Archive Search

  • enter project here:artport.whitney.orgscroll down to the bottom of the page to launch the Java Programme.Commissioned by the Whitney Museum
  • ... entry to their borders. In Visit-US, green and red spheres travel along a network of transparent information highways that connect to a virtual border. To pass through this elastic and modulating dynamic border, spheres must be cleared at gateways. The green...
  • ... following up the findings of previous activities funded by the European Commission, namely ICT & Art 2012, FET-ART, ICT ART CONNECT 2013 and ICT ART CONNECT study, whose results demonstrated the worldwide emergence of communities of hybrid collaborations...
  • ... whole project as it was conceived and imagined by its author Maurice Benayoun. Tunnels Around the World (TAW) telematically connect Media city Seoul 2012, with San Jose, CA, during and after Zero1 biennial, school of Creative Media, City University of Hong...
  • ... self ‐ positioning. Their mission is to make money. Economic success for these corporations rests on convincing users to connect to the several hundred people who await them online. The market value of these com panies is proportional to the number of...
  • ... of life, which is always defined by the transformations and morphogenesis of certain organisms. Interactive Plant Growing connects the real time growing of virtual plants in the 3 - dimensional space of the computer to real living plants, which can be...
  • A-Volve - video
    ... to speak, an expression of form. Form is an expression of adaptation to the environment. Form and movement are closely connected, the creatures capability to move will decide its fitness in the pool.The fittest creature will survive longest and will be...
  • ...rful social aspect of Sermon’s work is visualized in the site-specific installation A Body of Water (1999), created for the exhibition Connected Cities, which has an atmosphere that borders on the eerie. In a chroma-key room set up in Duisburg’s Wilhelm Lehmbruck...
  • ... through our movements’. (Schulze 2005) The participants' area- an empty room and a digital stage on the Internet are connected via optical tracking. Real and virtual space are superimposed, the movement of the visitors is recorded by a sensor camera....
  • ... aesthetic objectives. Needing cooperation and some skill, the three operators move the individual parts until they are connected together so that the rows of various fruits are coherently joined. An effusive and clamorous shower of virtual coins then...