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  • ... TV (the image is the same on both screens). You touch the screen to interact with it. It's like five games in one; five sections, each section is different than the others, all of them address appropriation und use of copyrighted material for personal...
  • ... am also interested in the development of content which facilitates engagement and education within the cultural and heritage sectors. I am also a practicing artist, using photography, installation, and digital methods of content creation to explore...
  • ...I am an Australian Artist and Transdisciplinary Integration Expert Working Across Academia, Cultural and Private Sectors. Focussed on Augmentation Aesthetics, Bio-Digital Entanglement & Interactivity, Food Futures & Sustainability. I currently lecture for the...
  • Junge Szene Wien -
    ...Event: Junge Szene WienInstitution: SecessionComment:
  • ...Wiener Secession, ed. Junge Szene Wien ´87, Ausstellungskatalog. Vienna: Wiener Secession, 1987.
  • ... View it here and get involved with the Recode project. Karsten Schmidt also created Social Collider in the Network section of the exhibition postspectacular.com toxi.co.uk
  • Kwangju Biennale 2004 -
    ... culture as instruments of vibrant social networking. As hinted in the title "A Grain of Dust A Drop of Water" this is the secret of a small but the most articulating step towards directing the art world more accessible and encouraging creative cultural...
  • La Membrane -
    ... celles-ci peuvent s'interpénétrer. La proximité du visiteur repousse ou attire la première surface pour laisser apparaître la seconde qui évolue à son tour pour faire entrevoir la suivante et ainsi de suite. Le visiteur pénètre ainsi la profondeur de...
  • ... and labs together to create a digital culture of innovation in Bremen: Transfer of research results into the corporate sector. At peak times, the MARS Lab consisted of more than 25 employees of different disciplines, nationalities and genders. Since...
  • Labylogue
    ...Event: LabylogueInstitution: Centre culturel Douta SeckComment: