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  • The Dante Cupboard -
    This mixed-media sculpture extended over the gallery floor so that the viewers had to walk over it.
  • ... "The Burning Edge: Making Space, Activating Form", Run Run Shaw Creative Media Centre, City University of Hong Kong
  • ... interactive variant of "The Forest", in collaboration with Jeffrey Shaw and Sebastian Egner. Here, the animation becomes part of... variant of "The Forest", in collaboration with Jeffrey Shaw and Sebastian Egner. Here, the animation becomes part of an...
  • Sequences of images were created that freely interpreted the themes of Peter Gabriel's song cycle to provide a continuous visual accompaniment to the live stage performance (Genesis world tour 1975). These slides were projected onto three screens
  • There is still time… Brother is rooted in the recording of a Wooster Group performance developed specifically to be viewed as a projection on a 360-degree screen. The video is revealed by way of a window that scans around the screen, never showing
  • Three inflatable pavilions, each having a specific function, were specially commissioned for Sonsbeek buiten de perken. Besides the Information Pavilion, an air supported semi-sphere covered with sythetic grass, and the Video Studio, a tensile
  • ... Korea, (special commission) School of Creative Media, RUN RUN SHAW Creative Media Center, City University Hong Kong, SAT (Société...
  • ...T_Visionarium, by Neil Brown, Dennis Del Favero, Matt McGinity, Jeffrey Shaw, Peter Weibel, is an experimental new media work that offers the... T_Visionarium, by Neil Brown, Dennis Del Favero, Matt McGinity, Jeffrey Shaw, Peter Weibel, is an experimental new media work that offers the...
  • UNMAKEABLELOVE is a revioning of Beckett’s initial investigation that focuses and makes interactively tangible, a state of confrontation and interpolation between our selves and another society that is operating in a severe state of physical and
  • ... the viewer as they unfold in a seemingly organic manner. © Jeffrey Shaw viewer as they unfold in a seemingly organic manner. © Jeffrey Shaw