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In this work the movement of a large video monitor mounted on an industrial fork-lift truck creates a virtual representation of a larger than life size ballerina. As the forklift moves the monitor up and down the ballerina is presented from head to

The Auditorium was the world’s first two-level air-supported structure. With two sets of revolving doors, the ground level could operate at a higher pressure than the upper level. This was necessary to support the weight of people sitting on its

... that puts PlaceWorld online for universal access. © Jeffrey Shaw that puts PlaceWorld online for universal access. © Jeffrey Shaw

... audience sitting on the stairs and balcony. Three performers (Jeffrey Shaw, Theo Botschuyver, and Sean Wellesley-Miller) dressed in... sitting on the stairs and balcony. Three performers (Jeffrey Shaw, Theo Botschuyver, and Sean Wellesley-Miller) dressed in white...

Emergences of Continuous Forms was one of a series of performances and installations in this period which explored various methods of extending the cinematic image into the space of the viewers and of provoking the viewer's physical

This version of Heavens Gate uses the original video material of this work, but presents it in a somewhat different viewing situation. By means of digital post-processing this video material has been anamorphically deformed, and is projected onto a

An Imaginary Museum of Revolutions was a proposed multimedia installation to commemorate the 200th anniversary of the French Revolution. The basic concept was to address 200 revolutions from the French Revolution up to the present-day. The major

... their interactions with the narrative agents and one other. © Jeffrey Shaw with the narrative agents and one other. © Jeffrey Shaw

Three inflatable pavilions, each having a specific function, were specially commissioned for Sonsbeek buiten de perken. Besides the Information Pavilion, an air supported semi-sphere covered with sythetic grass, and the Video Studio, a tensile

For the exhibition 'Kunst Over de Vloer' artists were invited to create works in the rooms of a private apartment building. Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor