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...Pearlman,Ellen. 3D Opera PAJ (Performance Arts Journal),MIT Press (January 2018).

...Novak, Jasminko et al. AN ELECTRONIC ARENA FOR PARTICIPATION IN CONNECTED COMMUNITIES eRENA. Electronic Arenas for Culture, Performance, Art & Entertainment (Esprit project 25379). Brüssel 2000. In eRENA. Electronic Arenas for Culture, Performance, Art & Entertainment...

...Novak, Jasminko et al. AN ELECTRONIC ARENA FOR PARTICIPATION IN CONNECTED COMMUNITIES eRENA. Electronic Arenas for Culture, Performance, Art & Entertainment (Esprit project 25379). Brüssel 2000. In eRENA. Electronic Arenas for Culture, Performance, Art & Entertainment...

...Penny, Simon. Art Practice in the Age of the Thinking Machine Performance Magazine 56, no. 7 (1989).

...Albuquerque, Beatriz. Art+Internet+Performance=beginning of the 90s. Porto: Editora Impensavel, 2008.

...Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.

...ris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by Proceedings for the 2007...

...Melanitis, Yiannis. Biorobotic environments, interactions and hyperhumans: Interactive robotic performances exploring the potentials of an unknown space towards the potential of a renewed anatomy. In Biotechnological and Medical Items in Science Fiction, International...

...Kusch, Martin. Body, Space, Movement and Interactive Technologies in the Performance-Installation Passage In Interface Cultures, edited by C. Sommerer and D. King and L. Mignonneau, 237-243. Bielefeld: Transcript Verlag, 2008.

...Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).