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... of important media art experts, theorists and artists, such as Jeffrey Shaw, Frieder Nake, Mark Wilson, Hans Dehlinger, Edmond... media art experts, theorists and artists, such as Jeffrey Shaw, Frieder Nake, Mark Wilson, Hans Dehlinger, Edmond Couchot,...

Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience. The action of the work was

... that puts PlaceWorld online for universal access. © Jeffrey Shaw that puts PlaceWorld online for universal access. © Jeffrey Shaw

... Place-Hampi is its interactive projection system, invented by Jeffrey Shaw in 1995, and which for the first time is now using... is its interactive projection system, invented by Jeffrey Shaw in 1995, and which for the first time is now using stereoscopic...

Melbourne is a notably multicultural city because of the size and diversity of its many immigrant communities. Melbourne also has the reputation of being the comedy capital of Australia. PLACE ‚ URBANITY presents fifteen fully panoramic video

This work extends the tradition of panorama painting, photography and cinematography in the vector of simulation and virtual reality. The viewer can interactively rotate a projected image around a circular screen and so explore a virtual

The Panoramic Navigator is a uniquely new interactive multimedia information terminal that embodies patented augmented reality technologies developed at the ZKM Center for Art and Media in Karlsruhe, Germany. The Panoramic Navigator allows the

... from one Internet-connected web site to another. - Jeffrey Shaw from one Internet-connected web site to another. - Jeffrey Shaw

The Neon Wave Sculpture is an urban light sculpture that is interactively controlled by varying wind speeds. Mounted on the exterior wall of an apartment building, it is constituted by 48 sine-curved neon tubes. The light level in each tube can be

In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any