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  • ... JIM CLARK HUGHES (UK) LTD. MARK ANDREESEN MOSAIC JEFFREY SHAWVIRTUAL MUSEUM MARK BOLAS MONDRIAN WEST (on the... JIM CLARK HUGHES (UK) LTD. MARK ANDREESEN MOSAIC JEFFREY SHAWVIRTUAL MUSEUM MARK BOLAS MONDRIAN WEST (on the theme of...
  • Dragon - video
    An air-inflated dragon was comissioned for William Klein's film Mr. Freedom. This creature was recycled in a number of urban events where people simply carried it through the streets.
  • Continuous Sound and Image Moments is a hand-drawn black-and-white animated film loop with no beginning or end. Conceived as a cinematic expansion of pictorial means, the process of making thousands of drawings (rather than any individual picture)
  • MovieMovie - video
    ... audience sitting on the stairs and balcony. Three performers (Jeffrey Shaw, Theo Botschuyver, and Sean Wellesley-Miller) dressed in... sitting on the stairs and balcony. Three performers (Jeffrey Shaw, Theo Botschuyver, and Sean Wellesley-Miller) dressed in white...
  • This work created a collage of fictional events within a museum space by making projected images of the events appear contiguous with the real space and actual situations. The work was constituted by two structural elements: a large projection
  • This sculpture enabled beams of light to be dynamically moved over Genesis's entire stage as well as out into the auditorium. It was constituted by six large mirrors which were all pivoted on two axes respectively and could be rotated in all
  • Inflatable tubing burst through a wall of brick-printed plastic that covered the shop window. This tubing was then taken into the street and used to signal the boundaries of controversial urban renewal planning in this area.
  • The Neon Wave Sculpture is an urban light sculpture that is interactively controlled by varying wind speeds. Mounted on the exterior wall of an apartment building, it is constituted by 48 sine-curved neon tubes. The light level in each tube can be
  • Inside perspex panels and electro-mechanical system is able to sort over 2000 balls and create images by choosing the relevant positions of either the dark-blue or pale-yellow balls. These images are first created (by anyone) by drawing on a video
  • The event took place in two adjacent rooms. In the first Shusaku gave a Buto performance on the edge of a raised circular steel construction within which the image of a black bull was painted on the white floor. A video camera pointed at this