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...Lintermann, Bernd. Multimediale Partnerschaften - Perspektiven von Tanz und Technologie In Maschinen, Medien, Performances, edited by Martine LeekerBerlin: Alexander Verlag, 2001.

...Melanitis, Yiannis. Biorobotic environments, interactions and hyperhumans: Interactive robotic performances exploring the potentials of an unknown space towards the potential of a renewed anatomy. In Biotechnological and Medical Items in Science Fiction, International...

...Salter, Chris and Marije Baalman and Harry C. Smoak. Sharing Data in Collective Interactive Performances: The SenseWorldDataNetwork In Proceedings for 9th Annual Conference in New Interfaces for Musical Expression (NIME 2009), Pittsburg, Pa, USA: 2009.

...Lasserre, Grégory and Anaïs met den Ancxt. Scenocosme/Interactive Performances The Visual ARTBEAT , no. 8 (January-April 2012): 58-61.

...Jung, Patricia and Helen Varley Jamieson. “Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr. Germany: Open Source Press, 2005.

...Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring 2020): Pages 38-75.

...Sauerlaender, Tina. Reflecting on Life on the Internet: Artistic Webcam Performances from 1997 to 2017 Self-Representation in an Expanded Field, Ace Lehner (Ed), MDPI, 2021 (2021).

... and Vicki Smith. The Net and the Butterfly, by Francesco , Helen Varley Jamieson and Vicki Smith; International Journal of Performance Arts and Digital Media 10, no. 1 (2014).

... and reflections on transdisciplinary research involving performative contexts and new media International Journal of Performance Arts & Digital Media , no. https://doi.org/10.1386/padm.3.2-3.239_1 (December 2007): 239-252.

...man,Ellen. Ellen Pearlman, Russia Tiptoes Into New Media, PAJ, MIT Press, Vol. 35, No. 3, p. 49-54, September 2013 In PAJ: A Journal of Performance and Art, edited by Bonnie MarrancaVol.35. , 49-54. New York: MIT Press, 2013.