Tamiko Thiel

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Currently based
(almost) everywhere

Tamiko Thiel is a media artist interested in the interplay of place, space, the body and cultural memory. She has done pioneering work in developing the dramatic and poetic capabilities of various forms of virtual and augmented reality as media for exploring social and cultural issues.


AKADEMIE der BILDENDEN KUENSTE (Academy of Fine Arts), Munich, Germany.
Diploma in Applied Graphics, concentration in installation art and video art under Prof. Gerhard Berger.

Fall 1987 - Spring 1988
Project seminar under the object artist Prof. Daniel Spoerri.

Summer 1985
Guest student of the painter Prof. Joerg Immendorff.

M.S. in Mechanical Engineering.
Studies in computer graphics and visual imaging at Architecture Machine Group and Visual Language Workshop (future Media Lab.)
Studies in human-machine interface at the Biomechanics Lab; Master's thesis: "Real-Time Simulation of Ultra-Sonic Mobility Aid for the Blind."

B.S. in General Engineering/Product Design.
Concentration in human-machine interface design.

DAM PROJECTS BERLIN commission for the JOSEF BROICH COLLECTION: "Vera Plastica" generative AR installation, as an hommage to generative art pioneer Vera Molnar.

CITY of MUNICH VICE MAYOR Katrin Habenschaden officially "unveils" physical plaque to launch #JulietToo AR intervention at Juliet Capulet statue, Marienplatz.


BAVARIAN STATE FOREST ENTERPRISE grant for "Waldwandel/Forest Flux" AR installation.

SUNDANCE INSTITUTE | UNITY Charitable Fund Grant for "Waldwandel/Forest Flux".

BOBBLEHAUS Asian American Gen Z genderless fashion multiverse + retailer produces a turtleneck mesh top custom print of "Avogadori in the Court of the Last Judgment" scene from my "Travels of Mariko Horo" VR installation (2006).

ART COLLECTION ROCHE BASEL acquires ARpothecary's Garden augmented reality installation, which was commissioned by ROCHE BASEL for the CITY of BASEL ARTour, curated by Sabine Himmelsbach.

LUMENS PRIZE selection of ReWildAR for the Lumens Prize British Computer Society (BCS) Immersive Environment Award Longlist.

GAZELLI ART HOUSE London, online digital artist in residence at gazell.io

CHRISTIE'S New York, "Proof of Sovereignty" NFT auction, curated by Lady PheOnix, featuring "Unexpected Growth" AR installation. (See also Christie's lot page and press release.)

SUNDANCE INSTITUTE, Art of Practice Fellowship.

BEST IMMERSIVE VR award, Cinequest Film Festival, San Jose, CA, for "My Identity Is This Expanse".

DiMoDA 4.0 commission for "Atmos Sphaerae" VR artwork, curated by Christiane Paul.

SMITHSONIAN INSITUTION commission for ReWildAR AR installation, curated by Ashley Molese, for "FUTURES" 175th anniversary exhibition.

THE PHOTOGRAPHERS’ GALLERY, London. Commission for "Lend Me Your Face - Go Fake Yourself!" deepfake participatory AI net art.

FILM FERNSEH FONDS BAYERN (Film Commission Bayern) project development grant for a mixed reality VR installation on the elemental cycles of life.

GOETHE-INSTITUT MONTREAL "New Nature" R&D grant for "Seeing the Imperceptible: Visualizing Microbial Communities in Bacalar Stromatolites" with Prof. Dr. Luisa Falcon/UNAM and Peter Graf

NANTESBUCH FOUNDATION commission for "Suspended Spring" video artwork, for the "Arts for Spring" online exhibition during the coronavirus crisis.

“My Identity Is This Expanse,” guest VR artist commission from Karolina Markiewicz and Pascal Piron, with funding from FILM FUND LUXEMBOURG.

VIRTUAL PILGRIMAGE to MANZANAR: as the yearly pilgrimage to the Manzanar Incarceration Camp site could not happen due to the coronavirus crisis, the San Jose JACL requested us to show Beyond Manzanar as the keynote event for around 650 visitors to their virtual online pilgrimage.

KNIGHT FOUNDATION Immersive Technology in the Arts award as AR artistic and technical advisor to the HIDDEN HISTORIES San Jose Japantown project, in collaboration with the JAPANESE AMERICAN MUSEUM of SAN JOSE (JAMsj).

VECTOR artist book participation "Strange Growth" (with /p), Guest Editor Birthe Blauth, Managing Editors, Peter Gregorio and Javier Barrios, launched at KUNSTVEREIN MUNICH.

DIGITAL GRAFFITI FESTIVAL, Alys Beach, Florida. Artist residency (with /p) to create Evolution of Fish for the projection art festival.

Lumen Prize longlist for "Unexpected Growth" AR installation.

WHITNEY MUSEUM of AMERICAN ART, New York. Commission for Unexpected Growth AR installation (with /p), with additional support from the Goethe-Institut.

iX VISIONARY PIONEER AWARD, from the Society of Art and Technology (SAT), Montreal, Canada.

PEOPLE'S CHOICE AUDIENCE AWARD, at the VRHAM virtual reality festival, Hamburg.

GOOGLE TILT BRUSH Virtual Reality Artist in Residence.

NATIONAL ENDOWMENT for the ARTS funded augmented reality group show curated by Boston Cyberarts at the Salem Maritime Museum, Salem, MA, USA.

MUSEUM of MODERN ART (MoMA) NEW YORK acquires a Connection Machine CM-2 supercomputer for its permanent collection.

SEATTLE ART MUSEUM commission for the Olympic Sculpture Park: Gardens of the Anthropocene.

JWT INTELLIGENCE Future 100 2017 report featured Gardens of the Anthropocene (on p27) as AR top trend for 2017.

DIGITAL SYNESTHESIA commission for an interactive installation inspired by synesthesia (with Christoph Reiserer).

Inducted into the DIGITAL ART ARCHIVE, Director Oliver Grau.

Inducted into the Honor Roll of the IT History Society for the visual design of the Connection Machine CM-1/CM-2 supercomputer.


DUKE UNIVERSITY, Visiting artist, Experimental Documentary Studies MFA program, Durham, NC, USA

MACDOWELL COLONY Fellow, Peterborough, New Hampshire, USA.

DUKE UNIVERSITY, Visiting artist, Experimental Documentary Studies MFA program, Durham, NC, USA.

ROCKEFELLER FOUNDATION Cultural Innovation Fund award for the Caribbean Cultural Center - African Diaspora Institute in Harlem, New York City. Co-wrote grant proposal as artistic and technical advisor for "Mi Querido Barrio" mobile augmented reality art, culture and history tour.

ZERO1 BIENNIAL and SAMEK ART GALLERY augmented reality commission for Manifest.AR @ ZERO1 Biennial, San Jose, USA.

GOETHE-INSTITUT Artist in Residence, Second Life.

DUKE UNIVERSITY visiting artist, Experimental and Documentary Studies MFA Program, Durham, USA, 2011-2014.

CARAVANSARAI artist in residence, Istanbul, Turkey.

Co-founded Manifest.AR Cyberartist Group

IBM INNOVATION AWARD for artistic creation in art and technology awarded to Virtuelle Mauer/ReConstructing the Wall at the Boston Cyberarts Festival, Boston, USA.

Sebastian Smee, Pulitzer Prize finalist and art critic at the Boston Globe, calls Virtuelle Mauer/ReConstructing the Wall the "highlight of this year's Boston Cyberarts Festival" in his "CRITIC'S PICKS - VISUAL ARTS." Boston Globe, Boston MA, USA., May 3, 2009.

Nominated for the WORLD TECHNOLOGY AWARD in the category Art, co-sponsored by (among others) the World Technology Network, Time Magazine, Science Magazine and the American Association for the Advancement of Science.

HAUPTSTADTKULTURFONDS (Berlin Capital City Cultural Fund) award for research and production of "Virtuelle Mauer / ReConstructing the Wall

CITY OF MUNICH PRIZE for JUNGE KUNST/NEUE MEDIEN (Young Art/New Media) curated by Bettina Wagner-Bergelt and Dr. Stephan Urbaschek. A dance choreography was commissioned from the Butoh group inkBoat and premiered during the DANCE 2006 Festival of Contemporary Dance as In the Land of Babari-an, using The Travels of Mariko Horo as a realtime virtual reality stage set.

Founded Upgrade! Munich, a local monthly meeting on art and technology, and part of the Upgrade! International network.

Center for Advanced Visual Studies (CAVS) Fellowship, MASSACHUSETTS INSTITUTE of TECHNOLOGY, Cambridge, MA, USA.

JAPAN FOUNDATION Fellowship to research Namban-bunka, a genre of Japanese art that depicted foreigners and foreign lands.

KYOTO ART CENTER, Kyoto, Japan. Artist in Residence to do basic research for "The Travels of Mariko Horo".

CORNELL UNIVERSITY ROSE GOLDSEN ARCHIVE of NEW MEDIA ART adds "Beyond Manzanar" to its collection.

SAN JOSE MUSEUM of ART, San Jose, Silicon Valley, California purchases an edition of the Beyond Manzanar virtual reality installation for its permanent collection.

Nominated for ROCKEFELLER FOUNDATION New Media Arts Fellowship.

KULTURREFERAT MUENCHEN, special guest showing of Beyond Manzanar virtual reality installation at welcoming reception for Dr. Lydia Hartl, incoming head of the Munich Cultural Department, Germany.

Photo essay on Beyond Manzanar published in the premier issue of the new Japanese critical theory journal Diatxt, Kyoto Art Center, June 2000, pp.65 - 72.

Images from the series Metamorphoses featured on front and back covers of Leonardo Journal, MIT Press, Volume 33 #2, 2000, and on Leonardo's website.

Sapporo School of the Arts, Sapporo, Japan. Visiting Artist.

International Academy of Media Arts and Sciences (IAMAS), Ogaki City, Japan. Artist in residence from November 1999 - March 2000 to produce the Beyond Manzanar virtual reality art project.

Art Center College of Design, Pasadena CA. Residency in the Department of Communication and New Media Design.

WIRED Magazine and the Asian American Arts Foundation: Grant award for Beyond Manzanar virtual reality art project.

"DOLL.MONSTER.DEATH.: Cultural Transformation Processes of Bio- and Information Technologies," Natural History Museum, Vienna, Austria: The Totem of Heavenly Wisdom video installation was the keynote event at the opening ceremony.

BAY AREA VIDEO COALITION (BAVC), San Francisco, CA: Artist Equipment Access Award for The Totem of Heavenly Wisdom video installation.

GLOBAL INFORMATION INFRASTRUCTURE (GII) AWARDS (formerly the NII Awards): Starbright World virtual reality playspace received the following awards for extraordinary achievement on the Internet and information highway.
- Winner of Next Generation Award
- Finalist in Childrens category
- Semi-finalist in Telecollaboration category

ASAHI SHIMBUN: Digital Entertainment Award for Starbright World

SMITHSONIAN / COMPUTER WORLD: Starbright World virtual reality playspace was a Finalist in the Medicine category.

Virtual Reality Product of the Year Award in the "Applications" category for Starbright World .

nominated for Deutsche Videokunstpreis (German Video Art Prize): "Das Goldene Ei" ("The Golden Seed") video art piece premiered on German TV station SUEDWEST 3 as one of the best finalists.

Butoh at Johnny Walker's "Art Waves in Front," Tokyo, Japan:
Invitational screening of my video Golden Seed Butoh performance by Kazuo Ohno, photographs of Butoh by Nourit Masson-Sekine.

Connection Machine CM-2 wins Gordon Bell Prize as fastet supercomputer in the world.

Co-holder of patent for "Method for Interconnecting Processors in Hyper-Dimensional Array" for the Connection Machine CM-1, parallel supercomputer.

There are CM-1 and CM-2 Connection Machines in the collections of the COMPUTER HISTORY MUSEUM, Mountain View, CA (Silicon Valley), and in the Museum of American History, SMITHSONIAN INSTITUTION, Washington DC, USA.


LUDWIG MUSEUM BUDAPEST. Premiere of "Vera Plastica" generative AR installation in "À la Recherche de Vera Molnar," JOSEF BROICH COLLECTION.

Artworks from "The Travels of Mariko Horo" work series (2006-2024), KING'S COLLEGE LONDON STRAND GALLERY, in partnership with NATIONAL GALLERY X and GAZELLI GALLERY, London.

ISEA 2024 MEDIA ART FESTIVAL, Brisbane, Australia. Mixed reality work in progress "Elemental Space".

AR BIENNIAL, NRW-FORUM, Düsseldorf. Premiere of “What You Sow/Was Man Sät” AR installation.

DEMO-, wava.ar and Netzwerk Paulskirche. Premiere of “Revolution and Return” AR installation.

KUNSTHALLE MUNICH (HYPO-KULTURSTIFTUNG) exhibit "Flowers Forever," curated by Franziska Stöhr, premieres Waldwandel/Forest Flux.

NFT BIENNIAL @ ZORLU PSM, Instanbul and Vellum LA, Los Angeles. In the "Chrysalis Pavilion," curator Julie Walsh.

xcircle.io digital art platform exhibit "The Now.The New.The Next.," FAMTAIN Members Club Munich.

BOBBLEHAUS Asian American Gen Z genderless fashion multiverse + retailer exhibits prints and videos from the "Travels of Mariko Horo" work series (2006 - 2023).

KUNSTVEREIN WOLFSBURG retrospective, Wolfsburg, Germany. Diverse Realities 1991 - 2022 work overview.

ZKM Karlsruhe, in DiMoDA 4.0 as part of "Matter. Non-Matter. Anti-Matter."

EVOLUON Eindhoven, NL, "RetroFuture."

GAZELLI ART HOUSE, London. DiMoDA 4.0 exhibit “Dis/Location,” curator Christiane Paul.

DAM PROJECTS, Berlin. “Command + Control + Q”, curator Anna Meinecke.

MEET DIGITAL CULTURE CENTER, Milan. Enter the Plastocene multi-channel immersive installation.

ROCHE BASEL develops the "ARTour" AR city tour for the City of Basel, including ARpothecary's Garden sited in Solitude Park, between Roche HQ and the Museum Tinguely.

DIGITAL ART @ SONY CENTER POTSDAMER PLATZ, Berlin, curated by DAM Projects, Berlin. “Evolution of Fish - Anthropocene Daze #1” video artwork.

#MAKEUSVISIBLE Munich, AR public art exhibition.

HOOD MUSEUM of ART, DARTMOUTH College. Evolution of Fish AR projection.

BANNISTER GALLERY, Rhode Island College. "DiMoDa 4.0: Dis/Location" featuring Atmos Sphaerae VR artwork.

SMITHSONIAN INSITUTION Arts and Industries Building (AIB). "FUTURES" 175th anniversary exhibition, curator Ashley Molese.

5th BIENNIAL of the Artists Association in HAUS der KUNST, Munich. "The World:Reglitterized," Munich.

DAM PROJECTS BERLIN. "Virtuelle Mauer/ReConstructing the Wall" fine art prints and interactive virtual reality.

CHRISTIE'S New York, "Proof of Sovereignty" NFT auction, curated by Lady PheOnix, featuring "Unexpected Growth" AR installation. (See also Christie's lot page and press release.)

donumenta ARTLAB Gleis 1, Regensburg Train Station, Germany. Solo exhibition, Enter the Plastocene multi-channel immersive installation.

MoMAR AR app group show "Augmented Species," curators Tina Sauerländer and Ursula Ströbele.

MICROWAVE FESTIVAL HONG KONG, showing Lend Me Your Face! deepfake AI installation.

RIJKSMUSEUM TWENTHE, Enschede, Holland. "Deep Truth," showing Lend Me Your Face! deepfake AI installation.

LICHTSICHT TRIENNALE, Bad Rothenfelde, Germany. Showing Water Lily Invasion and Brush the Sky: Odoroku (Astonishment).

immersiVR VR art platform, "Uncharted Territories" group VR exhibit, Synthesis Gallery & InVR, Berlin, showing Land of Cloud.

Guest Artist for "My Identity Is This Expanse" VR installation and film, directed by Karolina Markiewicz and Pascal Piron. Showings in:
CASINO LUXEMBOURG, "Stronger than memory and weaker than dewdrops."
CINEQUEST Film Festival, San Jose, California.
WHEATON BIENNIAL "final_final_FINAL" group exhibit, Beard and Weil Galleries, Wheaton College, Norton, MA. Showing 5 prints from "Touching, Traces: 2020 Election Diaries." Juror: Legacy Russell.

MEET CENTER MILAN, “Synthetic Corpo-Reality” online exhibit in Mozilla Hubs, curator Julie Walsh.

THE PHOTOGRAPHERS' GALLERY, London. Solo showing of Lend Me Your Face: Go Fake Yourself! deepfake AI net art project.

METRONOM, Modena, Italy. "Lend Me Your Face: Go Fake Yourself!" deepfake AI net art and Video Wall.

Artists Association in HAUS der KUNST, Munich. "Götzendämmerung/Twilight of the Idols." Premiere of "Lend Me Your Face!" participatory deepfake artificial intelligence installation, and "Drei Menschen, erfasst/Three People, Recorded" fine art print.

"RE-START" online exhibit in Mozilla Hubs, curator Julie Walsh. Use portal in Dome1 to get to Dome2, or this link to go directly to Re-start Dome 2 for Lend Me Your Face!" participatory deepfake artificial intelligence installation.

RIXC ART SCIENCE FESTIVAL, "Ecodata" exhibit of "Unexpected Growth" AR installation, National Library, Riga, Latvia. Curators: Raitis Smits and Rasa Smite.

Guest VR artist on the dream sequences for "My Identity Is This Expanse!" by Karolina Markiewicz and Pascal Piron.
- 360° FILM FESTIVAL, Paris. Winner: Best Sound.
- REAL WORLD XR PRIZE 2020: Finalist

TELEMATIC GALLERY, San Francisco. "Suspended Spring" AR installation is part of "The Archive to Come," exhibit curated by Clark Buckner and Carla Gannis

LICHTSICHT TRIENNIAL, Bad Rothenfelde, Germany. "Water Lily Invasion" and "Brush the Sky" AR installations.

CADAF Contemporary & Digital Art Fair Online. "Land of Cloud" presented by DANAE Digital Art Network

DAM GALERIE, Berlin, Germany. SUMMER SPLASH 6" group show, with post-digital fine art print series "Touching, Traces".

GALLERY PRISKA PASQUER, Cologne, Germany. "Our Duty is to Experiment - 20th anniversary group show", with "Suspended Spring" augmented reality installation

STIFTUNG NANTESBUCH, Germany. Video "Suspended Spring" commissed for the "Arts for Spring" online exhibition during the coronavirus crisis.

REGENSBURG SHORT FILM WEEK, Regensburg, Germany. Evolution of Fish large projection augmented reality installation.

MUSEUM of MODERN ART (MoMA), New York. "Energy," curated by Paola Antonelli and Anna Burckhardt

PIN. Friends of the Pinakothek Benefit Auction with Nothing of him that doth fade... ceramic 3D print + custom AR app, (Lot 54, page 55, held at the PINAKOTHEK der MODERNE, Munich.

MUSEUM SINCLAIR-HAUS, Bad Homburg, Germany. "Illusionary Nature," curated by Ina Fuchs, with consulation by Wolf Lieser, DAM Gallery Berlin.

CLB BERLIN in AUFBAU-HAUS AM MORITZPLATZ, Berlin. Solo exhibit "Virtuelle Mauer Zeitlabor 2.0."

KENNIN-JI Zen temple, Kyoto. Art Innovation exhibition at of the AR artwork "Lotus Meditation." Exhibit and symposium jointly held by KYOTO UNIVERSITY and GOLDSMITHS University of London art college.

SAN JOSE MUSEUM of ART, San Jose/Silicon Valley. Beyond Manzanar (with Zara Houshmand) showing in "Almost Human: Digital Art from the Permanent Collection".

EUPHRAT MUSEUM of ART, De Anza College, Cupertino/Silicon Valley. Brush the Sky (with Midori Kono Thiel) showing in "Space and Place," with special fundraiser and calligraphy demo by Midori.

WHITNEY MUSEUM of AMERICAN ART, New York. Unexpected Growth AR installation (with /p) premieres in the group exhibit "Programmed: Rules, Codes, and Choreographies in Art, 1965–2018." Organized by Christiane Paul, Adjunct Curator of Digital Art, and Carol Mancusi-Ungaro, Melva Bucksbaum Associate Director for Conservation and Research, with Clémence White, curatorial assistant.

WING LUKE MUSEUM, Seattle. "Worlds Beyond Here: The Expanding Universe of Asian Pacific American Science Fiction ," exhibiting a Connection Machine CM-2 (courtesy of the Living Computers Museum) and Gardens of the Anthropocene overlaid by invitation onto Simon Kono's "A Rising Tide Lifts All Boats."

GROUNDS FOR SCULPTURE Hamilton, NJ. Invitational AR intervention into Michael Rees' exhibit "Synthetic Cells: Site and Para(Site)," with Gardens of the Anthropocene: Swim with the turtle.

SOCIETY of ART and TECHNOLOGY (SAT) Montreal. "iX 2018 - The Conquest of Reality," exhibiting Gardens of the Anthropocene. Awarded the 2018 iX Visionary Pioneer award.

VRHAM virtual reality festival, Hamburg. Premiere of Land of Cloud - winner of People's Choice Award.

i4c mixed reality festival, Munich. Exhibiting Land of Cloud and Wild Gardens.

"Augmented Reality Public Art Initiative" Hang Seng University of Hong Kong. Exhibiting Gardens of the Anthropocene and Wild Gardens.

MUSEUM of MODERN ART (MoMA NY), Connection Machine CM-2 exhibited in "Thinking Machines: Art and Design in the Computer Age, 1959–1989," New York.

DIE NEUE SAMMLUNG / PINAKOTHEK der MODERNE, Munich, Germany. "Wild Gardens" AR tour with Neue Sammlung/The Design Museum curator Dr. Xenia Riemann-Tyroller.

"RESET III and Virtual Reality," GALLERY PRISKA PASQUER, curated by Tina Sauerländer (peer to space), Cologne, Germany. (See video of the exhibit.)

ART DÜSSELDORF, "RESET III and Virtual Reality" (curator Tina Sauerländer/peer to space), GALLERY PRISKA PASQUER, Düsseldorf, Germany.

MOVING IMAGE NEW YORK art fair, New York, NY.


BOSTON CYBERARTS / NATIONAL ENDOWMENT for the ARTS, "The Augmented Landscape," Salem Maritime National Historic Site, Salem, MA, USA.

"stand by me," curator Katia Rid. GALERIE DER KÜNSTLER, Munich, Germany

3. BIENNALE der KÜNSTLER, Artists Association in HAUS DER KUNST, Munich, Germany

SEATTLE ART MUSEUM Olympic Sculpture Park AR exhibit Gardens of the Anthropocene, Seattle.

9e2 SEATTLE, media art festival commemorating the 50th anniversary of the legendary art+tech collaboration "9 Evenings"

"Mi Querido Barrio" exhibit, CCCADI (Caribbean Cultural Center and African Diaspora Institute), East Harlem, New York City, showing the AR installation El Barrio is home!

"Digital Synesthesia" exhibition, Angewandte Innovation Lab (AIL), Vienna, Austria. I am Sound (with Christoph Reiserer), commisioned work from the DIGITAL SYNESTHESIA Group (project leaders Katharina Gsöllpointner, Ruth Schnell, Romana Schuler,Jeffrey Shaw and Peter Weibel).

Water Lily Invasion at VIRTUALE SWITZERLAND, Lugano, curator Art Clay/Digital Art Weeks.

ADM Faculty Show 2015: Beyond the Horizon," curated by T.K. Sabapathy and Michelle Lim. ADM GALLERY, School of Art, Design and Media (ADM)Nanyang Technological University, Singapore. "Goldsegen / Golden Blessings SG50," participatory artwork for Singapore's 50th anniversary.

VIRTUALE SWITZERLAND, Lausanne, curator Art Clay/Digital Art Weeks. "Biomer Skelters" (with Will Pappenheimer) and "Shades of Absence: Public Voids."

WING LUKE MUSEUM, Smithsonian Institution Affiliate, Seattle, USA. "Brush the Sky" (with Midori Kono Thiel) in the group show "Construct/S," curated by Stacey Uradomo.

UNPAINTED - world's first media art fair. Fine art prints from "Transformation: Munich" presented by pilotraum01.org, curator Serafine Lindemann/artcircolo. Munich, Germany.

Fractured Visions,” public art commission from the AXNS COLLECTIVE for KING’S COLLEGE LONDON, with a grant from the ARTS COUNCIL ENGLAND and support from the MERGE FESTIVAL, London, UK.

VIRTUALE SWITZERLAND, world's first biennial of virtual art, opening in parallel with ART BASEL. Curated by Digital Art Weeks International with the support of Prohelvetia Swiss Art Council, City & Canton of Basel, House for Electronic Arts, Basel.

ISEA DUBAI Media Art Festival, Dubai, United Arab Emirates.

"Goldsegen" in the group public art exhibit "Rätsel des Überflüssigen" (Conundrum of the Superfluous), curator Serafine Lindemann|articircolo, wtih pilotraum01 eV, GCM and DantonDenkRaum, Munich, Germany

"Virtuelle Mauer/ReConstructing the Wall" shown for the 25th anniversary of the Fall of the Wall at NORTHEASTERN UNIVERSITY/Boston and BENTLEY COLLEGE, Waltham, MA, USA.

"Virtuelle Mauer ZeitLabor," BEROLINA, BERLIN, Germany, for the 25th anniversary of the Fall of the Berlin Wall.

CORCORAN GALLERY of ART / Corcoran College of Art and Design Gallery 31, "Manifest:AR" invitational show. Washington D.C., USA.

Turning FACT Inside Out” 10th anniversary exhibition. Manifest.AR group show "Invisible ARtaffects" - project "Biomer Skelters" in collaboration with the Liverpool John Moores University and the World Museum/National Museums Liverpool. FACT (Foundation for Art and Creative Technology), Liverpool, UK.

SIGGRAPH Asia Art Gallery, in the "Virtuale" exhibition, Hong Kong. Curated by Arthur Clay, Digital Art Weeks (DAW)

"You cannot afford this," group exhibit, CONTEMPORARY ISTANBUL ART FAIR, presented by Kasa Gallery and Museum of Contemporary Cuts. Lead curator Lanfranco Aceti, senior curators Pat Badani, Nicholas Mirzoeff and Marquard Smith.

DIGITAL ART WEEKS, Singapore. Curated by Art Clay.

TATE MODERN, London, UK. “All Hail Damien Hirst!” AR intervention.

ART GWANGJU, Korea. "When I Dream" shown in the exhibit "Fragmented Identity," presented by The Art Syn Projects (London).

"Transformation" solo show, St. Lukas Church, Munich, Germany. Part of the Overtures - ZeitRäume Project by pilotraum01 e.V., curated by Serafine Lindemann (artcircolo) and Christian Schoen (kunst | konzepte).

ZERO1 BIENNIAL and SAMEK ART GALLERY (Bucknell University) present "Manifest.AR @ Zero1 Biennial 2012," San Jose, USA.

COPENHAGEN ART FESTIVAL, Denmark. NIKOLAJ KUNSTHAL presents “To Question is GOLD” in an invitational show.

TRIENNALE DI MILANO, Italy. “No.Need.For:Real?” AR group show for the Virtual Systems and MultiMedia (VSMM2012) conference.

“LA Re.Play” public art exhibit for College Arts Association, with the DMA Grad Art Gallery, BROAD ART CENTER, UCLA, Los Angeles. Manifest.AR group show.

GOETHE-INSTITUT ISLAND, SECOND LIFE. "Perceptive Dislocations" performative event in collaboration with the United|Dislokations|Kartell (U|D|K).

TRANSMEDIALE, Berlin, Germany. "in/compatible AR intervention"

VENICE BIENNIAL and the GERMAN NATIONAL PAVILION, Venice, Italy. "Venice Bienniale 2011 AR Intervention," Manifest.AR uninvited guerilla augmented reality intervention.

ISTANBUL BIENNIAL, Istanbul, Turkey. Participant as part of the official parallel exhibit ISEA2011 UNCONTAINABLE. (See links to catalog "Uncontainable.")
KASA GALLERY, Sabanci University, Istanbul, Turkey. "Not There," exhibition of Manifest.AR Venice Biennial AR Intervention artworks. (Catalog excerpt "Not There")
ISTANBUL BIENNIAL main exhibition. "Invisible Istanbul: Captured Images," AR intervention. (Catalog excerpt " Invisible Istanbul.")

ICA Boston (Institute of Contemporary Art), Boston, USA. "Manifest.AR@ICA" invitational group show.

DUMBO Arts Festival, Brooklyn, New York, USA.

GOETHE-INSTITUT ISLAND, SECOND LIFE. "Dislocative Sculpture" performative event in collaboration with the United|Dislokations|Kartell (U|D|K).

"AR OCCUPY WALL STREET" - "Reign of Gold"

SAMEK ART GALLERY, Bucknell University, Lewisburg, PA, USA. "Not Here" group show with Manifest.AR.

"Carnation Rain (Largo do Carmo)" augmented reality (AR) artwork, permanent installation, LISBON, Portugal.

"gradually melt the sky," DEVOTION GALLERY, Brooklyn, New York City, USA

"(Un)seen Sculptures," public art show, MELBOURNE CBD, Arts Precinct, Southbank, Melbourne, Australia.

MUSEUM of MODERN ART (MoMA), New York City, USA. "We AR in MoMA," uninvited guerilla augmented reality intervention.

"Bushwick Augmented Reality Intervention," group public art show as part of the Beta Spaces Festival, Bushwick neighborhood of Brooklyn, New York City, USA.

PALAZZO MEDICI-RICCARDI, Florence, Italy. "Colorito," ACM Multimedia Interactive Art Exhibit.

Solo exhibit of Virtuelle Mauer/ReConstructing the Wall at the Industrial Design Center (IDC) of the INDIAN INSTITUTE of TECHNOLOGY in cooperation with the GOETHE-INSTITUT MUMBAI, Mumbai, India (formerly Bombay).

Solo exhibit of Virtuelle Mauer/ReConstructing the Wall at the GOETHE-INSTITUT BANGALORE, Bangalore, India.

Solo exhibit of Virtuelle Mauer/ReConstructing the Wall at the GOETHE-INSTITUT SRI LANKA, Colombo, Sri Lanka.

GOETHE-INSTITUT NEW DELHI, New Delhi, India. Solo exhibit of Virtuelle Mauer/ReConstructing the Wall

GOETHE-INSTITUT LOS ANGELES, Los Angeles, CA, USA. Solo exhibit of Virtuelle Mauer/ReConstructing the Wall

LABORAL, Gijon, Spain. "FEEDFORWARD: Angel of History," group exhibition curated by Christiane Paul & Steve Dietz.

AMERICAN UNIVERSITY MUSEUM, Washington D.C., USA. Solo exhibit of Virtuelle Mauer/ReConstructing the Wall in cooperation with the GOETHE-INSTITUT WASHINGTON. Opening remarks by German Ambassador Klaus Scharioth.

HARVARD UNIVERSITY, Cambridge, Massachusetts, USA. Exhibition of Virtuelle Mauer/ReConstructing the Wall at a special event to commemorate the Fall of the Berlin Wall sponsored by John F. Kennedy School of Government and GOETHE-INSTITUT BOSTON, organized by the McCloy Scholars German-Austrian Caucus. Speakers: German Consul Friedrich Loehr and Harvard Kennedy School Professor Steven Walt.

BERLIN CITY MUSEUM, Ephraim-Palais, Berlin, Germany. Exhibition of Virtuelle Mauer/ReConstructing the Wall in the group show "FALLMAUERFALL | 61-89-09".

[DAM] BERLIN (Digital Art Museum Berlin), Germany. "ReVisioning the Virtual Wall": Collages based on the 3D installation "Virtuelle Mauer/ReConstructing the Wall", Artist team T+T (Tamiko Thiel – Teresa Reuter – Sabe Wunsch)

KUNSTVEREIN WOLFSBURG, Wolfsburg, Germany. Exhibition of Virtuelle Mauer/ReConstructing the Wall in the group show "Reconstructed Zone",

Solo exhibit of Virtuelle Mauer/ReConstructing the Wall at the UNIVERSITY of NEW ENGLAND in cooperation with the GOETHE-INSTITUT BOSTON, in Biddeford, Maine, USA

Solo exhibit of Virtuelle Mauer/ReConstructing the Wall at the WILLY-BRANDT-HAUS. Lubeck, Germany. [pdf brochure]

Exhibition of The Travels of Mariko Horo at the FONDAZIONE QUERINI STAMPALIA, as part of the transnational literary festival INCROCI di CIVILTA', Venice, Italy.

Solo exhibit of Virtuelle Mauer/ReConstructing the Wall at the GOETHE-INSTITUT BOSTON as part of the BOSTON CYBERARTS FESTIVAL, Boston, USA.

Exhibition of The Travels of Mariko Horo in the STAEDTISCHE GALERIE im LEEREN BEUTEL as part of the exhibit "The Catholic Factor," Regensburg, Germany.

Exhibition of the The Totem of Heavenly Wisdom as part of the group exhibit "The Banyan Tree" at the METAHOUSE PHNOM PENH in Phnom Penh, Cambodia, and at the NATIONAL GALLERY in Bangkok, Thailand.

World premiere & solo show of Virtuelle Mauer/ReConstructing the Wall, MUSEUM for COMMUNICATION, Berlin, Germany.

US premiere & solo show of Virtuelle Mauer/ReConstructing the Wall, 911 MEDIA ARTS CENTER, Seattle, USA.

Exhibit of The Travels of Mariko Horo as part as part of the symposium "ANIME Japanese Comics Global," co-hosted by the JAPANESE-GERMAN CENTER BERLIN and the JAPAN FOUNDATION, Engelbrot Theater, Berlin, Germany.

"Global Eyes" Art Gallery show, SIGGRAPH 2007, San Diego, USA.

Solo exhibit of The Travels of Mariko Horo at 911 MEDIA ARTS CENTER in conjunction with the exhibit "Japan Envisions the West: 16th-19th Century Japanese Art from Kobe City Museum" at the Seattle Art Museum.

"The Game is Up!" ARTS CENTRE VOORUIT, Ghent, Belgium.

Web3D ART SHOW 2007, shown at the WEB3D INTERNATIONAL SYMPOSIUM, Perugia, Italy, and during the Takeaway Festival at the Science Museum/Danacenter in London, England.

Player in the online performance Isis: For My Mother. by Marlena Corcoran, shown at the 070707 UPSTAGE FESTIVAL, New Zealand Film Archive, Wellington, New Zealand.

World premiere of The Travels of Mariko Horo, in the group exhibit "Edge Conditions" curated by Steve Dietz for the 01SJ / ISEA 2006 Festival, San Jose Museum of Art, San Jose, California, USA.

World premiere of In the Land of Babari-an, DANCE 2006 FESTIVAL OF CONTEMPORARY DANCE. Live Butoh dance performance by Shinichi Iova-Koga (inkBoat) and Ishide Takuya using The Travels of Mariko Horo as realtime virtual reality stage set.

"Visual Politics: The Art of Engagement," KATZEN ART CENTER, American University, Washington D.C., USA

"Image War: Contesting Images of Political Conflict," Art Gallery of The Graduate Center at the City University of New York (CUNY), curated by the 2005-06 Curatorial Fellows of the WHITNEY MUSEUM OF ART Independent Study Program.

"Next Level: Die Lust am Spiel in der Netzwerkgesellschaft," KUNSTVEREIN WOLFSBURG, Wolfsburg, Germany.

Retrospective exhibit: "Virtual Reality as Political Art," BOSTON CYBERARTS FESTIVAL / GOETHE-INSTITUT, Boston, MA.

"Geometries of Power," multi-user online event between the GOETHE-INSTITUT in Boston, MA., USA, and PROGRAM ANGELS / LOTHRINGER13, Munich, Germany as part of the BOSTON CYBERARTS FESTIVAL.

"Xenopolis: Von der Faszination und Ausgrenzung des Fremden," KULTURREFERAT der LANDESHAUPTSTADT MUENCHEN, Rathausgalerie, Munich, Germany

"Visual Politics: The Art of Engagement," SAN JOSE MUSEUM of ART, San Jose, CA, USA

"Non-Stop: Ein Projekt zur Ambivalenz von Krieg und Frieden", KUNSTVEREIN WOLFSBURG, Wolfsburg, Germany.

Opening Celebration, ARTS2MEDIA Medienwerkstatt, Regensburg, Germany

"Highlights of the Permanent Collection" (continuing exhibition,) SAN JOSE MUSEUM of ART, San Jose, Silicon Valley, California.

Solo exhibit, Center for Advanced Visual Studies (CAVS), MASSACHUSETTS INSTITUTE OF TECHNOLOGY, Cambridge, MA.

"Only Skin Deep," SEATTLE ART MUSEUM,Seattle, WA, USA.

for Interactive Digital Storytelling and Entertainment (TIDSE), Darmstadt, Germany.

"Totem of Heavenly Wisdom" shown as part of the traveling BANYAN PROJECT in Tahiti, Cook Islands, Fiji, Bali and Thailand.


, KYOTO ART CENTER, Kyoto, Japan.

FILE-2003, Electronic Language International Festival, PACO DAS ARTES, Sao Paulo, Brazil.

"VideoArt Meets NewMusic," ADEVANTGARDE Festival, Gasteig/BlackBox, Munich, Germany.

"Lab3D," CORNERHOUSE, Manchester, England.

"NextArt: Provocations," FLORIDA FILM FESTIVAL, Maitland, Florida, USA.

"RENCONTRES INTERNATIONAL," Paris, France, and Berlin, Germany.

"Web3D Art 2003," shown at the WEB3D INTERNATIONAL SYMPOSIUM, St. Malo, France, and at the following locations:
The Media Centre, The ICA London, UK
Watershed, Bristol, UK
Media Lounge, Media Centre Huddersfield, UK
Folly Gallery, Lancaster, UK
Experimental Art Foundation, Adelaide, Australia
Center of Contemporary Art, Skopje, Macedonia
Ravensbourne College of Communication and Design Gallery
"Highlights of the Permanent Collection," SAN JOSE MUSEUM of ART, San Jose, Silicon Valley, California. Exhibition of the Beyond Manzanar virtual reality installation.

"Highlights of the Permanent Collection", SAN JOSE MUSEUM OF ART, San Jose, CA, USA.

bilder*codes# 1992-2002: 10 Jahre Medienkunst im Dialog ("images*codes# 10 Years of Media Art in Dialog"). Das Goldene Ei (The Golden Seed) video shown as part of the 10th anniversary of the "\\internationalen\medien\kunst\preis" ("\\international\media\art\prize"), ZKM (Zentrum für Kunst und Medientechnologie), Karlsruhe, Germany.

5th Media Arts Festival, TOKYO METROPOLITAN MUSEUM of PHOTOGRAPHY, Tokyo, Japan.

Beyond Manzanar solo exhibition, CENTER FOR RESEARCH ON COMPUTERS IN THE ARTS (CRCA), University of California/San Diego, La Jolla, CA.

Geometries of Power multi-user online collaborative event and artwork, held during FUSION 2002 online event between the BAUHAUS-UNIVERSITY, Weimar, Germany and the Design/Media Dept., UCLA, Los Angeles, CA, USA.

Art Show, WEB3D SYMPOSIUM, Tempe, Arizona, USA.

RHIZOME.LA, Los Angeles, CA. Invitational screening of Beyond Manzanar.

SIGGRAPH N-Space Gallery, Los Angeles, CA, USA.

COSIGN 2001 Conference on Digital Semiotics of Games and New Media,Amsterdam, Holland.

LOTHRINGER13/LADEN, Munich, Germany. "Beyond Manzanar" solo exhibition,

INTERACTION `01, 4th Biennale: World Forum for Media and Culture, Ogaki City, GIFU, Japan.
Exhibiting "Beyond Manzanar" (with Zara Houshmand) Artist in Residence work.


CAST01, "Living in Mixed Realities," GMD/Schloss Birlinghoven, Sankt Augustin, Germany.

"INTERPOESIA - The Hypermedia Poetics." Sao Paolo, Brazil.

CYNETart 2001 , Dresden, Germany.

ART-ADVICE show in the KUNSTGARAGE, Munich, Germany.

KULTURREFERAT MUENCHEN, Munich Germany. Keynote showing of Beyond Manzanar virtual reality installation at inaugural festivities for Lydia Hartl, new head of Munich Cultural Department.

IAMAS Artists-in-Residency Exhibition, TOKYO METROPOLITAN MUSEUM of PHOTOGRAPHY , Tokyo, Japan.

"VRML-ART," VRML99 , Paderborn, Germany.


"Plugged In," HAINES GALLERY, San Francisco, CA, USA.

"Asian Body," TIDBIT GALLERY, Portland, OR, USA.

"Digital Art Pavilion," PALO ALTO FESTIVAL of the ARTS, Palo Alto, CA, USA.

"Artists' Intersection with Technology," YLEM/WCA exhibit at KORET GALLERY, Palo Alto, CA.

"The Light is Diverse in California," CENTER for VISUAL ART, Oakland, CA.

"NOT STILL ART FESTIVAL," Cooperstown, New York.

"Aurinko - Exhibition of Solar Art," RAUMA MUSEUM of ART, Rauma, Finland. See online gallery at Leonardo Journal's website.

"CHIK TEK 97: Women Artists Defining Technology," ART-TECH GALLERY, San Jose, CA.

"Women and the Art of Multimedia," NATIONAL MUSEUM of WOMEN in the ARTS, Washington DC, USA.

"Dancing for the Camera," AMERICAN DANCE FESTIVAL, Durham, NC, USA.

"Digital Media: Art and Technology," AEA Award Winners' Presentation, BAY AREA VIDEO COALITION (BAVC), San Francisco, CA, USA.

"STIMULUS TRANSMIT," Cable Access Channel 53, San Francisco, CA, USA. My video art work was showcased in the premiere episode of this monthly showcase of independent media artists.

"New Media," Artists' Salon, HEADLANDS CENTER FOR THE ARTS, Marin, CA.

"Brains, Perception and Consciousness," Ylem Forum, EXPLORATORIUM, San Francisco, CA, USA.

"Starbright World: World Launch," Mt. Sinai Hospital, New York, NY, USA.

"Starbright World: A Peek in the Lab," DIGITAL WORLD, Los Angeles, CA, USA.

The Connection Machine CM-2 was exhibited as the processing power behind Karl Sim's "Genetic Images," CENTRE GEORGES POMPIDOU, Paris, France, ARS ELECTRONICA, Linz, Austria and the INTERACTIVE MEDIA FESTIVAL, Los Angeles, CA, USA.

"4th International Sound Basis Visual Arts Festival," WRO 93, Wroclaw, Poland.


Butoh at Johnny Walker's "Art Waves in Front," Tokyo, Japan. Invitational screening of my video Golden Egg , Butoh performance by Kazuo Ohno, photographs of Butoh by Nourit Masson-Sekine.

"Experimental Film and Video Festival," IMAGE FORUM, Tokyo and Osaka, Japan.

"Deutsche Videokunstpreis," ZENTRUM fuer KUNST und MEDIENTECHNOLOGIE (ZKM), Karlsruhe, Germany. Video selected as one of "50 Best" for broadcast on German TV station SUEDWEST 3.

"Videonale 5," BONNER KUNSTVEREIN, Bonn, Germany.

"Videokunst in Muenchen," KUENSTLERWERKSTATT, Munich, Germany.

"Diploma Exhibit," AKADEMIE der BILDENDEN KUENSTE, Munich, Germany.

"The Beauty and the Beast," PROJEKT DANIEL SPOERRI, Munich, Germany.

"Vor dem Hammer," GALERIE KLAUS LEA, Munich, Germany.


Scorzin. Pamela. "Tamiko Thiel Interview: AR Kunstwerke sind - wie die Liebe - real, aber nicht greifbar," KUNSTFORUM International, Vol. 290 "Mixed Realities," (pdf overview) guest editor Pamela Scorzin. Pages 106-125.

Paul, Christiane (Whitney Museum Curator of New Media Art). Digital Art (pdf excerpt), Thames and Hudson World of Art. London. Fourth edition, 2023. Pages 122-124 (Beyond Manzanar); pages 129-133 (Manifest.AR, plus Shades of Absence: Public Voids intervention into the Venice Biennale), pages 133-135 (Unexpected Growth).

Haase, Katharina. "#JulietToo", sueddeutsche.de, 06 July.

Praske, Tanja. "#JulietToo von Tamiko Thiel – #MakeUsVisible und virtuelle Gegendenkmäler in München" blog.muenchner-stadtbibliothek.de, 03 July.

Hohmann, Silke. "Michael Findlays VOM WERT DER KUNST geht auf neueste Entwicklungen ein," Monopol, Januar, pp. 124-5.

Findlay, Michael. "The Value of Art: Money, Power, Beauty," 2nd edition, Prestel, 08 Nov, pp. 257-8.

1e9 & xR Hub Bavaria, "Wie die Künstlerin Tamiko Thiel zur XR-Pionierin wurde - und fast für Steve Jobs gearbeitet hätte," New Realities Podcast, 02 Nov.

Brosowsky, Bettina Maria. "Feministin setzt Wolfsburg unter Wasser," taz, 05 Oct.

Fricke, Sabrina. "Feministinnen sind keine verbitterten, alten Tanten," Wolfsburger Allgemeine, 05 Oct.

Ables, Kelsey. "There’s more to the Cherry Blossom Festival than trees," Washington Post, 18 March.

This is Basel. "Reise in die Welt der digitalen Kunst. Zu Gast: Sabine Himmelsbach, Direktorin des HEK (Haus der Elektronischen Künste) und Kuratorin der neuen ARTour." https://www.basel.com/de/podcast/folge-11

van Straaten, Laura. "At the Smithsonian, an Architectural Treasure Looks Ahead," NY Times, 19 Oct.

Robertson, Jean & McDaniel, Craig. Themes of Contemporary Art: Visual Art after 1980. Oxford University Press, pp. 335 – 337.

Reyes, Ambar. "Moving a Body through Space: An Interview with Tamiko Thiel," Immerse/MIT Open Doc Lab, 08 Sept.

Harrison, Zoe. "1854 Presents: Tamiko Thiel on AI and art," British Journal of Photography, 15 March.

Cook, Sarah. "Maintaining Composure: An Interview with Tamiko Thiel," unthinking photography, The Photographers' Gallery, January.

Lupetti, Matteo. "Digitalizzare il corpo. La mostra virtuale 3D di MEET Milano," artribune.com, 19 March.

Propkopenko, Lesia. "The Travels of Mariko Horo - Interview with Tamiko Thiel," East East, February.

Caune, Helmuts. "We don’t know how, but it works." In www.arterritory.com, March 3.

Sauerländer, Tina. "Über Tamiko Thiel," essay (in German - see pdf excerpt) "I Love Women Artists: Eine publikation zum 100-jährigen jubiläum der Erstzulassung von Frauen an deutschen kunstakademien", Bianca Kennedy and Janine Machkenroth, editors. One hundred women curators, gallerists and collectors write about 100 women artists in Germany.

Fedorova, Ksenia. "Tactics of Interfacing: Encoding Affect in Art and Technology," MIT Press. Essay on my work, pp. 228-230, 234, 237-238, 240. Traynor, Peter. "The Art of Breaking Boundaries: Digital Art at the Cutting Edge." Agora Digital Art, 02 Nov.

Tucha, Aliaksandra. "On the ecosystematic perspective in the arts," in www.arterritory.com, 06 Nov.

Otto, Angelika. "Revolution durch künstlerische Anstöße," NeuroTransmitter, Oktober.

Vintage Computer Festival Midwest. "An interview with TAMIKO THIEL, lead product designer at Thinking Machines Corp.," 12 Sept.

Allroggen, Antje. "Digitalisierung der Museen – Modernisierungsschub durch die Krise", Deutschlandfunk, 04. Juni. Podcast Interview von 10:15 - 13:05 über meine Connection Machine und Unexpected Growth.

Filkorn, Fred. "Projektion zeigt Verschmutzung der Meere," Mittelbayerische Zeitung, Regensburg, 09 März.

Grau, Oliver, Hoth, Janina and Wandl-Vogt, Eveline, eds. "Digital Art through the Looking Glass," (pdf) tredition press, Edition Donau-Universität, Krems, Austria, pp. 10,11.

Bickmann, Isa. "Illusion Natur," Kunstforum International, Cologne, Germany, Vol. 265.

Rapoport, Carla. "Tamiko Thiel and /p," Lumen Prize longlist 2019.

Blakemore, Erin. "Coral grows and dies daily in exhibit that puts visitors in our endangered oceans," Washington Post, March 2.

Danae HI "18 Museums Boosting the Scene of Digital Art," medium.com, March 1.

Meier, Allison C. "An AR Installation Submerges the Whitney Museum in a Coral Reef of Plastic Debris," hyperallergic.com, Feb. 21.

Sayej, Nadja. "Memes, technology and sci-fi: what to expect from art in the US in 2019" The Guardian, Jan. 3.

Asvestopoulos, Sofia. "Illusion Natur im Museum Sinclair-Haus: Natur im digitalen Zeitalter – Symbiose oder Spaltung?," in the ARTicle – Blog für Kunstwissenschaft, Goethe-Universität Frankfurt, 12 December.

Berndt, Björn. "Natur als Illusion," männer*, 5 November.

ArtMapp. "Illusion Natur. Digitale Welten."

Knorr, Klaus. "Sinclair-Haus Bad Homburg – Natur digital," Frankfurt|Rhein|Main blog, 20 November.

Vogel, Evelyn. "Ein Riff voll Müll," Süddeutsche Zeitung, Munich, Germany, 9 July.

Vohra, Ambika. "Notes on learning from an engineer-turned-artist," Medium.com, 14 April.

Roque Rodríguez, Anabel. "What Does Success in the Arts Look Like? - Interview XVII with Tamiko Thiel," Anabel Roque Rodríguez Blog, March 5.

Iovino, Serenella. "The Reverse of the Sublime: Dilemmas (and Resources) of the Anthropocene Garden," Rachel Carson Center Perspectives: Transformations in Environment and Society 2019, no. 3

"Reality Re-envisioned: Tamiko Thiel Visits Stamps," School of Art and Design blog, February.

Hodara, Susan. "A 3-D Incunabula of Type," Communication Arts, Jan. 2.

Greenberger, Alex. "The Browser: At the Whitney, 'Programmed' Piquantly Draws Out Connections Between TV and the Internet," in Art News, Nov. 8.

Funes, Yessenia. "Ominous New Art Exhibit Shows Coral Reefs Transformed by Trash," in Earther/Gizmodo, Sept. 28.

Madson, Diana. "Augmented reality art exhibit shows how people are harming corals," yaleclimateconnections.org, December 28.

Huffman, Kathy Rae. "Unexpected Growth by Tamiko Thiel at the Whitney Museum of American Art" in digicult.it, November.

Blouin Artinfo, " Programmed: Rules, Codes, and Choreographies in Art, 1965-2018' at the Whitney," Blouin Art Info, Sept. 1.

Herwig, Oliver. "Die Kunst des Bewahrens" in @Privatbank 1796, Hauck und Aufhaeuser Privatbank, Oktober.

"Can You Make Art By Algorithm?" Hungar, Sept. 7.

goop. "The Best Art Shows to See Right Now," goop.com, Sept. 27.

Nielsen, Erik. "Programmed: Rules, Codes, and Choreographies in Art," Musée - Vanguard of Photography Culture, Oct. 17.

"'Programmed: Rules, Codes, and Choreographies in Art, 1965-2018': do video à arte computacional," Maputo Fast Forward, Sept. 9.

Stigler, Britt. "The Whitney Looks At Intersection of Technology and Art," All Arts, Sept. 28.

Herwig, Oliver. "The Self, the World, and Dissolving Distinctions," Goethe-Institut New York blog, September.

Noyes, Chandra."The Artist as Coder: the Whitney Looks at Programming in Art," Art & Object,Sept. 28.

Tanni, Valentina. "Programmed. Una mostra del Whitney Museum di New York racconta le istruzioni nell'arte," Artribune, Sept. 30.

Wang, Rena. "'Programmed: Rules, Codes, And Choreographies In Art, 1965-2018' Opens At The Whitney," The Knockturnal, Oct.2.

Barratt, Bianca. "This is some serious trash art," Living it, Oct. 29.

Blouin Artinfo, "At the Whitney, Taking Aim at the Digital Age," Blouin Art Info, Oct. 10.

Wright, Rewa. "Interface Is the Place: Augmented Reality and the Phenomena of Smartphone–Spacetime." (download pdf here) Chapter in the book Mobile Story Making in an Age of Smartphones, Palgrave Pivot, April.

Kurchanova, Natasha. "Programmed: Rules, Codes and Choreographies in Art, 1965-2018," Studio International, 13 Dec.

Schwab, Katharine. "The Female Supercomputer Designer Who Inspired Steve Jobs" Fast Company Co.Design, Nov. 16.

Farago, Jason. "Virtual Reality Has Arrived in the Art World. Now What?" New York Times, Feb. 3 (Feb. 5 in the print edition under the title, "Plunging Into Artists’ Twilight Zones.")

McClenaghan, Alyssa. "Days later, I reflect: NYC Armory Week," openhouseblog.nyc, March.

Madson, Diane. "Artist Exhibits Dystopian Vision in Seattle Park," podcast on yaleclimateconnections.org, January 16.

Granada, Stephanie. "10 Artists on What Climate Change Actually Looks Like," outsideonline.com, August 3.

Hautala, Elke. "These Seattle AR Pioneers want to connect you to the city of the future," Undercurrents, Feb. 15.

Whang, Eric H. "Virtual reality in digital art," www.tiltfactor.org, Feb. 3.

Stock, Naomi. "Is Virtual Reality the Future of Art?", Art Business Journal, July 25.

Gessner, Ingrid. "Tamiko Thiel's virtual reality installations as sites of learning in and beyond the museum," Taylor and Francis, 24 September.

Paul, Christiane. "Augmented Realities: Digital Art in the Public Sphere," in A Companion to Public Art (Blackwell Companions to Art History), Knight, Cher Krause, and Senie, Harriet F., ed., pp. 218-219.

JWT Intelligence Future 100 2017 report featured Gardens of the Anthropocene (on p27) as AR top trend for 2017.

Laughlin, Shepherd. "Augmented Reality Evolves," www.jwtintelligence.com, 28 October.

Medlock, Katie. "Dystopian AR art installation shows how plants might adapt to rising global temperatures," inhabitat.com, 30 September.

Blakemore, Erin. "Augmented reality art imagines what could be Seattle's weird bleak future," www.smithsonianmag.com, 19 September.

Andrews, Eve. "Can climate change be beautiful? In virtual reality, sure.," grist.org, 20 September.

Wachs, Audrey. "Wander though a lush, pre-apocalyptic virtual garden at the Seattle Art Museum," archpaper.com, 01 September.

Pangburn, DJ. "Seattle's Climate-Changed Future Rises in a New Installation," thecreatorsproject.vice.com, 29 August.

Kiley, Brendan. "Bloom and doom: Pokémon Go-like art project explores climate change," www.seattletimes.com, 29 August.

Galore, Janet. "my favorite things tour at SAM Remix," janetgalore.com/, 27 August.

MIT Arts, Culture and Technology Program. " ACT alumni exhibiting around the world: Tamiko Thiel, MEE '83, CAVS Fellow '04-05," act.mit.edu, August.

" Must-see exhibitions at SAM," (in Japanese) www.junglecity.com, August.

SARAJO. "Gardens of the Anthropocene: inside a climate-changed future", conservation.uw.edu, 24 June.

Bosco, Roberta and Caldano, Stefano. "Otra realidad es posible," www.fundacionaquae.org/blog.

Achtelik, Anna. "Interrogating the Sublime: Reconstructions," (pdf excerpt), Transdiscourse 2: Turbulence and Reconstruction, Editor Jill Scott, De Gruyter, Berlin, pp. 158-161.

Wright, Rewa. "Augmented Reality as Experimental Art Practice: from Information Overlay to Software Assemblage," see also video, academia.edu, (ISEA2016 Hong Kong).

"Museum Day 2016: Asian Pacific American Museums," Wing Luke Museum features Brush the Sky on the SMITHSONIAN Asian Pacific America website.

Forni, Ivo. "Il linguaggio della realtà aumentata attraverso l'opera di Tamiko Thiel," Università La Sapienza, Rome, 3 July.

Paul, Christiane (Whitney Museum Curator of New Media Art). Digital Art (pdf excerpt), Thames and Hudson World of Art. London. Third edition, 2015. Pages 130-132 ("Beyond Manzanar"); 238-240 (Manifest.AR, plus "Shades of Absence: Public Voids" intervention into the Venice Biennale).

Wright, Rewa. " Mobile Augmented Reality Art and the Politics of Re-assembly," ISEA2015 proceedings, Vancouver B.C.

Uradomo-Barre, Stacey. CONSTRUCT\S exhibition catalog, WING LUKE MUSEUM / SMITHSONIAN INSTITUTION AFFILIATE, Seattle, USA, pp. 26 – 33.

Sabapathy, T.K. and Lim, Michelle. ADM 10th Anniversary Faculty Show "Beyond the Horizon" Catalog, Nanyang Technological University (NTU ADM), Singapore.

Ganivet, Elisa. "Esthétique du mur géopolitique: un essai. Interprétations artistiques des barrières de séparation," Presses de l'Université du Québec, 2015.

Wright, Rewa. "From the Bleeding Edge of the Network: Augmented Reality and the 'software assemblage,'" academia.edu.

Scheller, Jörg. "Die Kunst mit dem Klick" DIE ZEIT, Hamburg, Germany. Nr. 27/2014, 26. Juni.

Stratton, Rachel. "Interview with Tamiko Thiel," Unknown Quantities Magazine, CENTRAL SAINT MARTINS / UNIVERSITY of the ARTS, London, UK.

"Fractured Visions: To See Again," Wall Street International Magazine, August 20.

Liao, Tony & Humphreys, Lee. "Layar-ed places: Using mobile augmented reality to tactically reengage, reproduce, and reappropriate public space," New Media & Society, SAGE Publications, October 2015, Vol. 17 no. 9 1418-1435. First published online on March 19, 2014.

"Tamiko Thiel: Exciting New Digital Artwork Augments Reality At The Shard," www.artlyst.com, August 8.

Gould, Amanda Starling. "Invisible Visualities: Augmented Reality Art and the Contemporary Media Ecology," Convergence: The International Journal of Research into New Media Technologies, Special Issue "Cultural Expression in Mixed and Augmented Reality," eds. Jay Bolter & Maria Engberg, Vol. 20(1) 25–32.

"Not Here Not There" Part 2. [ Tamiko Thiel featured artist - pdf ] Leonardo Electronic Almanac, Volume 19 Issue 2. Editors Lanfranco Aceti, Richard Rinehart, Ozden Sahin. Pages 5, 17-18, 24-25, 118-119, 210-219.

Winerman, Lea. "Reality Bytes," Washington Post Express, August 15, 2013.

Garrett, Marc. "Disrupting The Gaze: Art Intervention and the Tate Gallery," Furtherfield on academia.edu, from February 7, 2013: .

Briggs, Ibiayi. "Plug-In Istanbul," , November 8, 2013.

Clay, Art and Rut, Monika. “The Art of Augmenting Reality,” Tafter Journal, No.66, December 2013.

Bolognini, Yves & Stamm, Marielle, ed. Disparition programmee: Le Musee Bolo mene l'enquete (Programmed Disappearance: The Bolo Museum Investigates), Bolo Museum, Concepte Fondation Memoires Informatiques, Press polytechniques et universitaires romandes, Lausanne, 2013, pp 116-117.

Lodi, Simona. "Illegal Art and Other Stories," Unlike Us Reader. Social Media Monopolies and Their Alternatives, Ed. Geert Lovink, Miriam Rash, Amsterdam: Institute of Network Cultures, 2013, pp 250-251.

Gould, Amanda Starling. "Invisible Visualities: Augmented reality art and the contemporary media ecology," Convergence International Journal of Research into New Media Technologies, 12 December 2013.

Schianchi, Alejandro. "Location-based virtual interventions," Not Here Not There Part 2, Leonardo Electronic Almanac, Volume 19 Issue 2. Editors Lanfranco Aceti, Richard Rinehart, Ozden Sahin, July 2013, page 119.

Sterling, Bruce. "Augmented Reality: ManifestAR at ZERO1 Biennial 2012," WIRED, Sept. 16, 2012.

Waelder, Pau. "White Cube Augmented: AR Art and the Gallery Space," etc Magazine, Montreal, Oct. 2012 - Feb. 2013, pp. 53-57. [double-page pdf] [single-page pdf]

Tanni, Valentina. "Dio-Hirst alla Tate Modern," artribune.com, Italy, March 30, 2012

1F Media Project. "DAMIEN HIRST – TATE MODERN | LONDON," 1fmediaproject.net, Italy, April 4, 2012

"Damien Hirst." Dutch art history webpage on Damien Hirst features "All Hail Damien Hirst" www.kunstgeschiedenis.jouwweb.nl

Quaranta, Domenico. "Venezia: La Realtà Aumentata," Flash Art Italy, July/September 2011, p 33.

Interview with Tamiko Thiel (video) by Lanfranco Aceti,Editor-in-chief of Leonardo Electronic Almanac, Professor of Contemporary Art and Digital Culture at Sabanci University, Istanbul and the Director of its Kasa Gallery, and Director of ISEA 2011.

Bosco, Roberta. "La Bienal que emerge a traves del movil," in El Pais, Madrid, Spain, June 12, 2011.

Ippolito, Jon. " Are you in the Biennale, or aren't you? Both, thanks to Augmented Reality, " [pdf] www.nmdnet.org, June 13, 2011

Waelder, Pau. "Los pabellones invisibles," http://laboralcentrodearte.uoc.edu/, June 20, 2011.

Paul, Christiane. "Measuring Disturbances: How Media Look at the World," www.artpulsemagazine.com,

Richards, Sara. "Reconstructing the Berlin Wall, Virtually," www.npr.org, 16 August.

Rackham, Melinda. "divisible Istanbul," [pdf of print article] real time, Sydney, Australia, Dec.2011/Jan.2012, pp. 22-23.

Steinberg, Claudia. "Mit Happenings gegen das Establishment," Kunstzeitung, Regensburg, Germany, Nov.2011, p.19.

Fong, Cherise. "Augmented Reality: Through the Mobile Looking Glass (English extract)," in MCD musiques & cultures digitales, Hors-série #6 Internet des Objets / Internet of things, France, Jan./Feb. 2011. [Full article in French and English]

Seaman, Bill. "The Cheonggyecheon Project," Art of Communication catalog, National Museum of Contemporary Art, Seoul, Korea. pp113/115.

Smith, Matthew. "Liquid Walls: The Digital Art of Tamiko Thiel" in the Performing Arts Journal (PAJ), MIT Press, Sept.2010, Vol. 32, No. 3 (PAJ 96), pp. 25-34.

Fidel, Alexander. "Art Gets Unmasked in the Palm of Your Hand" [ pdf version here ] New York Times, New York, USA. December 1, 2010.

Porter, Eduardo. "Is That a Dagger I See on My iPhone?" New York Times, New York, USA. Oct. 22, 2010, p.A34

Conroy-Randall, Britta. "Guerilla Artists Stage MoMA Invasion" on NPR (National Public Radio) "All Things Considered" and on the WNYC website, New York, USA. Oct. 15 2010.

Museum of Modern Art (MoMA) New York tweets our intervention: "Nice, looks like we're having an "uninvited" AR exhibition tomorrow!", Oct. 8, 2010.

Sterling, Bruce. "Augmented Reality: AR uninvited at MOMA NYC," WIRED Magazine, Oct. 6, 2010.

Lieser, Wolf. "The World of Digital Art" (hardcover coffee table edition), Ullman/Tandem Verlag, Koenigswinter, Germany.

Quiroz, Marcela. "Orientalism, Occidentalism and other myths of origin," Fahrenheit Contemporary Arts, online and print magazine in English (pdf), French (pdf) and Spanish (see pp.102-104) .

Tischler, Gary. "Wall-to-Wall Window: Berlin 20 Years Later: Monumental Fall Gives Rise to Memory." The Washington Diplomat, November 18.

"Life on either side of Checkpoint Charlie," The Hindu, Bangalore, India. January 12, page 2.

"Critic's Choice," page 51, and "Virtuelle Mauer/Re-Constructing the Wall," page 49, Time Out Bengaluru, Bangalore, India. Jan.8-21.

Naizer, Nizla. "In the Shadow of the Wall," The Daily Financial Times, Colombo, Sri Lanka, Jan. 10.

"Berlin Wall Virtual Reality," The Nation, Colombo, Sri Lanka, Jan. 10.

Lobo, Kevin. "Bringing down walls," Mumbai Mirror, 5 Feb.

"Se l'arte è multimediale," Corriere Fiorentino, 19 Oct.
2009 Smee, Sebastian. " Critic's picks - visual arts," in the Boston Globe, Boston, MA, USA., May 3, 2009.

Smee, Sebastian. " In cyberart, technology trumps imagination," in the Boston Globe, Boston, MA, USA., May 1, 2009.

Hadge, Kara. "Virtual Berlin - In Two Parts," in the Boston Phoenix, Boston, MA, USA., April 17, 2009.

Elish, M.C. "Navigating Virtual Space," in the Boston Cyberarts Blog, Boston, MA, USA., April 17, 2009.

Garza, Evan. "Keepin' it real - sort of," in the Boston Phoenix, Boston, MA, USA., April 15, 2009.

Czapski, Maciek & Schnurer, Christian, curators. " Der katholishe Faktor," (exhibition catalog), Berufsverband Bildenden Kuenstler Niederbayern/Oberpfalz e.V., Regensburg, Germany, pp. 178-179.

Lieser, Wolf. "Digital Art," (Art Pocket series), Ullman/Tandem Verlag, Königswinter, Germany, pp 104-105

Kunimatsu, Susan. "Reviving History: Reconstructing the Berlin Wall," in the International Examiner, Volume 36 No. 01, Seattle, WA, USA., January 7, 2009.

Cringely, Robert. "Parallel Universe," (featuring photo of the CM-2 on page 3), Tech Review, Cambridge, MA, USA, January/February 2009.

Gessner, Ingrid. "Moving Beyond Manzanar (pdf excerpt): Transnationalizing Japanese American Internment Experiences." Virtually American? Denationalizing North American Studies. Ed. Mita Banerjee. Heidelberg: Winter, 2009. pp77-96.

Goethe-Institut 3.09. "Virtuelle Mauer/ReConstructing the Wall," in Geteilte Welten. Der Mauerfall und seine Folgen, und was aus den neuen Freiheiten geworden ist. Page 36.

Shimp, Rachel. " Explore a virtual Berlin Wall at 911 Media Arts," Seattle Times, Seattle, WA, USA. December 26, 2008.

Taylor, Jonathan. "VIRTUELLE MAUER: An Interview with Tamiko Thiel," in ONSCREEN magazine, Seattle, USA, November 2008.

Steinberg, Claudia. "Tamiko Thiels virtuelle Projekte," (pdf in German), in Kunstzeitung, #146, Germany, October 2008, p.30.

Hippel, Achim. " Die Rückkehr der Mauer," (prime time TV broadcast,) Rundfunk Berlin-Brandenburg RBB, Berlin, Germany, August 13, 2008.

van Bebber, Werner. "Die Mauer wird wieder aufgebaut - am Computer," Tagesspiegel, Berlin, Germany, August 12m 2008.
Click here for the online article; click here for the newspaper version (different images!)

Jekosch, M. (Text) and Brandl, Thomas (Video). "Mit dem Joystick durch duestere Zeiten," ( online: text plus streaming video,) Tagesspiegel, Berlin, Germany, August 14, 2008.

Brendel, Gerd. "Virtuelle Mauer - per 3D in die Teilungszeit,"(podcast,) on Deutschlandradio, Germany, August 13, 2008.
Minh, Kev. " With(in/out) Borders," in Ethnically Incorrect, USA. Posted December 23, 2008.

Stephan, Inge and Tacke, Alexandra. NachBilder der Wende, Böhlau Verlag, Cologne, Germany.

Smith, Matthew Wilson. THE TOTAL WORK of ART: From Bayreuth to Cyberspace, Routledge, New York, 2007. pp 180-186.(see pdf excerpt on Beyond Manzanar)

Gessner, Ingrid. From Sites of Memory to Cybersights: (Re)Framing Japanese American Experiences, Universitätsverlag Winter, 2007.

Gessner, Ingrid. "Erasure and Visual Recovery: Displaying Japanese American Internment Experiences." Visual Culture Revisited: German and American Perspectives on Visual Culture. Ed. Ralf Adelmann et al. Köln: Herbert von Halem Verlag, pp. 216-242.

Hauffen, Michael. "Next Level, Kunstverein Wolfsburg," KUNSTFORUM International, March-April 2007, Vol. 184, pp 113-115.

Gei Chan. " The Travels of Mariko Horo trips out in Seattle," NW ASIAN WEEKLY, (www.nwasianweekly.com), Nov.3-9 2007,

Wu, Irene. "A Virtual Sojourn" rhizome.org, 09 Aug.

Hentschlaeger, Ursula. " Im Land der Barbaren," artmagazine.cc (www.artmagazine.cc)

Schneider, Katja. " Der Tanz bin ich," tanznetz.de (www.tanznetz.de)

Whitney Museum of American Art Independent Study Program, catalog for the exhibit Image war : contesting images of political conflict. Images at online pages #6, #34, #37.
O'Sullivan, Michael. "The Liberal Rules of 'Engagement'," Washington Post, April 28, p. WE51.

Kennicott, Philip. "You Shouldn't Have! On the NEA's 40th, the Art of Politics," Washington Post, May 15, p. C01

Booter-Freak. "Dude! @_@" Quote: "this thing is HIGHLY ADDICTIVE. And weird. Really weird." deviantart.com, October 4, 2006.

Dueker, Ronald. "Jenseits von Wolfsburg," netzeitung.de, June 2.

MIT News Office and MIT Tech Talk. "Viewers interact with new exhibit on U.S. internment camps", MIT TECH TALK, Volume 48, Number 25, April 28, 2004.

Paul, Christiane, Whitney Museum curator of new media. "Digital Art," Thames and Hudson World of Art series, New York, NY. Here is a pdf excerpt of pp. 130-132 and an html excerpt of Chapter 2.

Colasanto, Cristina. "Only Skin Deep," USItalia online magazine.

Mosher, Mike. "The Interaction '01: Dialogue with Expanded Images," Leonardo Digital Review, Leonardo Online, MIT Press, Cambridge, MA.

Wurster, Christian. Computers: Eine Illustrierte Geschichte, Taschen Verlag, Koeln, 2002, pp 98-100, 322-333. (Published simultaneously in English as Computers: An Illustrated History.)

"the pioneers," e-magic Cyber Media Events Catalog, 43rd Thessaloniki International Film Festival, Greece.

Naimark, Michael. "Review: Interaction '01," Diatxt.06, Kyoto Art Center, March 19, 2002, pp. 077-079 (Japanese) and p. 126 (English.)

"Web 3D Art 2002, net art tridimensionale," Neural Magazine online, Italy.

Hauffen, Michael. "Tamiko Thiel und Zara Houshmand: Beyond Manzanar," (Deutsch / English) Springerin, Band Vii Heft 2, Juni-September 2001, pp. 75,76.

Herbst, Katja. "Medienkünstlerin," SAT1/Bayern Journal, (German TV), 24. März 2001.

Kücklich, Julian. "COSIGN 2001 - Ein Bericht," Medienobservationen, 24. März 2001.

Vu, Khanh. "The Story behind 'Beyond Manzanar'," NW Nikkei / North American Post, Vol. 18 No.17, April 21, 2001, pp.2,5.

"Sakuramatsuri ni kitai: Beyond Manzanar," on front Page of Hokubei Houchi/ North American Post (in Japanese), Vol. 57 No.29, April 18, 2001, pp.2,5.

Photo essay on Beyond Manzanar published in the premier issue of the new Japanese critical theory journal Diatxt.01, Kyoto Art Center, Vol. 1, June 2000, pp.65 - 72.

Richard, Birgit. "Vergehen Konservieren Uploaden. Strategien für die Ewigkeit", Kunstforum, Vol. 151, July – September 2000, Page 50.

"Future Computer Image Suggested in the Abacus," AXIS Design Magazine, March/April 2000, pp. 37-41.

Houshmand, Zara. "Never to repeat. Hopefully. Art inspired by prejudice"The Iranian, December 12, 2000.

Gelernter, David. "Beyond the Grey Box," ID Magazine, Vol. 45 #2, March/April 1998, page 60.

Greenman, Catherine. "Network Helps Children Cope With Serious Illness," New York Times, May 28, 1998, page D6.

Koski, Janne. "Aurinko - Sun: Solar Art" at the Rauma Museum, Finland, Leonardo Journal, MIT Press, Vol.31 #2, 1998, pp. 81-86. The article is also on-line at The Leonardo Electronic Art Gallery.

Cohn, Terri. "Chik Tek '97 at Art-Tech," Artweek Magazine, Vol.29 No.2, February 1998, page 17.

Jana, Reena. "Chik-Tek Spotlights Women in New-Media Art," WIRED Magazine, 03 Nov.

Richard, Birgit. "Digitale Todesbilder: Künstliches Leben, virtueller Tod," Zukünfte, 1, 1997. Sekretariat für Zukunftsforschung, Essen, Germany, pp. 23-26.

Sherman, Ann Elliott. "Return to Gender," Metro/ San Jose, December 11-17, 1997, page 42.

Levander, Michelle. "Sick Kids Shine in Virtual World," San Jose Mercury News, June 19, 1997, Peninsula section.

Jones, Rochelle, "Star Power," People Magazine, December 1 1997, page 61.

Damer, Bruce. Interview with Tamiko Thiel, Producer/Creative Director of Starbright World, Avatars '97 Conference.

Wawra, Christine, unpublished essay:
"Glut und Tanz: Sinnlichkeit in den Videos von Tamiko Thiel," (Deutsch)
"Fire and Dance: Sensuality in the video art of Tamiko Thiel," (English)

Richard, Birgit. " Schöne neue Welt. Super- Computer, künstliche Ambiente und Design- Fiktionen für das Leben im Netz," Virtualität contra Realität. Schriftenreihe der Burg Giebichenstein, Halle, Germany, 1996

McCarthy, Susan. "the good deed," WIRED Magazine, September.

Dunn, Ashley. "
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