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Behind the Smart World – Artistic Remixing of a Global Data Breach
2019
... of a Global Data Breach In THE CRITICAL
MAKE
RS READER: COLLABORATIVE LEARNING WITH...
Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241
2016
...Krämer, Harald;
How
e, Daniel; Chung, Kyle, ed. Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION,...
make
-A-move
2015
...Paule Mackrous.
make
-A-move Agence TOPO , no. 1 (NOBEMBER 2015): 1.
make
-A-move
2015
...Paule Mackrous.
make
-A-move Agence TOPO , no. 1 (NOBEMBER 2015): 1.
make
-A-move
2015
...Paule Mackrous.
make
-A-move Agence TOPO , no. 1 (NOBEMBER 2015): 1.
MAKE
ME A (WO)MAN.
MAKE
ME A CYBORG. Una aproximación a la potencia política de las ficciones míticas desde el arte feminista
2013
...Zafra, Remedios.
MAKE
ME A (WO)MAN.
MAKE
ME A CYBORG. Una aproximación a la potencia política de las...
Luchia Meihua Lee and Ken
How
ell, “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature”
2012
...Luchia Meihua Lee and Ken
How
ell. Luchia Meihua Lee and Ken
How
ell, “A Clarifying Aspect of the...
Welcome to Who
Make
s and Owns Your Work!
2007
...Rossmann, Karl. Welcome to Who
Make
s and Owns Your Work! .
Virtual Space
2004
... Penz and Gregory Radick and Robert
How
ell, 69-104. Cambridge: Cambridge University...
Xeno-epistemics:
Make
shift Kit for Visual Art as Knowledge Production and the Retinal Regimes
2002
...Maharaj, Sarat. Xeno-epistemics:
Make
shift Kit for Visual Art as Knowledge Production and the Retinal...
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