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"META.morfosis" 2006 - 2006

...META.morfosis Museum and Art in the Digital Era Duration: January 27th – June 2006 Curated by: António Cerveira Pinto Author(s): Various Print Press The META.morfosis project gathered the works of up to 26 outstanding artists whose works have been...
"on the subject of sex..." 2001

...Video, 4 min 13 sec, color, sound An experimental documentary, part of the web project "Women of a Certain Age"
"Pornograms: 1980-1982" 2010 - 2010

...Event: "Pornograms: 1980-1982"Institution: Laura Marsiaj Arte ContemporâneaComment:
"Public Space of Knowledge: Artistic Practice in Aesthetic Computing." In Aesthetic Computing, edited by Paul Fishwick, MIT Press, Cambridge, 2006. Leonardo Review of Aesthetic Computing 2007 2006

...Fleischmann, Monika and Wolfgang Strauss. "Public Space of Knowledge: Artistic Practice in Aesthetic Computing." In Aesthetic Computing, edited by Paul Fishwick, MIT Press, Cambridge, 2006. Leonardo Review of Aesthetic Computing 2007 In Aesthetic Computing, edited by ...
"Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7; 2008

...Jamieson, Helen Varley. "Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7;. New Zealand: Clouds, 2008.
"Reinventing Image-Making" exhibition 2022 - 2022

...Exhibiting artists: - Art Ex Machina (KAWANO Hroi shi, Georg NEES, Ken KNOWLTON, Manfred MOHR, Frieder NAKE, Manuel BARBADILLO) - KIMOTO Keiko - FUJIHATA Masaki - Tamás WALICZKY Curated by: TADA Kaori (Tokyo Photographic Art Museum) Curatorial assistance by: YAMADA...
"Sensitive Contacts" / Telfair Museum of Art / Jepson Center for the Arts 2023 - 2023

...Event: "Sensitive Contacts" / Telfair Museum of Art / Jepson Center for the ArtsInstitution: The Wrong BiennaleComment:
"Shapes in Maia" ( Photography ) 2012 - 2012

..."Shapes in Maia" ( Photography )Artist: German GomezComment:
"Stair Procession" 2000 - 2000

... is a white-on-black drawing similar to white chalk graffiti. The constricted nature of the staircase played a role in the artist's decision to use anamorphic distortions. Kentridge evokes the building’s original function as a public school in establishing...
"The Real, the Virtual and the We, (re-activating Lygia Clark's The I and the You: Clothing/Body/Clothing, 1967" 2016

..."The Real, the Virtual and the We, (re-activating Lygia Clark's The I and the You: Clothing/Body/Clothing, 1967"Artist: Gabriela Aceves SepúlvedaComment:

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