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Driessens & Verstappen

... The New School for Design, Platform21, Marcel Schmalgemeijer, Michael Schoner, Richard Hutten, Atelier van Lieshout, Chris Kabel...
DOCUMENTING MEDIA ART:Towards a social WEB 2.0-Archive for MediaArtHistoriesand an integrative Bridging Thesaurus 2016

... Haller and Janina Hoth and Viola Rühse and Devon Schiller and Michaela Seiser. DOCUMENTING MEDIA ART: Towards a social WEB...
Documenting Media Art. An Archive and Bridging Thesaurus for MediaArtHistories 2019

... and Janina Hoth and Viola Rühse and Devon Schiller and Michaela Seiser. Documenting Media Art. An Archive and Bridging...
Displacements 1980 - 1984 video

Displacements is an immersive film installation. An archetypal Americana living room was installed in an exhibition space. Then two performers were filmed in the space using a 16mm motion picture camera on a slowly rotating turntable in the room’s
Discussion with Sawad Brooks, Daniel Canogar, Michael Ferraro, Andreas Froech, Greg Lynn, Joseph Nechvatal, and Bill Seaman 1998

...Joanna Spitzner. Discussion with Sawad Brooks, Daniel Canogar, Michael Ferraro, Andreas Froech, Greg Lynn, Joseph Nechvatal, and Bill Seaman...
Dimensionalization Studies 1994 - 1998

... the computer has no knowledge of scene's contents. Michael Naimark
Digital Foundations: Intro to Media Design with the Adobe Creative Suite 2008

...Burrough, Xtine and Michael Mandiberg. Digital Foundations: Intro to Media Design with the Adobe Creative Suite. San Francisco, CA: New Riders,...
Der Kaktus ist der Killer 1993

...Hierholzer, Michael. Der Kaktus ist der Killer Frankfurter Allgemeine (February 14th 1993).
Delvaux's Dream 1998 - 1999

Paul Delvaux's paintings belong to a completely different art world to Lissitzky's Prouns : in the early twenties, when the Russian artist was exploring suprematist aesthetics, the Belgian painter was executing figurative landscapes. The
Data Visualisation and the Subject of Political Aesthetics 2015

... In postdigital aethetics, edited by David Berry and Michael DieterLondon: Palgrave Macmillan, 2015.

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