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Support
For New Media Arts In Canada: What Place For Artists?
2002
Burgess, Marilyn.
Support
For New Media Arts In Canada: What Place For Artists? Site Street, online journal (Fall 2002).
Investigating attitudes of professional writers to GPT text generation AIbased creative
support
tools
2022
Geoff Davis. Investigating attitudes of professional writers to GPT text generation AI based creative
support
tools Phd Thesis, UAL, London, July 2022.
Something Else
2023
-
2023
A contemporary, non-profit independent visual arts initiative that attempts to
support
Egyptian and international contemporary art.
Tutor
2009
-
2009
Within TUTOR project, Olga Kisseleva once more hones in on the mobile phone - the contemporary prosthesis that accompanies us on all our journeys. Initially Olga Kisseleva was asked to participate in the development of a Distributed
Support
System
Something Else
Solar
2009
-
2009
As I mentioned in a previous entry, I am working on an application to be presented at the V&A Decode exhibition opening in December. I was asked to rework the Solar piece so that it could be audio responsive in real-time. During the development,
ICONOgraphy
2003
ICONography is an independently curated exhibition exploring the computer icon (desktop or other) as a defining element of the entire construction of computational culture, and one that resonates strongly with the place of the computer icon in the
33 Questions per Minute, Relational Architecture 5
2000
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2000
"33 Questions per Minute" consists of a computer program which uses gramatical rules to combine words from a dictionary and generate 55 billion unique, fortuituous questions. The automated questions are presented at a rate of 33 per minute --the
Field-Work@Alsace
2002
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2002
The project Field-Work@Alsace is a collection of interviews with local inhabitants and passengers around the border between France and Germany. Whole interviews are located in the place where the interview was done and replayed as it was done
Pine Family
2017
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2020
Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenous ways of knowing and a recognition of trees as
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