Ellen Sandor
- Birthyear
- 1942
- Website
- https://www.artn.com/
About
Ellen Sandor is a new media artist, and Founder/Director of the collaborative artists’ group, (art)n. In 1975, she received an MFA in Sculpture from the School of the Art Institute of Chicago. Her MFA studies at SAIC led her to explore the relationship between photography, sculpture, and video art, while being inspired by the spiritual nature of Outsider Art. In the early 1980s, Sandor had the unique vision to integrate these elements with nascent art forms including computer graphics, resulting in a new medium she called PHSColograms–3D barrier-screen computer-generated photographs and sculptures. PHSColograms are the Daguerreotypes of Virtual Reality. Major themes (art)n has explored include breakthroughs in STEM and art, alongside visual history, art history and tolerance. The (art)n group primarily works with PHSColograms as immersive, backlit digital 3D photos, PHSCologram sculpture installations, and related VR experiences.
As PHSColograms and VR are collaborative endeavors, Sandor often works with kindred artists, scientists, technologists and thinkers, affiliated with distinguished institutions and universities including: Fermilab, Stevens Lab, Doudna Lab–University of California-Berkeley, Scripps Research Institute, NASA Ames, Langley and Lewis Research Centers, NASA JPL–California Institute of Technology, University of Chicago, Northwestern University, and the University of Illinois. Many collaborators share in her enthusiasm for experimenting with technology to push conceptual and aesthetic boundaries within the arts and sciences. Influential artists and innovators Sandor and (art)n have worked with include: Donna Cox, Martyl, Claudia Hart, Carla Gannis, Chris Landreth, Charles Csuri, Miroslaw Rogala, Dan Sandin, Tom DeFanti, Larry Smarr, Arthur J. Olson, and the late Ed Paschke, Karl Wirsum and Mr. Imagination. Sandor has also collaborated with trailblazing women scientists and technologists who are pathfinders for women in STEM, including Nobel Prize recipient Jennifer Doudna, Beth Stevens, Cynthia K. Thompson, Carolina Cruz-Neira, and others who have contributed to the ‘herstory’ of women in science. She has mentored women in new media to be fearless in their life's work and pursuing their dreams.
The works of Ellen Sandor and (art)n have been exhibited internationally and are in the permanent collection of The Art Institute of Chicago, Museum of Contemporary Art Chicago, International Center of Photography, Santa Barbara Museum of Art, Victoria & Albert Museum, Fermilab, Smart Museum of Art–University of Chicago, Fred Jones Jr. Museum of Art–The University of Oklahoma, Shingoethe Center–Aurora University, and private collections. Recent exhibitions include: LACMA, King’s College, London; Victoria & Albert Museum South Kensington; iLon Gallery, NY; Jean Albano Gallery, Chicago, IL, Shingoethe Center, Aurora University, Aurora, IL; and Galerie Bijon, Arles, France. Commissions include: The Smithsonian Institution, Museum of Jewish Heritage–A Living Memorial to the Holocaust, The City of Chicago Public Art Program, State of Illinois Art-in-Architecture Program, and SmithBucklin Corporation.
Sandor co-invented U.S. and international patents awarded for the PHSCologram process. She co-authored published papers in Computers & Graphics, IEEE and SPIE. She is a past Visiting Scholar of Culture & Society, National Center for Supercomputing Applications, University of Illinois, Urbana-Champaign. In 2014, she was awarded an Honorary Doctorate of Fine Arts from the School of the Art Institute of Chicago. In 2016, she was awarded Fermilab's Artist in Residence. In 2017, she was honored by the Bulletin of the Atomic Scientists for her longstanding commitment to integrating art and science. She is co-editor and contributor of the herstory book: New Media Futures: The Rise of Women in the Digital Arts, University of Illinois Press.
Sandor is additionally a Life Trustee Emeritus, The Art Institute of Chicago. She is Secretary of the Board of Eyebeam and is a Board Member of the American Friends Musée d’Orsay et de L'Orangerie; John and Mable Ringling Museum of Art; and Asolo Repertory Theatre. In 2012, she received the Thomas R. Leavens Award for Distinguished Service to the Arts through Lawyers for the Creative Arts. In 2013, she received the Gene Siskel Film Center Outstanding Leadership Award as longtime Chair of the Center, from 2001-23. She is also co-founder of the Richard and Ellen Sandor Family Collection.
Learn more:
https://www.artn.com
https://www.visualizinginanewlight.com
https://www.herstory-artn.com
https://www.sandor-collection.com
CV
Here is a an excerpt of exhibitions from 2000-2024:
Recent Solo Exhibitions:
Brain + Love +, iLon Art Gallery, Brooklyn, NY, April 28 – June 25, 2022
Visualizing in a New Light: Ellen Sandor and (art)n, The Art Center, Highland Park, May 2020
Ellen Sandor and (art)n, Galerie Olivier R. Bijon, Arles, France, July 2019
It is Two Minutes to Midnight, Weinberg/Newton Gallery, Chicago, IL, May 11 - May 19, 2018
Neutrinos in a New Light: Selected Works of Art & Science, Fermilab Art Gallery, Batavia, IL, December 2, 2016-March 17, 2017
Deconstruction in the Virtual World: Building Peace by Piece, National Arts Club, Gramercy Park, NY, November 2-14, 2015
(art)n: Virtually Visionary - Exploring 2D Forms in 3D Space, Galeria Arteconsult, Panama, September 15-October 9, 2010
Concepts of Construction: (art)n new work and retrospective, Zhou B Art Center, Chicago, October 24–December 12, 2009
Ellen Sandor (art)n : 3D pixels realized 1982–2006, art@IIT, Kemper Room Art Gallery, Paul V. Galvin Library, Illinois Institute of Technology, Chicago, IL, November 16, 2006–January 20, 2007
Special Treatment, (art)n, Chicago, IL, January 7–8, 2005
(art)n: virtual illusion 1994–2004/pixels in perspective, [DAM], Berlin, Germany, September 21–November 5, 2004
(art)n Virtual Visions: Three Decades of Collaboration, Brunnier Art Museum, Iowa State University, October 29, 2002– January 5, 2003
Selected Works by (art)n, New Center for Art and Technology, September–December 2002
(art)n, Tarble Arts Center, Brainard Art Gallery, Eastern Illinois University, September 2001
Battle of Midway Memorial Commemoration Ceremony, Midway Airport, Chicago, IL, June 4, 2001
***
Recent Group Exhibitions:
Digital Witness: Revolutions in Design, Photography and Film, Los Angeles County Museum of Art, Los Angeles, CA , November 24, 2024-July 13, 2025
GLOW: Illuminating Innovation, King's College, London, March 8-April 20, 2024
Beyond the Visible, Schingoethe Center, Aurora University, January 29-May 10, 2024
35 Years: 35 Artists, Jean Albano Gallery Chicago, IL, November 10- December 31, 2023
Patric Prince: Digital Art Visionary, V&A South Kensington, UK, September 1, 2023- September 15, 2024
Voices and Visions: Standing on the Bridge Between Health and Disease, The Art Center, Highland Park, IL, May 2022
Pris Chicago Photographies, Galerie Olivier R. Bijon, Arles, France, September 2-October 5, 2019
Roger Brown: Virtual Still Lifes, Museum of Art and Design, New York City, May 2-September 15, 2019
Chicago New Media 1973–1992, Gallery 400, University of Illinois at Chicago, November 1-December 13, 2018
real-fake.org.2.0, Bronx Art Space, Bronx, NY, November 19, 2016
Women's Empowerment Exhibition, Waterfall Mansion & Gallery, NYC, February 3-April 20, 2016
Los esperamos este miercoles at Galeria Arteconsult, Panama, December 14, 2011
The Art of Collecting, Flint Institute of Arts, Flint, MI, November 25, 2011 - January 8, 2012
Without You I'm Nothing: Art and Its Audience, Museum of Contemporary Art Chicago, November 20, 2010 - May 1, 2011
Bruce Goff: A Creative Mind, Fred Jones Jr. Museum of Art, The University of Oklahoma, October 9, 2010 - January 2, 2011
Pathways and Portals: Art, Nature and Science, Illinois State Museum Chicago Gallery and Lockport Gallery, Lockport, IL, August 24, 2010 - February 18, 2011
A Mind at Play, The Art Institute of Chicago, June 14–September 7, 2008 Identities, Santa Barbara Museum of Art, November 27, 2007–August 31, 2008
KARL WIRSUM: WINSOME WORKS(SOME): A retrospective—1960's to the present, Chicago Cultural Center, Chicago, IL, April 14–June 27, 2007; Madison Contemporary Art Museum, October 13, 2007–January 6, 2008; Herron Gallery, January 18–March 2, 2008
The Intelligent Design Project III, Kasia Kay Art Projects Gallery, Chicago, IL, October 12–November 24, 2007 Intelligent Design, The Museum of New Art, Detroit, MI, September 15–October 13, 2007
Visionary Anatomies, Keck Center Gallery, National Academies, Washington D.C. September 15–December 31, 2004 and the National Academy of Sciences' "Upstairs Gallery," Washington D.C. January 15–May 1, 2005; University of Delaware Museum. September 16–November 26, 2006; Mead Art Museum, Amherst College, December 16, 2006– February 25, 2007; Art League of Long Island, April 7–June 17, 2007; and Art Museum of Western Virginia, August 10– October 28, 2007
No Name Fever traveling exhibition organized by the Museum of World Culture, Göthenberg, Sweden for Red Location Museum, Port Elizabeth, South Africa, December 2007
Ed Paschke: Electronicon, Lewis and Clark College , September 22–October 19, 2007
The Intelligent Design Project III, kasia kay art projects gallery, Chicago, IL, October 12–November 24, 2007; Intelligent Design, The Museum of New Art , Detroit, MI, September 15–October 13, 2007
Vision 12: The Business of Art, kasia kay art projects gallery, Chicago, IL, July 13–28, 2007
Notions of Wilderness, kasia kay art projects gallery, Chicago, IL, June 1–July 28, 2007
KARL WIRSUM: WINSOME WORKS(SOME): A retrospective—1960's to the present , Chicago Cultural Center, Chicago,IL, April 14–June 27, 2007; Madison Contemporary Art Museum , October 13, 2007–January 6, 2008; Herron Gallery, January 18–March 2, 2008
Ed Paschke: A Chicago Icon—A retrospective look at the career of Ed Paschke, Chicago History Museum, Chicago, IL, September 30, 2006–February 19, 2007
Faculty Sabbatical Exhibition, Betty Rymer Gallery, The School of the Art Institute of Chicago, Chicago, IL, October 6– November 3, 2006
BINO & COOL, Galleri Bergman, Stockholm, Sweden, March 18–April 9, 2006
Visionary Anatomies, Keck Center Gallery, National Academies, Washington D.C. September 15–December 31, 2004 and the National Academy of Sciences' "Upstairs Gallery," Washington D.C. January 15–May 1, 2005; University of Delaware Museum. September 16–November 26, 2006; Mead Art Museum, Amherst College, December 16, 2006– February 25, 2007; Art League of Long Island, April 7–June 17, 2007; and Art Museum of Western Virginia, August 10– October 28, 2007
Portrait, Stiftung Starke Gallery, Berlin, Germany, September 23–October 23, 2005
Beyond the X-Ray , Museum of Science, Boston, MA, May 11, 2005–May 1, 2006
Ed Paschke Memorial Exhibition, Maya Polsky Gallery, Chicago, IL, February 4–March 15, 2005
AIDS in the Age of Globalization, Museum of World Culture, Gothenburg, Sweden, December 2004–July 2006
Seasons, Printworks Gallery , Chicago, IL, November 5–December 31, 2004
The Art of Science Imaging the Future: The Intersection of Science, Technology and Photography, International Center of Photography, New York, NY, March 12–May 30, 2004
Art of the Americas, Santa Barbara Museum of Art, Santa Barbara, CA, March 13–November 21, 2004
Gene(sis): Contemporary Art Explores Human Genomics, Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, January 31–May 2, 2004
Goddesses ex Machina: Techno Art Perspectives, Merlino Gallery, California State University, Long Beach, CA, September 26–October 2, 2003
A Decade of Collecting, The Santa Barbara Museum of Art, Santa Barbara, CA, March 8–June 15, 2003
Genomic Issue(s): Art and Science, The Graduate Center Art Gallery, City University of New York, New York, NY, February 25–April 5, 2003
How Human: Life in the Post-Genome Era, International Center of Photography, New York, February 28–May 25, 2003
PhotoGENEsis: Opus 2: Artists’ Response to the Genetic Information Age, Santa Barbara Museum of Art, November 9, 2002–February 9, 2003
influence CHICAGO influence, A R E N A Gallery, Chicago, September 8–October 14, 2001
Digital: Revolutions in Print Making, Brooklyn Museum of Art, June 22–September 2, 2001
Genomic Art: Portrait of the 21st Century, University of California Santa Cruz, Santa Cruz, CA, June 18–August 27, 2001
Virtual Architecture, Oskar Friedl Gallery, Chicago, IL, June 15–July 21, 2001 Ehime Prefectural Science Museum, Niihama City, Japan, Summer 2001
Chorus of Light: Photographs from the Sir Elton John Collection, High Museum of Art, Atlanta, GA, November 4, 2000– January 8, 2001
Paris in 3D: From Stereoscopy to Virtual Reality 1850-2000, Musée Carnavalet, Paris, France, October 4–December 31, 2000
Galerie Darthea Speyer, Paris, February 24, 2000
The Smith Museum of Stained Glass Windows, Chicago, IL, February 11, 2000
Reuben H. Fleet Space Theatre and Science Center, Balboa Park, San Diego, CA, February–April 2000
Works
News
CRISPR-Cas9: A Ray of Light presented at Innovative Genomics Institute (IGI)
The Digital PHSCologram Sculpture CRISPR-Cas9: A Ray of Light developed by Ellen Sandor, (art)n and multiple scientific collaborators was presented at the IGI Open House at UC Berkeley and donated to the institution. The piece presentation took place during the opening of the IGI Open House designed to introduce the public to the Institute's mission and research projects. The installation became an example of art and science collaboration as a means of communication and expression.

Celebrating Women in New Media Arts
One-day symposium Celebrating Women in New Media Arts as part of 150 Years of the School of the Art Institute of Chicago presented the new book »Women in New Media Arts: Perspectives on Innovative Collaboration«, edited by Donna Cox, Janine Fron, and Ellen Sandor. The symposium provided deliberate context to discuss women achievements in media art and technological development from the 1980s till nowadays.
Exhibitions & Events
Bibliography
-
Cox, Donna J. and Ellen Sandor and Janine Fron. New Media Futures. The Rise of Women in the Digital Arts. Urbana, Champaign: University of Illinois Press, 2018.
-
Sandor, Ellen and Janine Fron. »Artists Team Up for the Future: Behind the Scenes of Making Art in the 21st Century.« (art)n web site (2002).
-
Fron, Janine and Ellen Sandor. »The Future of Video Games as an Art: On the Art of Playing with Shadows.« The University of Chicago Cultural Policy Center (2001).
-
Sandor, Ellen and Janine Fron and K Greiber and Fernando Orellana and Stephen Meyers and Dana M. Plepys and M. Dolinsky and M. Dastagir Ali. »Collaborative Visualization: New Advances in Documenting Virtual Reality with IGrams.« Proceedings of the IEEE International Conference on Information Visualization (July 1999).
-
Sandor, Ellen and Janine Fron. »The Art and Science of Collaborative Visualization.« Silicon Graphics World (September 1999).
-
Meyers, Stephan and Ellen Sandor and Janine Fron. »PHSColograms and Rotated PHSColograms.« Computers & Graphics 19, no. 4 (July/August 1995): 513-522.
-
Meyers, Stephan and Dan J. Sandin and W. T. Cunnaly and Ellen Sandor and T.A. DeFanti. »New advances in computer-generated barrier-strip autostereography.« Proceedings of the SPIE 1990 Symposium on Electronic Imaging, Stereoscopic Displays and Applications (February 1990).