sul, Brazil); and SERGIO MOTTA PRIZE 2011, Celebrated Artist, SAD, UEMG, 2018, Her work is published in seminal books of Edmond Couchot, Louise Poissant, Sara Diamond and others. She is in the selected list of artists of the book Latin American Art in the 20th Century, by Edward-Lucie Smith,Thames and Hudson, 2003; Bruce Wands; Digital Art, 2004, Stephen Wilson, Information Arts, MIT Press 2002 Art + Science Now, by Thames and Hudson, 2009; Digital Creativity, 2016, vol 27, n. 4.
CV
2003 Postdoc: Image Numérique et Réalité Virtuelle – at ATI & Art &Technologies de L´Image; INREV / Université Paris VIII, France.
1993 PhD in Communication and Semiotics from PUC / Thesis: "The Electronic Image and the Poetics of Metamorphosis"
1990 MA from the College of Communication and Arts at São Paulo University / Thesis: "Connexio: One Optical-Electronic Life for Images"
Main curatorships :
2010, 2011 – Curator of Art and Technoscience Simposium, LART/UnB /FGA/ CNPq – University of Brasilia.
1999: curator of the Simposium and the Exhibition : Cyberart : zones of interaction, section of the II Biennial of Mercosur (Porto Alegre - Brazil).
1998: Curator of the event Interf@ce 98, Technologies, creation and knowledge, 1st Symposium of Research Universidade de Caxias do Sul.
1995: Curator of the exhibition and symposium: The Art in The XXIst Century: Cyberart: zones of interaction “Arte no século XXI - a humanização das tecnologias” (São Paulo)
2013 - 2023 Researcher Collaborator at the Computig Institut – UNICAMP at the Socioenactive Group UNICAMP FAPESP.
2012 - 2014. Research Grant "Innovation Seeds Program: Reengineering Life in Art and Technoscience , CNPq at MIT Media Lab
2010 - 2023 Founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation. Senior Professor at the PostGraduate Program in Biomedical. Engineering at UnB FGA Gama and at the PostGraduate Program in Science and Technologies in Health at UnB Ceilândia
1978 - 2009 Professor at the Universidade de Caxias do Sul / Departamento de Artes do Centro de Ciências Humanas e Artes Coordinator of the research group “Artecno - Novas tecnologias nas artes visuais”.
SEE MORE IN ABOUT!
Works
- »The Affective Cane« 2014
- »14#BIS« 2010
- »CAVERN OF TRANCE« 2008
- »Living Tattoos« 2007
- »Heartscapes« 2005
- »FIRMAMENT« 2005
- »NTAV POCKET CAVE« 2004
- »VR Aquarium« 2004
- »TerrariumKID« 2003
- »Ouroboros« 2002
- »Terrarium« 2002
- »Bio-Livro« 1996
- »Cagebim« 1995
- »In-Viscera« 1995
- »Grove« 1994
- »Residues« 1992
- »Paragens« 1991
- »Migrations« 1990
- »Fire« 1990
- »Universusmulti« 1984
News
16.09.2023

Toward the biocybrid rituals in enactive affective systems and the naturalization of technologies
RE: Source2023, Venice, Italy, 13th to 16th SEPTEMBER 10th International Conference on the Histories of Media Art, Science and Technology Track 3: Pioneers of Media Art

Toward the biocybrid rituals in enactive affective systems and the naturalization of technologies
RE: Source2023, Venice, Italy, 13th to 16th SEPTEMBER 10th International Conference on the Histories of Media Art, Science and Technology Track 3: Pioneers of Media Art
Exhibitions & Events
2023
Others:
2022
Exhibition :
2022
Conferences:
2020
Others:
2018
Others:
2018
Conferences:
2018
Festival :
2018
Conferences:
2016
Others:
2016
Conferences:
2014
Conferences:
2000
Festival :
Publications & References
DOMINGUES, DIANA MARIA G. »Rituels Énactifs Affectifs et La Naturalization des Technologies: entre le corps et le calcul, la transe et l’algorithme.« In Pour un imaginaire numérique avec Edmond Couchot, edited by Marie-Hélène TRAMUS and Sophie DASTE and Rémy Sohier SOHIER and Emmanuel CUISINIER and ROLAND Dominique, 114-115. Paris: Les Presses du Réel, 2022.
DOMINGUES, DIANA MARIA G. »The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology.« In For a digital imagination with Edmond Couchot. Hybridizations between the arts, sciences, technologies and humans, edited by Marie-Hélène TRAMUS and Rémy SOHIER and Sophie DASTE. Paris: Paris University, 2022.
PINTO, ARTHUR B. A and GILDA A DE ASSIS and LUIZ C. B TORRES and THOMAS BELTRAME. »Wearables and Detection of Falls: A Comparison of Machine Learning Methods and Sensors Positioning.« NEURAL PROCESSING LETTERS 1 (2022): 1-15.

DOMINGUES, DIANA MARIA G and Liliam Beatriz MASCHIO and Dulcinéia Novaes Felizardo VIEIRA. »Muito além das imagens e Reengenharia da Cultura nos games: jornalismo operativo e sistemas enativos em práticas colaborativas transdisciplinares de Arte e Tecnociência.« TRÍADE: COMUNICAÇÃO, CULTURA E MÍDIA 8, no. 19 (2020): 81-112.
DOMINGUES, DIANA MARIA G. »TOWARD THE NATURALIZATION OF TECHNOLOGIES IN ONTOLOGICAL LEVELS OF ART AND TECHNOSCIENCE: THE REENGINEERING OF LIFE AND INNOVATIVE TECHNOLOGIES BY ENACTIVE AFFECTIVE SYSTEMS.« Anilla Cultural , no. 1 (2020): 75.
DOMINGUES, DIANA MARIA G. »Public Art Diana Domingues Interview.« In Parallel Processing - Public Art - New Media Art, edited by Sara Diamond and Brad Buckley and John ConomosVol.1. , 41-65. Toronto: Willey Online Libary, 2020.
DOMINGUES, DIANA MARIA G and M MORENO. Artes: criatividade e tecnologias. Vol.1. 1 th ed.Chapecó: ARGOS, 2019.
DOMINGUES, DIANA MARIA G. »Re-encanto do concreto por sistemas enativos afetivos: a naturalização das tecnologias no ecossistema.« Revista de Artes Visuais 24 (2019): 1-31.
DOMINGUES, DIANA MARIA G and S DIAMOND. »Diana Domingues: Urban Art.« In Parallel processing: public art and new media art, edited by Bradford Buckley and John ConomosVol.1. , 1-10. Hoboken: John Wiley & Sons Inc., 2019.
DOMINGUES, DIANA MARIA G. »Arte e Tecnociência: Radical digital e pós-biológico reinventando a vida para um futuro mais saudável..« In FAD - Festival de Arte Digital: Edição 1ª Bienal de Arte Digital ? Linguagens Híbridas, edited by Tadeus MUCELLI and Ivan L RAMOSVol.1. , 107-108. Belo Horizonte: 2018.
LUCENA, Tiago and ANA PAULA MACHADO VELHO and V. D DORNE and Diana Maria Gallicchio DOMINGUES. »The dramaof dengue fever: civic oriented journaists and artists fightig dengue.« Leonardo Electronic Almanac 51 (2018): 199-200.
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and Pedro H. G. INAZAWA and P. R. F OLIVEIRA and Gilda Aparecida de ASSIS and Adson ROCHA. »Towards Enactive Systems: Affective Cane.« 24th ISEA - International Symposium on Electronic Art 1 (2018): 262-269.
LUCENA, Tiago and Diana DOMINGUES and Hygor V. P MARTINS. »Online Social Network based on Internet of Things and Habit of Drinking Coffee in South of Brazil.« 24th ISEA - International Symposium on Electronic Art 1 (2018): 390-393.
LUCENA, TIAGO FRANKLIN RODRIGUES and ANA PAULA MACHADO VELHO and VINICIUS DURVAL DORNE and DIANA MARIA G DOMINGUES. »The drama of dengue fever: civic oriented journalists, community and artists fighting dengue.« Leonardo (Oxford) 1 (2017): 1-13.
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. »Mobility and freedom: affective cane for expanded sensorium and embodied cognition.« VSMM2017- The 23rd International Conference on Virtual Systems & Multimedia-Through the Looking Glass: Back to the Future of Virtual Reality (2017).
DOMINGUES, DIANA MARIA G and M MIRANDA. »Affective presence in enactive immersive space: sensorial and mobile technologies reengineering life.« In Trends, Experiences, and Perspectives on Immersive Multimedia Experience and Augmented Reality, edited by Emília Simão and Célia SoaresVol.1. , 23-51. Pensilvania: IGI Global, 2017.
DOMINGUES, DIANA MARIA G. »Prefácio: Criatividade e arte no uso do smartphone.« In Arte_comunicação_móvel: criatividade e arte no uso do smartphone, edited by Tiago Franklin Rodrigues Lucena, 13-19. Curitiba: Appris, 2017.
DOMINGUES, DIANA MARIA G, ed. Creative Technologies and Innovation: Health and Wellbeing. Vol.1000. 27 th ed.UK: Taylor & Francis, Routlege, 2016.
DOMINGUES, DIANA MARIA G. »Reinvenção da vida com sistemas enativos afetivos por pesquisas de Arte e TecnoCiência dos “Novos Leonardos”.« In Das Artes e seus Percursos Sensíveis, edited by Walmeri Ribeiro and Claudia Marinho and Patrícia Caetano, 235-272. São Paulo: Intermeios, 2016.
VELHO, A. P. M. and Tiago LUCENA and W BISCHOFF and V. D DORNE and Diana Domingues. »HEALTH AND DENGUE FEVER: A DISCUSSION ABOUT ENVIRONMENT AND MEDIA.« 22nd Annual Conference International Sustainable Development Research Society (ISDRS) (2016): 48-48.
MACHADO VELHO, Ana Paula and Tiago LUCENA and Lucas FLORES and DIANA DOMINGUES. »Dengue as an environment problem: a Brazilian media research.« 8 th International Congress of Environmental Research (2016).
VELHO, A. P. M and Tiago LUCENA and V. D DORNE and Diana DOMINGUES. »The Drama of Dengue Fever: civic-oriented journalists, community and artists fighting against dengue.« Conference Internacional Balance-UnBalance 1 (2016): 23-32.
Miranda, Mateus R. and Henrik Costa and Luiz Oliveira and Carla Aguiar and Thiago Bernardes and Cristiano MIOSSO and Alessandro B. S. Oliveira and Diana Domingues. »Development of Simulation Interfaces for Evaluation Task with the Use of Physiological Data and Virtual Reality Applied to a Vehicle Simulator.« IS&T/SPIEElectronic Imaging (2015).
VELHO, A. P. M and Diana Domingues and S. C VERMELHO and Lucena,Tiago. »Saúde, Tecnologia e Ambiente: um relato de mobilização contra a dengue.« Ambiente & Sociedade 18 (2015): 10-20.
DOMINGUES, DIANA MARIA G. »Prefácio. Jornalismo visionário: o autor como produtor da reengenharia dos modos de viver.« In Perfil do Jornalista na Cibercultura: Desafios do Web jornalismo, edited by Dulcineia NOVAES. Saarbrücken: Novas Edições Acadêmica, 2015.
Rosa, Suéli and Mirella Lorrainy Altoé and Adson Rocha and DIANA MARIA G DOMINGUES and Ramesh Raskar. »Diabetes Ground Control by Reducing Mechanical Impact in diabetic patients.« Revista Brasileira de Engenharia Biomédica (2014).
DOMINGUES, DIANA MARIA G. »Sistemas enativos biocíbridos: sinestesia e afetividade na reengenharia da vida.« In Tecnologia e Saúde, edited by Ana Paula MACHADO VELHO and Cássia Kely FAVORETTO COSTA and Miriam Ieda YAMAGUCHIVol.1. , 39-77. Maringá: Unicesumar, 2014.
MIRANDA, M and Diana Domingues and Cristiano MIOSSO and Carla AGUIAR and T BERNARDES and H COSTA and L OLIVEIRA and A. B. S OLIVEIRA. »METODOLOGIA PARA USAR DADOS FISIOLÓGICOS E REALIDADE VIRTUAL EM ERGONOMIA DO PRODUTO APLICADOS A UM SIMULADOR VEICULAR.« 17º Congresso Brasileiro de Ergonomia (2014).
LUCENA, Tiago and Diana Domingues and Cristiano MIOSSO. »Enactive Affective Systems in Art and TechnoScience: Vital Experiences of Displacement in the City.« ISEA- 20th International Symposium on Electronic Art – Dubai (2014).
TRAMUS, MARIE-HELENE and Diana Domingues. »Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV.« In France-Brésil : des jalons pour l’avenir : Repères historiques et prospectifs pour des échanges intellectuels et artistiques, edited by Anne Marie Autissier. Université de Paris 8: 2013.
LUCENA, TIAGO FRANKLIN RODRIGUES and SUÉLIA RODRIGUES FLEURY ROSA and CRISTIANO JACQUES MIOSSO RODRIGUES MENDES and DIANA MARIA G DOMINGUES. »The pathos of the city: Wearable mobile technologies in public health.« Ubiquity: The Journal of Pervasive Media 2 (2013): 21-44.
OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. »Enactive soundscapes: towards a naturalized aesthetic.« Phd Thesis, UnB, Brasilia, 2013.
Lucena, Tiago Franklin Rodrigues and Diana Domingues. »Affective enactive systems in art and technoScience: vital experiences of displacement in the city.« Phd Thesis, UnB, Brasília, 2013.
DOMINGUES, DIANA MARIA G and Adson ROCHA and Alexandre BARBOSA and A. L. C. G. de OLIVEIRA and C. TURELLY and Cristiano MIOSSO and Henrique Galvan DEBARBA and Tiago LUCENA and Maria Aparecida MATTOS. Ouroborus Biocíbrido: Geografismos do Extâse. Havana: Catálogo Oncena Bienal de La Habana, 2012.
DOMINGUES, DIANA MARIA G and Cristiano MIOSSO and Lourdes BRASIL and Rafael MORGADO and Adson ROCHA. »Envisioning Ecosystems: biodiversity, infirmity and affectivity.« Intechopen (2012): 183-198.
DOMINGUES, DIANA MARIA G and A. I. CACERES. »Sobre las imágenes híbridas y los paisajes de datos: una conversación con Diana Domingues.« Arte por exelencias 16 (2012): 12-12.
DOMINGUES, DIANA MARIA G and Tiago LUCENA. »Reingeniería de La Vida Urbana: Público y privado integrados en las tecnologías móviles.« Cibertronic (NOVEMBRE 2011).
Pires, Kenia F and Leina A.B Pimenta and Marcelino M. de Andrade and DIANA MARIA G DOMINGUES and Cristiano MIOSSO and Adson ROCHA. »Influence of Neuromuscular Electrical Stimulation on the Conduction Velocity Measured Using EMG Signals Provided by Linear Arrays of Electrodes.« IEEE Engineering in Medicine and Biology Magazine 1 (2011): 1-1.
ROCHA, Adson and Cristiano MIOSSO and Camila HAMDAN and Leci AUGUSTO. »Biocybrid Systems and the Reengineering of Life.« Three-Dimensional Imaging, Interaction, and Measurement 7864 1A (february 2011).
DOMINGUES, DIANA MARIA G. »Cenários cíbridos: átimos calmos em comunicação ubíqua e móvel por conexões transparentes.« In A Cibercultura em Transformação: Poder, Liberdade e Sociabilidade (ABCiber Vol.2), edited by Eugenio TRIVINHO and Edimilson CAZILOTTO, 135-15. São Paulo: 2010.
DOMINGUES, DIANA MARIA G and M MIRANDA. »Proposta metodológica de Uso da Realidade Aumentada em Ergonomia do Produto.« Ação Ergonômica 1 (2010): 126-135.
DOMINGUES, DIANA MARIA G and Eliseo Berni REATEGUI. »Práticas Colaborativas Transdisciplinares em Ciberarte: da Multimídia às Instalações em Software Art.« In Arte, Ciência e Tecnologia: passado, presente e desafios, edited by DIANA MARIA G DOMINGUES. São Paulo: 2009.
DOMINGUES, DIANA MARIA G. »Redefinindo fronteiras da arte contemporânea: passado, presente e desafios da arte, ciência e tecnologia na história da arte.« In Arte, Ciência e Tecnologia: passado, presente e desafios, edited by DIANA MARIA G DOMINGUES. São Paulo: UNESP, 2009.
DOMINGUES, DIANA MARIA G. »Mashup art e crawler art: o sublime tecnológico do lixo remixado.« In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.
DOMINGUES, DIANA MARIA G and Eliseo Berni REATEGUI. »Education and complexity in art, science and technology: new Leonardos in Brazil.« Nyssa 1 (2009): 1.
DOMINGUES, DIANA MARIA G. »Ciberadão e a magia das cibercoisas pervasivas.« In In vivo, in vitro, in silício: ensaios sobre a relação entre arte, ciência, tecnologia e o sagrado, edited by Leila AMARAL and Amir GEIGER, 246-275. São Paulo: Attar, 2008.
DOMINGUES, DIANA MARIA G and Eliseo REATEGUI and Gelson Cardoso REINALDO and Alexandre LORENZATTI. »Mixed Realities in the Living Tattoos Social Platform.« Urban Mixed Realities: Technologies, Theories and Frontiers, Presence, place, collaboration, space, mixed reality (April 2008).
DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. »Living Tattoos Social Platform.« CHI 2008 Art, science, balance. Urban Mixed Realities (2008).
DOMINGUES, DIANA MARIA G. »Ciberestética e a engenharia dos sentidos na Software Art..« In Estéticas Tecnológicas: Novos modos de sentir, edited by Lucia SANTAELLA and Priscila Arantes. São Paulo: Educ, 2008.
DOMINGUES, DIANA MARIA G and Suzete VENTURELLI. »Cibercomunicação cíbrida no continuum virtualidade aumentada e realidade aumentada.« ARS 1 (2008): 140.
DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. »Creating Synthetic Identities in I'Myth: Zapping Zone.« Crossings Ejournal Of Art And Technology 5 (2007): 1.
DOMINGUES, DIANA MARIA G. »Softwares sociais: o autor como produtor de ciberartivismo cultural.« 16º Encontro Anual da Associação Nacional dos Programas de Pós-Graduação em Comunicação (2007).
DOMINGUES, DIANA MARIA G. »Trânsitos entre arte e ciência: da multimídia à transdisciplinariedade da Software Art.« #6.ART 6º Encontro Internacional de Arte e Tecnologia (2007): 70-83.
DOMINGUES, DIANA MARIA G. »A emergência de emoções Artificiais: a condição interface ada vivida seamless, nômade, móvel e autônoma em Ciberinstalações.« Emoção Artificial 3.0 interfaces cibernética (2007).
DOMINGUES, DIANA MARIA G. »Da remixagem a software arte: o código oculto e o aparato tecnológico na cibercomunicação.« 2º Simpósio Arte Contemporânea: história, teoria e crítica (2007).
DOMINGUES, DIANA MARIA G. »Softwares sociais: o autor como produtor de ciberativismo cultural.« 16º Encontro Anual da Associação Nacional dos Programas de Pós-Graduação em Comunicação (2007): 31-31.
DOMINGUES, DIANA MARIA G. »Ciberantropologia e CiberAdão: o produtor digital e a adaptação do aparato tecnológico para a co-existência em espaços cíbridos.« VII Reunião de Antropologia Mercosul (2007).
DOMINGUES, DIANA MARIA G. »Cyber esthétique et l'ingénierie des sens en Software Art.« Mobile/Immobilized: Art, Technologies and (Dis) Abilities (2007).
DOMINGUES, DIANA MARIA G and Eliseo Berni REATEGUI. »Creating Synthetic Identities in I'Myth: Zapping Zone.« Crossings Ejournal Of Art And Technology 5 (2007): 1.
DOMINGUES, DIANA MARIA G. »Criação Digital: do hibridismo e simulação das imagens à natureza experiencial da software art..« Revista Polêmica 19 (2007): 19.
DOMINGUES, DIANA MARIA G. »Tensões entre a política e a estética na cibercultura.« Galáxia (PUCSP) 2007, no. 13 (2007).
DOMINGUES, DIANA MARIA G. »Realidade virtual uma realidade na realidade.« In Imagem (IR) Realidade: comunicação e cibermídia., edited by Denize Correa Araujo, 79-107. Porto Alegre: Sulina, 2006.
DOMINGUES, DIANA MARIA G. »El realismo conceptual de ambientes en realidad virtual: de la contemplación a la inmersión.« DeSignis 10 (2006): 10-12.
DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. »Collaborative and Transdisciplinary practices in Cyberart: from Multimedia to Software Art installations.« Art Inquiry 8 (2006): 113-143.
DOMINGUES, DIANA MARIA G. »Criando identidades numa ecologia entre o real e o virtual: uma zona de zapping em mitos da cultura.« Revista Polêmica , no. 16 (2006).
DOMINGUES, DIANA MARIA G. »Repensar o humano em conexões com lugares imaginários.« Razón y Palabra , no. 49 (2006): 49.
DOMINGUES, DIANA MARIA G. »Conexão Comunicação e Cultura.« In Revista de Comunicação da Universidade de Caxias do Sul, edited by EDUCSVol.3. 6, , 235. Caxias do Sul: 2005.
DOMINGUES, DIANA MARIA G and Günther Johannes Lewckuk GERHARDT. »Exchanges of eletric human signals and artistic immersive poetics.« In Art et Biotechnologies, edited by Louise POISSANT and Ernestine DAUBNER. Montréal: Presses de L’Université du Québec, 2005.
DOMINGUES, DIANA MARIA G. »Realidade virtual e a imersão em caves.« Conexão 6, no. 3 (2005): 35-50.
DOMINGUES, DIANA MARIA G and Grupo Artecno. »Firmamento Pop Stars, HeartScapes - Paisagens do coração - imersão na caverna de realidade virtual, RV Aquarium, I'Mito: zapping zone, Trans-e: my body, my blood.« Revista Polêmica , no. 14 (2005).
DOMINGUES, DIANA MARIA G. »Terrarium.« Anomalie digital_arts , no. 5 (2005): 224-235.
DOMINGUES, DIANA MARIA G and Günther Johannes Lewckuk GERHARDT. »HeartScapes and Terrarium.« Art Et Biotechnologies , no. 5 (2005).
DOMINGUES, DIANA MARIA G. »TerrariumPlaces.« A Subversão dos Meios (2004).
DOMINGUES, DIANA MARIA G. »Cyberart and interfaces: the coupled body.« Digital Creativity, Taylor & Francis 3, no. 15 (2004): 159-173.
DOMINGUES, DIANA MARIA G. »Terrarium Places.« Maior Ou Igual a 4d Arte Computacional Interativa (2004): 30-35.
DOMINGUES, DIANA MARIA G. »The Immersive Poetics of Artificial Worlds.« VII Symposium On Virtual Reality Svr (2004).
DOMINGUES, DIANA MARIA G. »Ambientes Interativos e Imersivos.« Database Of Virtual Art (2004).
DOMINGUES, DIANA MARIA G. »The interfaced subject immersed in virtual spaces.« . Körper Verkörperung Entkörpeung Body Embodiment Desimbodiment (2004): 19-21.
DOMINGUES, DIANA MARIA G. »I'Mito: zapping zone.« Emoção Art Ficial 2 0 Divergências Tecnológicas , no. 2 (2004).
DOMINGUES, DIANA MARIA G. »Ciberespaço e rituais: tecnologia, antropologia e criatividade.« . Horizontes Antropológicos 21, no. 10 (2004).
DOMINGUES, DIANA MARIA G. »The Immersive Poetics of Artificial Worlds.« Hybrid Reality Art Technology and The Human Factor 8 (2003): 579-593.
DOMINGUES, DIANA MARIA G. »Cyberart: some artistic, aesthetic, technological and poetic contents..« Heterogénesis (2002): 54-62.
DOMINGUES, DIANA MARIA G. »Day Dreaming States in Interfaced environments.« Isea 2002 15 (2002): 91-92.
DOMINGUES, DIANA MARIA G and Grupo ARTECNO. INS(H)NAK(R)ES. Caxias do Sul: Lorigraf, 2001.
DOMINGUES, DIANA MARIA G. »Art Interactif, corps couplé et sentiment post-biologique.« In Dialogues Sur L'Art et La Technologie, edited by Edmond Couchot, 123-138. Paris: L'Harmattan, 2001.
DOMINGUES, DIANA MARIA G. »Ciberarte: rituais interativos para um sujeito interfaceado.« Coleção Mario Schemberg Arte e Ciência - ECA USP 1 (2001): 157-171.
DOMINGUES, DIANA MARIA G. INS(H)NAK(R)ES. Caxias do Sul: Lorigraf, 2001.
DOMINGUES, DIANA MARIA G. »Electronic Art Exhibition catalog.« In 13th Brazilian Symposium on Computer Graphics and Image Processing, edited by DIANA MARIA G DOMINGUES, 27-28. Caxias do Sul: Lorigraph, 2000.
DOMINGUES, DIANA MARIA G. »Interatividade e ritual: diálogos do corpo com os sistemas artificiais.« Informática na Educação, UFRGS- Porto Alegre 3, no. 1 (2000): 111-120.
DOMINGUES, DIANA MARIA G. »Interatividade e Ritual: Diálogos do corpo com sistemas artificiais.« Arte e Tecnologia Imaginário Real Virtual, Brasília 2 (1999): 56-72.
DOMINGUES, DIANA MARIA G. »Interatividade e Ritual - diálogo do corpo com sistemas artificiais.« Revista de Psicanálise da Sociedade Psicanalítica de Porto Alegre 6 (1999): 505-522.
DOMINGUES, DIANA MARIA G. »Ciberarte: Zonas de Interação.« Catálogo II Bienal do Mercosul Julio Le Parc e Arte e Tecnologia 1 (1999): 39-42.
Deussen, Oliver and Pat Hanrahan and Bernd et. al. Lintermann. »Realistic Modeling and Rendering of Plant Ecosystems.« In SIGGRAPH ´98, conference proceedings, edited by . Orlando: 1998.
Domingues, Diana. »The Desert of Passions and the Technological Soul.« In Digital Creativity, edited by Colin Beardon and Lone Malmborg and Masoud YazdaniVol.9. , 11-18. : Swets and Zeitlinger Publishers, 1998.
Domingues, Diana, ed. Trans-e: my body, my blood. Interactions meaning: content and context. Caxias do Sul: Lorigraf, 1997.
Couchot, Edmond. »Between Trance and Algorithm.« In Trans-E: My Body, My Blood: Interactive Installation, edited by Diana Domingues. : Universidade de Caxias Do Sul - Brazil, 1997.
DOMINGUES, DIANA MARIA G. »As Instalações Multimídia Como Espaços de Dados Em Sinestesia.« Relações Corpo/ Arquitetura/ Memória e Tecnologias. Coletânea Ccha Cultura e Saber, Caxias do Sul: EDUCS 1, no. 2 (1997): 33-51.
DOMINGUES, DIANA MARIA G. »TRANS-E, My Body, My Blood.« Catálogo Isea - Chicago 1 (1997): 58-59.
DOMINGUES, DIANA MARIA G. »Trans-e: The Body and Technologies.« Leonardo (Oxford) - San Francisco 29, no. 4 (1996): 255-273.
DOMINGUES, DIANA MARIA G. »De La Fenêtre au Labyrinthe: Les technologies, le corps et le plaisir des relations.« Isea Inter Society Eletronic Arts, Montreal 1 (1995): 64-65.
DOMINGUES, DIANA MARIA G. »L'Image, Les Circuits Electroniques Et L'Esthetique Et La Metamorphose.« L'esthetique Des Art Mediatiques, Montreal 2 (1995): 31-38.
DOMINGUES, DIANA MARIA G. »O Sentir Eletrônico.« Revista Fórum Bhz Vídeo, Ed. Littera Maciel 2 (1994): 32-40.
Herkenhoff, Paulo Estellita. »Paragens.« In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.
DOMINGUES, DIANA MARIA G. »A Poética Artística e a Matéria.« REVISTA ATO 1, no. 1 (1987): 15-22.
Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.
Domingues, Diana. »Le CyberArt et La Magie du Cyberspace.« In Les défis du cybermonde, edited by Hervé Fischer. Quebec, CAN: Presses de l'Université du Québec, 2003.
Domingues, Diana. Criacao e interatividade na ciberarte. São Paulo, BR: Experimento, 2002.
Domingues, Diana. »The Desert of Passions and the Technological Soul.« In Digital Creativity, edited by Colin Beardon and Lone Malmborg and Masoud YazdaniVol.9. , 11-18. : Swets and Zeitlinger Publishers, 1998.
Domingues, Diana. A Arte no Século XXI: a humanização das tecnologias. São Paulo, BR: Editora UNESP, 1997.