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Puff, Melanie. Agieren im Zwischenraum - Gedanken zu einer Ethik der hybriden Identität / Acting in the Interstices - Thoughts on an Ethic of Hybrid Identity In Ars Electronica 2005: Hybrid. Living in Paradox, edited by Gerfried Stocker and

Frohne, Ursula. Agnes Hegedues: Their Things Spoken In Future Cinema. The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 336-339. Cambridge, MASS: The MIT Press, 2003.

Stiles, Kristine. Agnes Hegedüs, Bernd Lintermann, Jeffrey Shaw: Reconfiguring the CAVE In Future Cinema: The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 492-497. Karlsruhe, Cambridge: Center for Art and Media and MIT

Capucci , Pier Luigi. Alba, arte transgenica, arte del vivente Noema - Tecnologie e Societá (2000).

Miller, J. Coleman and Ray Cabarga, ed. Aleatoric Art in the 21st Century. Houston, TX, USA: Blurb, 2012.

despain, Cara. All American: Defining Ourselves in a Time of Change Artpulse Magazine (July 2009).

Munster, Anna. An Aesthesia of Networks. Conjunctive Experience in Art and Technology. Cambridge, Mass.: MIT Press, 2013.

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. An affective model of user experience for interactive art International Conference on Advances in Computer Entertainment Technologies (2008).

Ray, Thomas. An Approach to the Synthesis of Life In Artificial Life II, edited by Christopher Langton and Charles Taylor and Steen et. al. RasmussenVol.XI. , 371 - 408. Redwood City, California: Addison-Wesley, 1991.

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza and Remi Chaignon. An Emotionally Responsive AR Art Installation ISMAR’07 (2007).