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  • ... Korea, (special commission) School of Creative Media, RUN RUN SHAW Creative Media Center, City University Hong Kong, SAT (Société...
  • Three inflatable pavilions, each having a specific function, were specially commissioned for Sonsbeek buiten de perken. Besides the Information Pavilion, an air supported semi-sphere covered with sythetic grass, and the Video Studio, a tensile
  • There is still time… Brother is rooted in the recording of a Wooster Group performance developed specifically to be viewed as a projection on a 360-degree screen. The video is revealed by way of a window that scans around the screen, never showing
  • Sequences of images were created that freely interpreted the themes of Peter Gabriel's song cycle to provide a continuous visual accompaniment to the live stage performance (Genesis world tour 1975). These slides were projected onto three screens
  • ... interactive variant of "The Forest", in collaboration with Jeffrey Shaw and Sebastian Egner. Here, the animation becomes part of... variant of "The Forest", in collaboration with Jeffrey Shaw and Sebastian Egner. Here, the animation becomes part of an...
  • ... "The Burning Edge: Making Space, Activating Form", Run Run Shaw Creative Media Centre, City University of Hong Kong
  • The Dante Cupboard -
    This mixed-media sculpture extended over the gallery floor so that the viewers had to walk over it.
  • During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space.
  • Televents
    Numerous disillusionary manipulations of domestic TV sets were made for a television broadcast by the V.P.R.O. For instance, the TV screen was replaced with a white painted black balloon on which film was projected - when the balloon was inflated
  • ... people entering and leaving the space they are inside of. © Jeffrey Shaw entering and leaving the space they are inside of. © Jeffrey Shaw