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  • ... working in Interactive Arts and Design since the 1990s. Her research focuses on games, playful media, interactive fiction, digital arts, and speculative feminism as places of convergence. She is an Associate Professor at University of Lisbon Fine Arts...
  • ...Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.
  • ...Bienal de Artes Digitais - Festival de Arte Digital
  • ... publicly available of Latin American Electroacoustic Music, including a database with over 2,000 recordings of works digitally preserved, composed 1957-2007 by almost 400 composers, and +200,000 words...
  • ...is Pixels: espaço –tempo – agora leva ao Estúdio Galeria Mamute, uma discussão a respeito da arte em diálogo com as tecnologias digitais e com os questionamentos deste tempo. Uma mostra que pensa a condição na qual o indivíduo vive hoje, entre experiências do cotidiano...
  • ...DOMINGUES, DIANA MARIA G and Suzete VENTURELLI. Criação e Poéticas Digitais. Vol.1. Caxias do Sul: EDUCS, 2005.
  • ... a telematic workstation between Newport School of Fine Art in the UK, The Hochschule fuer angewandte Kunst in Vienna and the Digital Art Exchange in Pittsburgh, USA. As a critique of the Gulf War media coverage for the Watershed Media Center in Bristol,...
  • Telematic Encounter -
    ... installation (location 2), via the ISDN teleconferencing link. The image is received in location 2 and fed directly to a digital chroma-keyer. The installation in location 2 is identical (chair and table) to location 1, the camera is suspended in exactly...
  • ... each table at a 45° oblique view to the table. The first table is located on the first floor of the ZKM Medienmuseum Salon Digital, surrounded by four monitors. The second table site is situated in a remote location, also surrounded by four monitors - apart...
  • ... and half-sentences, words and syllables through our movements’. (Schulze 2005) The participants' area- an empty room and a digital stage on the Internet are connected via optical tracking. Real and virtual space are superimposed, the movement of the visitors...