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  • Transcendence Index -
    ... Stages of the Installation Functioning: 1. Texts written and published from 1900 to 1917 and from 2000 to 2017 are divided into sections and then each section is correlated to one of the following borscht ingredients. For example: meat – philosophy; potatoes –...
  • Time Value -
    ... clock also displays real-time data to calculate the value of time: the duration of life, number of hours worked in the year, security index... The installation Time-Value takes the concept of n-value as it's starting point. "N-value" is a system set up by...
  • ... to her at all times. Her right eye is connected to the internet and sees in a 320x200 gray scale, refreshed at a rate of 60 seconds, to accomodate internet users with slow connections. Roberta, on the other hand, has only one cyborgian eye that performs...
  • ... performer who selects which part of the 360 degree video to reveal at any given time. However, it is clear that the sections of the video that are revealed are all unfolding in one, continuous 360-degree space and that there is some kind of linear...
  • ... composition consists of 6 movements, leading the listener through a utopian sonic maelstrom in a modern re- interpretation of some sections of ‘New Atlantis’ (Francis Bacon, 1624- 27). Psychedelica, field recordings and abstract electronics create a ‘New Language’...
  • The Spectrascope -
    ... or whether the site of haunting is creating the frequency. Time becomes intrinsic to the work as the previous 76,800 seconds (just under a day) are displayed pixel by pixel within a continuously updating timelapse film, caught in a single frame....
  • ..., Elke and Benjamin Seide and Ross Williams. The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours Electronic Visualisation and the Arts (Juky 2018): 236-243.
  • ..., Elke and Benjamin Seide and Ross Williams. The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours Electronic Visualisation and the Arts (July 2018): 236-243.
  • The Savant Guard -
    ... was that the booth lights up, reacting to the movements of passersby, marking it as a kind of placeholder for its obsolete security function (now taken over by security cameras). In our experiments with lighting the booth, we found we were always...
  • ... to 3 old IBM Dos computers, their screens displaying the changes of electrical energy of the metals as screen traces over seconds, minutes, hours and days, weeks and years. (source: www.mimetics.com)