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  • ... View it here and get involved with the Recode project. Karsten Schmidt also created Social Collider in the Network section of the exhibition postspectacular.com toxi.co.uk
  • ... at the ZKM (Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, 1994), the Ars Electronica prize (interactive art section, Linz, Austria, 1992 and 1995) and first prize at the Berlin Video/Film Festival (multimedia art section, 1995). His works may...
  • ... sphere of offshore finance, and its production of virtual space through legal code. Looking at strategies of withdrawal and secrecy, they trace an offshore company on the Bahamas called Headless Ltd. A ghostwritten detective novel continuously narrates...
  • ...I am an Australian Artist and Transdisciplinary Integration Expert Working Across Academia, Cultural and Private Sectors. Focussed on Augmentation Aesthetics, Bio-Digital Entanglement & Interactivity, Food Futures & Sustainability. I currently lecture for the...
  • ... MAK Vienna, Museum Ludwig Cologne, Kunsthalle Wien, OK Linz, Martina Detterer Frankfurt, Troester und Schlueter Frankfurt, Secession Vienna. Station Rose has released on Gunafa, Sony Music, ZYX Music, Mille Plateaux, edition selene, International Deejay...
  • ... by Hans Bernhard (founder of etoy) and Lizvlx. Ubermorgen focuses on exploring contemporary legal issues, especially those of security, privacy and copyright. Übermorgen is the German word for "the day after tomorrow" or "super-tomorrow". [edit]Awards ...
  • ... respected digital artist and pioneer in network art. His art projects: netomat (1999), 4 Stories With a Twist (2004), 3 Seconds in the Memory the Internet (2002), Instant Places (2002), Streaming Conscience (2002), netomateque (2002), Turnstile (1998),...
  • ...Dove, Toni. Mesmer: Secrets of the Human Frame. New York: Granary Books, 1993.
  • Grau, Oliver. Novas Imagens da Vida: Realidade virtual e arte genética In Arte e Vida no Século XXI: Tecnologia, ciéncia e criatividade, edited by Diana Dominguez, 285-303. Sao Paulo, Brazil: Editora UN, 2003.
  • Ascott, Roy. Cultivando o hipercórtex In A Arte no Século XXI: A humanização das technologias, edited by Diana Domingues, 336-344. Sao Paulo: University of São Paulo, 1997.