Archive Search

Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.

Moore, Lila. Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.

LUCENA, TIAGO FRANKLIN RODRIGUES and ANA PAULA MACHADO VELHO and VINICIUS DURVAL DORNE and DIANA MARIA G DOMINGUES. The drama of dengue fever: civic oriented journalists, community and artists fighting dengue Leonardo (Oxford) 1 (2017): 1-13.

Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.

Manovich, Lev. Competitive Photography and the Presentation of the Self http://manovich.net/index.php/projects/competitive-photography-and-the-presentation-of-the-self.

Iglesias, Ricardo. Arte y robótica. La tecnología como experimentación estética. ISBN: 978-84-15715-74-0. th ed.Madrid: Casimiro, 2016.

Gates-Stuart, Eleanor. Communicating Science: Explorations through Science and Art (MIT Press Journals, Early Access, part of Top-Rated LABS Abstracts 2015 (doi:10.1162/LEON_a_01301) Leonardo (2016) (2016).

Aprile Francesco. Computer poems. Dall’archeologia al source code poetry. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.

Andrés Burbano and Esteban García Bravo. Konrad Zuse: enabler of computational arts? Archiving and Questioning Immateriality , no. 190 (2016).

Everitt, Dave and Fania Raczinski. Creative Zombie Apocalypse: A Critique of Computer Creativity Evaluation 2016 IEEE Symposium on Service-Oriented System Engineering (SOSE) , no. https://doi.org/10.1109/sose.2016.30 (March 2016).