Archive Search

  • Nano-Scape - video
    ... This allows us to model simultaneous interaction influences of various users onto an overall collective shape. CHRISTA SOMMERER & LAURENT MIGNONNEAU
  • Tangible Biofeedback Communication Device Users at the Ars Electronica are provided with specially equipped "Mobile Feelings" phone devices that resemble organic or bodily shapes. These devices host miniature bio-sensors and actuators that capture
  • 2002/03 tangible communication device "Mobile Feelings" is an artistic project that explores the ambivalence of sharing personal information with an anonymous audience. Instead of communication via voice or images to people we know, "Mobile
  • Mobile Feelings -
    ... touch, a gentle breeze and some humidity, which all feel like a "virtual embrace" from the remote user in Paris. (Christa SOMMERER & Laurent MIGNONNEAU)
  • ... new water garden images as their composition reflects the visitors' amount of interaction with the real plants. Christa Sommerer is an internationally renowned media artist working in the field of interactive computer installation. She currently holds...
  • ... of the observer to produce continuously changing three dimensional abstract and organic growing forms. © 2005, Christa SOMMERER & Laurent MIGNONNEAU
  • ...Christa Sommerer & Laurent Mignoneau - Lifewriter (2006)
  • ... facade with 16 screens reacting to passerby’s positions, distance and movements © 2007, Laurent Mignonneau & Christa Sommerer This interactive façade was designed by Mignonneau and Sommerer for the City of Science in Braunschweig, Germany, which is the...
  • ... compared to traditional types of building surfaces. As a team of two media artists (Laurent Mignonneau and Christa Sommerer) and an architect (Michael Shamiyeh) we investigated the potential of modern media facades as membranes. In 2008 we...
  • The Value of Art are interactive paintings dealing with the economy of attention and value creation in the art world. When we look at prices of artworks at auctions, they often seem incomprehensible. Competing art collectors betting against each