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  • SCREEN—SPACE -
    ... the virtual world have a mutual influence on each other and are interconnected. Marian Essl’s audiovisual installations and performances have been presented at renowned international institutions and at festivals in Canada, Japan, Korea, and Europe. The show...
  • ... contemporary issues of self-observation,public presentation and privacy-eroding surveillance.18 Steve Dixon, author of Digital Performance callsthe idea of transforming mirrors “perfectly embodied” in Liquid Views, “one of the most influentialinteractive...
  • ... to work with electronic media and then combine it with art?Since the ‘70s, my artwork was placed in the hybrid territory of performance, prints andinstallation which included the visitor into the piece.My husband was a pediatrician and in the ‘70s he used...
  • ... and art, VR, AR and art, gaming andart, fashionable technologies and art, Critical Data Art, stage-based interaction andperformance art and many, many more. The possibilities seem almost endless and it isso exciting to see what young artists and...
  • ... EVM studio works, I also began to follow the developments inlive real-time projected visuals used to augment musical performances. It spawned my aspiration toventure into the performative side of EVM.In about 2011 in Los Angeles, I started...
  • ... and video) and then finished my undergrad at San Francisco Art Institute where Iexplored sculpture / installation / performance / video / and conceptual art. I had been doing sound performanceswhere I composed tapes and sang live. I didn’t like...
  • ... electroacoustic music.What sparked your interest in viewing the human body as an instrument; to display and integrateinto performance the usually invisible and inaudible internal movements within the human body?My awareness about it started when I began...
  • ... are mainly staged for the documentation by camera – the final form ofpresentation – along with some relics from the performance itself.What do you think about the importance to document and preserve digital/new media artfor the future?Especially...
  • ... conventional domains of verbal dynamics. One of the ways to do this is to approach other languages, such as graphic arts, performance, photography, video to reach new frontiers, mixing grammars. And as the restlessness is not exclusive to poetry, it is...
  • Tactile immateriality -
    ...Tactile immateriality (multimedia event, co-authorship: Aleksandra Bajde (performance), Isabella Forciniti (sound), Sonica festival, 21 April 2023, Cukrarna Gallery, Museum and Galleries of Ljubljana, Ljubljana, 2023